Bratislava 5. marca (TASR) – Bratislavsk\u00e9 Divadlo P. O. Hviezdoslava (DPOH) uvedie v piatok 6. marca premi\u00e9ru inscen\u00e1cie Tri sestry. Ide o v\u00fdrazn\u00fa \u00fapravu dramatick\u00e9ho textu Antona Pavlovi\u010da \u010cechova v r\u00e9\u017eii Patr\u00edcie Rotterovej. Pod v\u00fdrazn\u00fa \u00fapravu diela sa podp\u00edsala spolu s dramaturgi\u010dkou Katar\u00ednou Jungovou. Na sc\u00e9ne b\u00fdval\u00e9ho krytu civilnej obrany (CO) v podzem\u00ed divadla v novom po\u010dine \u00fa\u010dinkuj\u00fa Zuzana Kone\u010dn\u00e1, Alexandra Luk\u00e1\u010dov\u00e1, Ivana Kolo\u0161ov\u00e1, Marek Majesk\u00fd, R\u00f3bert Sipos, Katar\u00edna Gurov\u00e1 a Tade\u00e1\u0161 Bolo.<\/p>\n
Ako uviedla na \u0161tvrtkovej tla\u010dovej konferencii riadite\u013eka DPOH Vladislava Fekete, novou inscen\u00e1ciou divadlo nadv\u00e4zuje na t\u00e9mu aktu\u00e1lnej sez\u00f3ny – nov\u00e1 klasika, venovan\u00e1 modern\u00e9mu vn\u00edmaniu klasick\u00fdch dramatick\u00fdch textov, ale vo\u013ene i na dramaturgick\u00fa l\u00edniu Gener\u00e1cia Z. V r\u00e1mci nej dost\u00e1vaj\u00fa priestor mlad\u00ed tvorcovia a t\u00e9my, ktor\u00fdmi \u017eij\u00fa. \u201eVe\u013emi n\u00e1s zauj\u00edma ich uhol poh\u013eadu, ich n\u00e1zory na to, ak\u00fa dobu \u017eijeme, \u010do n\u00e1s tr\u00e1pi, \u010d\u00edm sa zaober\u00e1me,\u201c povedala Fekete k uvedeniu novej hry spojenej s poh\u013eadom gener\u00e1cie tvork\u00fd\u0148, ktor\u00e9 kriticky prem\u00fd\u0161\u013eaj\u00fa o vlastnej krajine a svojej bud\u00facnosti.<\/p>\n
Rotterov\u00e1 s Jungovou vytvorili v\u00fdrazn\u00fa sc\u00e9nick\u00fa \u00fapravu \u010cechovovej divadelnej klasiky Tri sestry. \u201e\u010cechov je ve\u013emi univerz\u00e1lny, prin\u00e1\u0161a t\u00e9my, h\u013abku, hladiny, ktor\u00e9 s\u00fa univerz\u00e1lne,\u201c poznamenala Fekete. Pod\u013ea nej sa tvoriv\u00e9mu t\u00edmu podarilo vytvori\u0165 inscen\u00e1ciu orientovan\u00fa nielen na gener\u00e1ciu Z. \u201eJe ove\u013ea \u0161ir\u0161ie koncipovan\u00e1, ka\u017ed\u00e1 gener\u00e1cia si v nej n\u00e1jde to svoje obdobie, svoju em\u00f3ciu.\u201c<\/p>\n
P\u00f4vodn\u00e1 hra pre\u0161la radik\u00e1lnou \u00fapravou. Ako vysvetlila re\u017eis\u00e9rka, rodina Prozorovcov sa nenach\u00e1dza v Rusku v roku 1901. Tvorkyne vsadili rusk\u00e9 postavy do slovensk\u00e9ho prostredia. \u201eZa\u017e\u00edvaj\u00fa pr\u00edchod, pr\u00edtomnos\u0165 a odchod arm\u00e1dy rovnako ako v predlohe, ale mot\u00edv arm\u00e1dy naber\u00e1 v na\u0161ej inscen\u00e1cii in\u00fd v\u00fdznamov\u00fd r\u00e1mec,\u201c dod\u00e1va Rotterov\u00e1 k predstaveniu, ktor\u00e9ho dej sa odohr\u00e1va v \u010dasovej l\u00ednii rokov 1945 – 1952 – 1970 – 1991 a dot\u00fdka sa aj s\u00fa\u010dasnosti.<\/p>\n
\u201eTri sestry n\u00e1m pri\u0161li zauj\u00edmav\u00e9 pr\u00e1ve pre arm\u00e1du, ktor\u00e1 r\u00e1mcuje dianie v hre. Prich\u00e1dza Ver\u0161inin, s n\u00edm aj bat\u00e9ria, na z\u00e1ver hry odch\u00e1dza, pri\u0161lo n\u00e1m zauj\u00edmav\u00e9 zamyslie\u0165 sa nad na\u0161\u00edm vz\u0165ahom k Rusku a k Moskve,\u201c pribl\u00ed\u017eila Rotterov\u00e1. Kost\u00fdmy do inscen\u00e1cie vytvorila oce\u0148ovan\u00e1 Marija Havran. Pod sc\u00e9nografiu a sveteln\u00fd dizajn sa podp\u00edsal Mat\u00fa\u0161 \u010euran.<\/p>\n
\u201eZ\u00e1kladn\u00fdm mot\u00edvom straten\u00e9ho raja, ktor\u00fd h\u013eadaj\u00fa postavy, je Moskva, v na\u0161ej inscen\u00e1cii sa Moskva nespom\u00edna, spom\u00edna sa na z\u00e1ver v siln\u00fdch a ve\u013emi zauj\u00edmav\u00fdch kontextoch,\u201c podotkla Fekete k \u201ereinterpret\u00e1cii\u201c \u010cechova v priestore podzemn\u00e9ho krytu divadla. T\u00e9me, ako uchopi\u0165 rusk\u00fa klasiku, rusk\u00fa t\u00e9mu sa chce venova\u0165 aj v r\u00f4znych sprievodn\u00fdch podujatiach. Druh\u00fa premi\u00e9ru inscen\u00e1cie Tri sestry uvedie 13. marca.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 5. marca (TASR) – Bratislavsk\u00e9 Divadlo P. O. Hviezdoslava (DPOH) uvedie v piatok 6. marca premi\u00e9ru inscen\u00e1cie…\n","protected":false},"author":2,"featured_media":12494,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[136,6399,6400,6401,3392,4426,43,40,39,42,41],"class_list":{"0":"post-12493","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bratislava","8":"tag-bratislava","9":"tag-cechov","10":"tag-dpoh","11":"tag-klasika","12":"tag-nova","13":"tag-sestry","14":"tag-sk","15":"tag-slovak","16":"tag-slovakia","17":"tag-slovencina","18":"tag-slovensko"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116187652617290478","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/12493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=12493"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/12493\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/12494"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=12493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=12493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=12493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}