Bratislava 7. marca (TASR) – V\u00fdstava Voiceless – Bez hlasu predstavuje prv\u00fa verejn\u00fa samostatn\u00fa prezent\u00e1ciu autorky Martiny \u017d\u00e1kovej. \u201eProjekt prin\u00e1\u0161a siln\u00fa introspekt\u00edvnu v\u00fdpove\u010f o \u017eenskej identite, hodnote a vn\u00fatornej sile, ktor\u00e1 existuje aj vtedy, ke\u010f zost\u00e1va nevypovedan\u00e1,\u201c pribli\u017euje v\u00fdstavu bratislavsk\u00e1 Gal\u00e9ria Star\u00fd Avion, kde potrv\u00e1 do 14. marca.<\/p>\n
Venuje sa \u017eene, ktorej hlas bol uml\u010dan\u00fd okolnos\u0165ami, vz\u0165ahmi alebo vlastn\u00fdm strachom. \u201eNapriek tomu v nej zost\u00e1va ve\u013ea nepovedan\u00e9ho, ve\u013ea em\u00f3ci\u00ed, t\u00fa\u017eob a my\u0161lienok, ktor\u00e9 si h\u013eadaj\u00fa cestu von,\u201c hovor\u00ed autorka k cyklu, ktor\u00fd je pod\u013ea nej pozvan\u00edm vn\u00edma\u0165 \u017eeny nielen o\u010dami, ale citlivej\u0161ie ako bytosti s vlastn\u00fdmi pr\u00edbehmi a sk\u00fasenos\u0165ami.<\/p>\n
V\u00fdstava sa s\u00fastre\u010fuje na \u017eeny, ktor\u00e9 zostali v \u00fazad\u00ed, boli prehliadan\u00e9 a \u010dasto nechcen\u00e9. \u201eNa \u017eeny, ktor\u00e9 si neuvedomuj\u00fa svoju hodnotu, preto\u017ee ju nikdy nepo\u010duli vysloven\u00fa. Napriek tomu v sebe nes\u00fa cel\u00fd vesm\u00edr viet, farieb a obrazov,\u201c dod\u00e1va kur\u00e1torka v\u00fdstavy \u013duba Suchalov\u00e1 Harichov\u00e1 a zd\u00f4raz\u0148uje symbolick\u00fa rovinu autorkinej tvorby.<\/p>\n
\u201e\u00dastredn\u00fdm mot\u00edvom s\u00fa \u017eensk\u00e9 tv\u00e1re – filigr\u00e1nsky vypracovan\u00e9, zbaven\u00e9 individu\u00e1lnych znakov akoby zastaven\u00e9 v tichu. Absencia o\u010d\u00ed nep\u00f4sob\u00ed ako provok\u00e1cia, ale ako symbol. Ml\u010danie tu nie je slabos\u0165ou, ale priestorom a momentom pred slovom,\u201c vysvet\u013euje kur\u00e1torka k v\u00fdstave, ktorej dominantou s\u00fa ve\u013ekoform\u00e1tov\u00e9 figur\u00e1lne ma\u013eby. \u017d\u00e1kov\u00e1 v nich kombinuje olejoma\u013ebu, akryl, tu\u0161 a olejov\u00fd pastel. Pracuje najm\u00e4 s modr\u00fdmi a az\u00farov\u00fdmi t\u00f3nmi, okrov\u00fdmi odtie\u0148mi, telov\u00fdmi farbami a v\u00fdraznou \u010diernou kont\u00farou.<\/p>\n
\u201eMnoh\u00e9 \u017eensk\u00e9 postavy nemaj\u00fa zobrazen\u00e9 o\u010di, napriek tomu p\u00f4sobia s\u00fastredene a vn\u00fatorne silno. Jedinou zo \u017eien, ktorej s\u00fa zrete\u013ene vidite\u013en\u00e9 aj o\u010di, je M\u00e1ria Magdal\u00e9na,\u201c poznamen\u00e1va kur\u00e1torka s t\u00fdm, \u017ee v obrazoch sa popri figur\u00e1lnych mot\u00edvoch objavuj\u00fa aj stromy a oce\u00e1n. \u201eP\u00f4sobia ako tich\u00e9 metafory vytrvalosti, zakorenenia a pohybu, ktor\u00fd sa odohr\u00e1va pod hladinou,\u201c objas\u0148uje Suchalov\u00e1 Harichov\u00e1.<\/p>\n
Martina \u017d\u00e1kov\u00e1 je rod\u00e1\u010dkou z Pie\u0161\u0165an, kde sa jej v\u00fdtvarn\u00fd talent formoval od detstva. Po \u0161t\u00fadiu na \u0160kole \u00fa\u017eitkov\u00e9ho v\u00fdtvarn\u00edctva v Kremnici pokra\u010dovala na Univerzite Komensk\u00e9ho (UK) v Bratislave, venovala sa predov\u0161etk\u00fdm arteterapii. Magistersk\u00e9 \u0161t\u00fadium ukon\u010dila na Fakulte soci\u00e1lnych a ekonomick\u00fdch vied UK. V\u00fdznamn\u00fd vplyv na jej umeleck\u00e9 smerovanie mal ro\u010dn\u00fd pobyt v USA, kde p\u00f4sobila v maliarskom ateli\u00e9ri pod veden\u00edm Theresy Dedmon.<\/p>\n
S\u00fa\u010das\u0165ou v\u00fdstavy bude komentovan\u00e1 prehliadka s autorkou, uskuto\u010dn\u00ed sa 11. marca o 17.00 h.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 7. marca (TASR) – V\u00fdstava Voiceless – Bez hlasu predstavuje prv\u00fa verejn\u00fa samostatn\u00fa prezent\u00e1ciu autorky Martiny \u017d\u00e1kovej.…\n","protected":false},"author":2,"featured_media":12677,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[21],"tags":[1095,6479,136,43,40,39,42,41,992,611,6478],"class_list":["post-12676","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bratislava","tag-bax","tag-bez","tag-bratislava","tag-sk","tag-slovak","tag-slovakia","tag-slovencina","tag-slovensko","tag-sr","tag-vystava","tag-vytvarne"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116188588426611791","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/12676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=12676"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/12676\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/12677"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=12676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=12676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=12676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}