Bratislava 4. marca (TASR) – Slovensk\u00e9 n\u00e1rodn\u00e9 divadlo (SND) uvedie v piatok prv\u00fa premi\u00e9ru inscen\u00e1cie opernej klasiky Eugen Onegin. Dielo Piotra I\u013eji\u010da \u010cajkovsk\u00e9ho, ktor\u00fd sa spracovan\u00edm Pu\u0161kinovho ver\u0161ovan\u00e9ho rom\u00e1nu postaral v roku 1879 o prelom v dejin\u00e1ch opery, sa na na\u0161u prv\u00fa sc\u00e9nu vracia po vy\u0161e dvadsiatich rokoch.<\/p>\n
Ako uviedol pre TASR dramaturg Jozef \u010cervenka, jednou z hlavn\u00fdch motiv\u00e1ci\u00ed vr\u00e1ti\u0165 legend\u00e1rnu operu na sc\u00e9nu Opery SND je mimoriadne siln\u00e1 slovensk\u00e1 spev\u00e1cka gener\u00e1cia, typovo aj vok\u00e1lne vhodn\u00e1 pre v porad\u00ed dvan\u00e1stu inscen\u00e1ciu \u201epr\u00edbehu t\u00fa\u017eby, p\u00fdchy a stratenej l\u00e1sky\u201c. \u201eNiektor\u00ed z aktu\u00e1lnej zostavy \u00fa\u010dinkovali aj v predch\u00e1dzaj\u00facej inscen\u00e1cii, niektor\u00ed dokonca v in\u00fdch roliach a niektor\u00ed debutuj\u00fa, tak\u017ee je to pestr\u00e9. O tom, \u017ee t\u00e1 zostava je naozaj siln\u00e1, sved\u010d\u00ed aj trojit\u00e9 obsadenie pri hlavn\u00fdch postav\u00e1ch,\u201c poznamenal \u010cervenka.<\/p>\n
Eugena Onegina prv\u00fdkr\u00e1t inscenovalo SND u\u017e v roku svojho zalo\u017eenia (1920). Opern\u00e1 klasika pon\u00fakne div\u00e1kom \u201eencyklop\u00e9diu rusk\u00e9ho \u017eivota\u201c 19. storo\u010dia. Pod zdanlivo ban\u00e1lnym pr\u00edbehom o neop\u00e4tovanej l\u00e1ske Tatiany zachyt\u00e1va mnoho odtie\u0148ov \u017eivota i spolo\u010densk\u00fdch zvyklost\u00ed a odk\u00fdva ot\u00e1zky o \u013eudskej osamelosti, odcudzen\u00ed, h\u013eadan\u00ed a strate ide\u00e1lov, mor\u00e1lke a cti.<\/p>\n
\u201eJe to v\u00fdnimo\u010dn\u00e9 dielo, ktor\u00e9 sa vymykalo z tradi\u010dnej opery 19. storo\u010dia, koncepcia opery je do tej doby nesl\u00fdchan\u00e1, nev\u00eddan\u00e1. Je to dielo, ktor\u00e9 je ove\u013ea lyrickej\u0161ie, poetickej\u0161ie ako ve\u013ek\u00e9 romantick\u00e9 opery, je to vykro\u010denie stranou oproti tradi\u010dn\u00fdm oper\u00e1m,\u201c pod\u010diarkol dramaturg. Z\u00e1rove\u0148 pouk\u00e1zal na mot\u00edv, ktor\u00fd je aj v s\u00fa\u010dasnosti aktu\u00e1lny. \u201eSpolo\u010dnos\u0165, ktor\u00e1 sa nach\u00e1dza v Eugenovi Oneginovi, t\u00e1to inscen\u00e1cia to aj dos\u0165 akcentuje, neust\u00e1le nie\u010do predstiera, tv\u00e1ri sa, \u017ee je nie\u010do in\u00e9, ako je v skuto\u010dnosti,\u201c dodal \u010cervenka.<\/p>\n
V\u00fdtvarn\u00e1 koncepcia inscen\u00e1cie je pod\u013ea neho mostom medzi minulos\u0165ou a s\u00fa\u010dasnos\u0165ou. Div\u00e1ci v nej n\u00e1jdu historick\u00e9 \u0161tyliz\u00e1cie i prvky s\u00fa\u010dasn\u00e9, v sc\u00e9nografii aj kost\u00fdmoch. \u201ePou\u017e\u00edvame projekcie, modern\u00fa divadeln\u00fa techniku a z\u00e1rove\u0148 akcenty, ktor\u00e9 s\u00fa tam zo s\u00fa\u010dasnosti, detaily, ktor\u00e9 sa nach\u00e1dzaj\u00fa najm\u00e4 v kost\u00fdmoch, smeruj\u00fa ku komplexn\u00e9mu prepojeniu sc\u00e9ny, \u017ee je to spolo\u010dnos\u0165, ktor\u00e1 sa zab\u00e1vala, a zab\u00e1vala sa povedzme na Titanicu,\u201c uzavrel dramaturg.<\/p>\n
V hlavn\u00fdch \u00faloh\u00e1ch sa na sc\u00e9ne, ktor\u00fa navrhol Marek Holl\u00fd, v kost\u00fdmoch \u013dudmily V\u00e1rossovej, predstav\u00ed opern\u00e1 \u0161pi\u010dka s\u00f3listov dom\u00e1cich i t\u00fdch slovensk\u00fdch, ktor\u00ed p\u00f4sobia na zahrani\u010dn\u00fdch sc\u00e9nach – Pavol Br\u0161l\u00edk, Peter Berger, Tom\u00e1\u0161 Juh\u00e1s, Ale\u0161 Jenis, Pavol Remen\u00e1r, Daniel \u010capkovi\u010d, Linda Ballov\u00e1, Jolana Foga\u0161ov\u00e1, Eva Horny\u00e1kov\u00e1, Monika Fabianov\u00e1, Ter\u00e9zia Kru\u017eliakov\u00e1, Jozef Benci a \u010fal\u0161\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 4. marca (TASR) – Slovensk\u00e9 n\u00e1rodn\u00e9 divadlo (SND) uvedie v piatok prv\u00fa premi\u00e9ru inscen\u00e1cie opernej klasiky Eugen…\n","protected":false},"author":2,"featured_media":13115,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[136,894,5611,4312,5610,43,40,39,42,41,3408],"class_list":{"0":"post-13114","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bratislava","8":"tag-bratislava","9":"tag-divadlo","10":"tag-eugen","11":"tag-onegin","12":"tag-opera","13":"tag-sk","14":"tag-slovak","15":"tag-slovakia","16":"tag-slovencina","17":"tag-slovensko","18":"tag-snd"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116192406663158401","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/13114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=13114"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/13114\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/13115"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=13114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=13114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=13114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}