Dvadsa\u0165ro\u010dn\u00e1 spev\u00e1\u010dka predstavila nov\u00fd singel Paris, ktor\u00fdm nadv\u00e4zuje na svoje predch\u00e1dzaj\u00face autorsk\u00e9 skladby In Too Deep a I Could Be Mine. Novinka je dostupn\u00e1 na v\u0161etk\u00fdch streamovac\u00edch platform\u00e1ch a sprev\u00e1dza ju s\u00e9ria fotografi\u00ed z franc\u00fazskej metropoly, ktor\u00e1 pod\u010diarkuje romantick\u00fa atmosf\u00e9ru piesne.<\/p>\n
Par\u00ed\u017e sa v skladbe nest\u00e1va iba kulisou, ale symbolom nostalgie, zamilovanosti a snahy zachyti\u0165 okamihy, ktor\u00e9 zost\u00e1vaj\u00fa v pam\u00e4ti aj dlho po ich pre\u017eit\u00ed. Charlotte Gott pritom na\u010falej zost\u00e1va vern\u00e1 anglick\u00e9mu jazyku, ktor\u00fdm sa rozhodla vykro\u010di\u0165 na s\u00f3lov\u00fa dr\u00e1hu.<\/p>\n
Na piesni Paris sa autorsky podie\u013eala spolu s britsk\u00fdmi hudobn\u00edkmi Beauom Milesom-Watsonom a Harrym Paynterom, ktor\u00ed s\u00fa z\u00e1rove\u0148 podp\u00edsan\u00ed aj pod textom skladby. Produkciu zastre\u0161ili Beau Miles-Watson, Sacha Skarbek, Daniel Angell a Stephan Barnes. Pr\u00e1ve meno Sachu Skarbeka patr\u00ed medzi najv\u00fdraznej\u0161ie v zozname spolupracovn\u00edkov. Britsk\u00fd skladate\u013e a producent po\u010das svojej kari\u00e9ry pracoval s interpretmi, ako Adele, James Blunt, Miley Cyrus, Lana Del Rey \u010di Jason Mraz, \u010do predstavuje pre za\u010d\u00ednaj\u00facu \u010desk\u00fa spev\u00e1\u010dku v\u00fdznamn\u00fa tvoriv\u00fa sk\u00fasenos\u0165.<\/p>\n
Charlotte Gott od\u0161tartovala svoju s\u00f3lov\u00fa kari\u00e9ru tento rok debutov\u00fdm singlom In Too Deep, po ktorom nasledovala skladba I Could Be Mine. Paris je u\u017e tre\u0165ou ochutn\u00e1vkou z pripravovan\u00e9ho debutov\u00e9ho EP, ktor\u00e9 by malo vyjs\u0165 na jese\u0148 a obsahova\u0165 p\u00e4\u0165 skladieb.<\/p>\n
Hoci je jej meno st\u00e1le neodmyslite\u013ene spojen\u00e9 s duetom Srdce nehasnou, ktor\u00fd v roku 2019 naspievala so svoj\u00edm otcom Karlom Gottom, aktu\u00e1lna tvorba nazna\u010duje, \u017ee sa Charlotte vedome sna\u017e\u00ed vyst\u00fapi\u0165 z tie\u0148a jednej z najv\u00e4\u010d\u0161\u00edch osobnost\u00ed \u010deskej popul\u00e1rnej hudby. Namiesto dom\u00e1ceho reperto\u00e1ru stavila na medzin\u00e1rodne znej\u00faci pop a postupne predstavuje vlastn\u00e9 autorsk\u00e9 skladby, ktor\u00fdmi si buduje samostatn\u00fa umeleck\u00fa identitu.<\/p>\n
Prv\u00e9 reakcie fan\u00fa\u0161ikov nazna\u010duj\u00fa, \u017ee Paris je zatia\u013e jej najlep\u0161ie prijatou novinkou. Posluch\u00e1\u010di v koment\u00e1roch pod videom oce\u0148uj\u00fa najm\u00e4 jemnej\u0161\u00ed charakter skladby, prirodzenej\u0161\u00ed spev\u00e1cky prejav a atmosf\u00e9ru, ktor\u00e1 pod\u013ea viacer\u00fdch pripom\u00edna komorn\u00fd klav\u00edrny pop \u010di soul. Niektor\u00ed ju ozna\u010duj\u00fa za jej doposia\u013e najvydarenej\u0161\u00ed singel a veria, \u017ee pr\u00e1ve podobn\u00fdm smerom by sa mala ubera\u0165 aj na pripravovanom EP.<\/p>\n
Diskusia v\u0161ak nie je \u00faplne jednozna\u010dn\u00e1. Objavuj\u00fa sa aj n\u00e1zory, \u017ee spev\u00e1\u010dka by mohla do interpret\u00e1cie vnies\u0165 viac energie alebo \u017ee jej hudba zatia\u013e e\u0161te nepon\u00fakla v\u00fdrazn\u00fd hit, ktor\u00fd by obst\u00e1l aj bez zn\u00e1meho priezviska. Pr\u00e1ve tieto rozdielne reakcie v\u0161ak ukazuj\u00fa, \u017ee Charlotte Gott u\u017e nie je vn\u00edman\u00e1 iba ako dc\u00e9ra Karla Gotta. So svojou tvorbou postupne vstupuje do priestoru, v ktorom sa bude musie\u0165 presadi\u0165 predov\u0161etk\u00fdm vlastn\u00fdmi skladbami.<\/p>\n
Text: Hudba.sk\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"Dvadsa\u0165ro\u010dn\u00e1 spev\u00e1\u010dka predstavila nov\u00fd singel Paris, ktor\u00fdm nadv\u00e4zuje na svoje predch\u00e1dzaj\u00face autorsk\u00e9 skladby In Too Deep a I…\n","protected":false},"author":2,"featured_media":135210,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[15],"tags":[90,70,88,89,92,93,96,91,43,40,39,42,41,94,95,71],"class_list":["post-135209","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-akordy","tag-entertainment","tag-hudba","tag-hudobne-skupiny","tag-koncerty","tag-mp3","tag-novinky","tag-recenzie","tag-sk","tag-slovak","tag-slovakia","tag-slovencina","tag-slovensko","tag-texty-piesni","tag-videoklipy","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116996033912105355","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/135209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=135209"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/135209\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/135210"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=135209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=135209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=135209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}