{"id":135591,"date":"2026-07-28T13:56:13","date_gmt":"2026-07-28T13:56:13","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/135591\/"},"modified":"2026-07-28T13:56:13","modified_gmt":"2026-07-28T13:56:13","slug":"v-parteri-petrzalskeho-panelaka-vzniklo-kreativne-studio-sorrywecan-otvoreny-priestor-v-nom-clenia-betonove-stlpy","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/135591\/","title":{"rendered":"V parteri petr\u017ealsk\u00e9ho panel\u00e1ka vzniklo kreat\u00edvne \u0161t\u00fadio Sorrywecan. Otvoren\u00fd priestor v \u0148om \u010dlenia bet\u00f3nov\u00e9 st\u013apy"},"content":{"rendered":"

Zmena funkcie priestorov v parteri bytov\u00fdch domov sa v posledn\u00fdch rokoch st\u00e1va prirodzenou s\u00fa\u010das\u0165ou transform\u00e1cie mestsk\u00e9ho prostredia. P\u00f4vodne obchodn\u00e9 jednotky \u010di ob\u010diansku vybavenos\u0165 pritom v niektor\u00fdch pr\u00edpadoch nahr\u00e1dzaj\u00fa aj \u00faplne nov\u00e9 typol\u00f3gie, ktor\u00e9 reaguj\u00fa na aktu\u00e1lne potreby pr\u00e1ce a \u017eivota v meste. Pr\u00edkladom je \u0161t\u00fadio Sorrywecan, ktor\u00e9 sa nach\u00e1dza v parteri petr\u017ealsk\u00e9ho panel\u00e1ku. <\/p>\n

V dvojpodla\u017enom parteri panelov\u00e9ho bytov\u00e9ho domu na Pe\u010dnianskej ulici v Petr\u017ealke sa e\u0161te doned\u00e1vna okrem in\u00e9ho nach\u00e1dzala po\u0161ta aj predaj\u0148a obuvi. Dnes v rovnak\u00fdch priestoroch s\u00eddli pracovisko multimedi\u00e1lneho \u0161t\u00fadia Sorrywecan. Jeho interi\u00e9r navrhol ateli\u00e9r Absurd studio pod veden\u00edm Ivana Kulifaja.\u00a0<\/p>\n

Pod\u013ea autora projektu kontext lokality a z\u00e1rove\u0148 vyu\u017eitie parteru panelov\u00fdch domov pripom\u00ednaj\u00fa fenom\u00e9n opusten\u00fdch brownfieldov. \u201ePriestory s\u00fa \u010dasto nevyu\u017eit\u00e9, v niektor\u00fdch sa nach\u00e1dzaj\u00fa neleg\u00e1lne squaty a podobne. Vyu\u017eitie dan\u00e9ho priestoru tak h\u013ead\u00e1 nielen funk\u010dn\u00fa n\u00e1pl\u0148, ale m\u00e1 presah aj do sociourbanistickej sf\u00e9ry,\u201c tvrd\u00ed.<\/p>\n

Ekonomick\u00e9 pozit\u00edva<\/p>\n

Za \u010fal\u0161iu v\u00fdhodu vyu\u017e\u00edvania tak\u00fdchto priestorov architekt ozna\u010duje aj ekonomick\u00fa str\u00e1nku. \u201eTieto priestory s\u00fa ekonomicky v\u00fdhodn\u00e9, \u010do l\u00e1ka mlad\u00e9 a kreat\u00edvne zoskupenia. Z\u00e1rove\u0148 svoj\u00edm komunitn\u00fdm fungovan\u00edm \u201e\u010distia\u201c nielen samotn\u00fd objekt, ale aj jeho bezprostredn\u00e9 okolie,\u201c pribli\u017euje.<\/p>\n

\u201eP\u00f4vodn\u00fd priestor nebol z titulu svojej funkcie z\u00e1sadnej\u0161ie delen\u00fd. Z\u00e1rove\u0148 v r\u00e1mci projektu prevl\u00e1dala snaha zachova\u0165 \u010do najviac z p\u00f4vodnej podlahy a okien,\u201d pribli\u017euje v\u00fdchodiskov\u00e9 dispozi\u010dn\u00e9 rie\u0161enie Ivan Kulifaj. \u201eDostavan\u00e9 kon\u0161trukcie spo\u010d\u00edvali v \u013eahk\u00fdch stenov\u00fdch translucentn\u00fdch kon\u0161trukci\u00e1ch, ktor\u00e9 definuj\u00fa potrebn\u00e9 priestory,\u201d dod\u00e1va.<\/p>\n

Open space ako z\u00e1klad<\/p>\n

V\u00fdsledkom je interi\u00e9r rozdelen\u00fd na dve priestorovo odli\u0161n\u00e9 \u010dasti. Hlavn\u00fdm vstupom sa pou\u017e\u00edvatelia dostan\u00fa do\u00a0open\u00a0space\u00a0priestoru. Pomyseln\u00fdm deliacim prvkom sa v tomto pr\u00edpade stali p\u00f4vodn\u00e9 bet\u00f3nov\u00e9 st\u013apy. Tie otvoren\u00fd priestor \u010dlenia na men\u0161ie pracovn\u00e9 aj oddychov\u00e9 z\u00f3ny.\u00a0<\/p>\n

Pr\u00e1ve p\u00f4vodn\u00fd \u017eelezobet\u00f3nov\u00fd skelet, ktor\u00fd bol v r\u00e1mci projektu obna\u017een\u00fd, pova\u017euje autor projektu Sorrywecan \u0161t\u00fadio za jeden z architektonick\u00fdch prvkov, ktor\u00e9 obzvl\u00e1\u0161\u0165 stoja za zmienku. Ako hodnotn\u00fa vn\u00edmal aj p\u00f4vodn\u00fa podlahu, ktor\u00fa sa podarilo zachova\u0165 v plnej miere, \u010di okenn\u00e9 otvory, ktor\u00e9 boli v r\u00e1mci rekon\u0161trukcie op\u00e4tovne sfunk\u010dnen\u00e9. \u201ePriestor m\u00e1 dostato\u010dne perforovan\u00fa fas\u00e1du okenn\u00fdmi otvormi a pri zachovan\u00ed p\u00f4vodn\u00e9ho delenia sa st\u00e1va n\u00e1vrh obojstranne osvetlen\u00fdm priestorom,\u201c tvrd\u00ed.<\/p>\n

\"studio-sorrywecan-petrzalka-bratislava-interier\"\"studio-sorrywecan-petrzalka-bratislava-interier\"<\/a>Interi\u00e9r navrhol ateli\u00e9r Absurd studio pod veden\u00edm Ivana Kulifaja.\u00a0 | Zdroj: Wellina
\nPriestor, ktor\u00e9mu kra\u013euje pracovn\u00fd st\u00f4l<\/p>\n

Dominantou\u00a0open\u00a0space\u00a0\u010dasti je jednozna\u010dne rozsiahly dreven\u00fd pracovn\u00fd st\u00f4l, nad ktor\u00fdm sa v celej d\u013a\u017eke pracovnej plochy t\u00fd\u010di unik\u00e1tne ve\u013ekoplo\u0161n\u00e9 osvetlenie. Doplnen\u00fd je o dvojicu oddychov\u00fdch z\u00f3n, l\u00edniov\u00e9 sedenie pod oknami, ako aj o \u010fal\u0161\u00ed men\u0161\u00ed pracovn\u00fd k\u00fat. \u201eStoly sme spolo\u010dne s klientom a remeseln\u00edkmi vym\u00fd\u0161\u013eali a cez makety overovali ich funk\u010dnos\u0165 pre v\u0161etky potrebn\u00e9 vyu\u017eitia,\u201d pribli\u017euje proces n\u00e1vrhu Ivan Kulifaj.\u00a0<\/p>\n

V druhej \u010dasti rie\u0161en\u00e9ho priestoru sa nach\u00e1dza nieko\u013eko men\u0161\u00edch miestnost\u00ed, ktor\u00e9 si zo svojej povahy vy\u017eaduj\u00fa uzatvorenej\u0161ie prostredie. S\u00fa\u010das\u0165ou interi\u00e9ru je kuchynka, lounge, dvojica zasadac\u00edch miestnost\u00ed a tzv. deep office kancel\u00e1ria.\u00a0<\/p>\n

\"studio-sorrywecan-petrzalka-bratislava-interier\"\"studio-sorrywecan-petrzalka-bratislava-interier\"<\/a>Dominantou\u00a0open\u00a0space\u00a0\u010dasti je dreven\u00fd pracovn\u00fd st\u00f4l. | Zdroj: Wellina
\nPriame prirodzen\u00e9 a dif\u00fazne umel\u00e9 osvetlenie<\/p>\n

Ako architekt \u010falej uv\u00e1dza: \u201eNavrhovan\u00fd priestor je zalo\u017een\u00fd na z\u00e1sadne multifunk\u010dnom vyu\u017e\u00edvan\u00ed od pr\u00e1ce,\u00a0meetingy, kolabor\u00e1cie, eventy r\u00f4zneho typu ako diskusie a mnoho \u010fal\u0161\u00edch. Z toho vypl\u00fdvalo z\u00e1kladn\u00e9 p\u00f4dorysn\u00e9 rozdelenie a umiestnenie funkci\u00ed. Proces tvorby bol pri n\u00e1vrhu ten najd\u00f4le\u017eitej\u0161\u00ed a to ost\u00e1va aj na\u010falej v priestore, ktor\u00fd vytv\u00e1ra pozadie pre \u010fal\u0161ie kreat\u00edvne procesy.\u201d\u00a0<\/p>\n

D\u00f4le\u017eitou s\u00fa\u010das\u0165ou projektu bola aj pr\u00e1ca so svetlom. Pod\u013ea architekta je pr\u00e1ve svetlo v n\u00e1vrhu siln\u00fdm elementom, preto\u017ee v interi\u00e9ri neexistuje priame umel\u00e9 svetlo. V\u0161etky umel\u00e9 sveteln\u00e9 zdroje boli navrhnut\u00e9 ako dif\u00fazne a pracuj\u00fa s odrazom a rozptylom. \u201eOsvetlenie dosahuje h\u013abku a perspekt\u00edvu. Nikdy neprin\u00e1\u0161a priamy sveteln\u00fd l\u00fa\u010d, ale rozpt\u00fdlen\u00e9 energie, ktor\u00e9 n\u00e1sledne vytv\u00e1raj\u00fa priestor s tmou.\u201d\u00a0<\/p>\n

\"studio-sorrywecan-petrzalka-bratislava-interier\"\"studio-sorrywecan-petrzalka-bratislava-interier\"<\/a>V druhej \u010dasti rie\u0161en\u00e9ho priestoru sa nach\u00e1dza nieko\u013eko men\u0161\u00edch miestnost\u00ed, ktor\u00e9 si zo svojej povahy vy\u017eaduj\u00fa uzatvorenej\u0161ie prostredie. | Zdroj: Wellina
\nOdhalen\u00e1 p\u00f4vodn\u00e1 materialita<\/p>\n

Z materi\u00e1lov\u00e9ho h\u013eadiska tvoria v\u00fdrazn\u00fa vrstvu odhalen\u00e9 a zachovan\u00e9 prvky, ako s\u00fa \u017eelezobet\u00f3nov\u00e9 st\u013apy, podlaha s terazzo vzorom \u010di odhalen\u00e9 stropn\u00e9 kon\u0161trukcie. P\u00f4vodn\u00e9 materi\u00e1ly z\u00e1rove\u0148 dop\u013a\u0148aj\u00fa nov\u00e9 vrstvy v podobe polykarbon\u00e1tov\u00fdch prie\u010dok, svetl\u00e9ho dreva a neutr\u00e1lnych text\u00edli\u00ed. <\/p>\n

Architekt tento pr\u00edstup opisuje slovami: \u201eZbavi\u0165 existuj\u00face \u0161trukt\u00fary v\u0161etk\u00fdch nevyhnutnost\u00ed a o\u010disti\u0165 ich od ich letargickej hist\u00f3rie vyma\u017ee v\u0161etky spomienky a za\u010dne na nulovej \u00farovni. Vytv\u00e1ranie sveteln\u00fdch vrstiev zalo\u017een\u00fdch na monochromatick\u00fdch farb\u00e1ch a priesvitn\u00fdch materi\u00e1loch zanech\u00e1va beztvar\u00e9 anom\u00e1lie.\u201d\u00a0<\/p>\n

\"studio-sorrywecan-petrzalka-bratislava-interier\"\"studio-sorrywecan-petrzalka-bratislava-interier\"<\/a>Pomyseln\u00fdm deliacim prvkom sa v tomto pr\u00edpade stali p\u00f4vodn\u00e9 bet\u00f3nov\u00e9 st\u013apy.| Zdroj: Wellina
\nNomin\u00e1cia na prest\u00ed\u017ene ocenenie<\/p>\n

Pod\u013ea jeho slov sa cel\u00fd dizajn nach\u00e1dza v dial\u00f3gu medzi vytvoren\u00edm pozadia pre \u010fal\u0161ie ohromuj\u00face koncepty a vstupom do protikladu k vonkaj\u0161iemu svetu, aby priniesol pokoj a vn\u00fatorn\u00fa koncentr\u00e1ciu.\u00a0<\/p>\n

Interi\u00e9rov\u00fd dizajn \u0161t\u00fadia\u00a0Sorrywecan\u00a0zaujal aj odborn\u00fa porotu v r\u00e1mci 25. ro\u010dn\u00edka prest\u00ed\u017eneho ocenenia CE ZA AR 2026<\/a>. Dielo sa toti\u017e dostalo medzi ned\u00e1vno ozn\u00e1men\u00e9 nomin\u00e1cie. V kateg\u00f3rii Interi\u00e9r zabojuje o ocenenie spolu s Imunologickou ambulanciou v Ko\u0161iciach a interi\u00e9rom zmrzlin\u00e1rne Velice v Novej Dubnici.\u00a0<\/p>\n

Sorrywecan \u0161t\u00fadio, Bratislava-Petr\u017ealka \u00a0<\/p>\n

Investor: Peter Ka\u0161par, Roland Wranik\u00a0
Architekti: Absurd studio \u2013 Ivan Kulifaj, Miriama Heskov\u00e1, Paul\u00edna \u0160am\u010dik, Michael Re\u0161et\u00e1r\u00a0
Realiz\u00e1cia: 2025
Stav: dokon\u010den\u00e9<\/p>\n","protected":false},"excerpt":{"rendered":"Zmena funkcie priestorov v parteri bytov\u00fdch domov sa v posledn\u00fdch rokoch st\u00e1va prirodzenou s\u00fa\u010das\u0165ou transform\u00e1cie mestsk\u00e9ho prostredia. P\u00f4vodne…\n","protected":false},"author":2,"featured_media":135592,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[21],"tags":[136,14214,39268,15998,43,40,39,42,41],"class_list":["post-135591","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bratislava","tag-bratislava","tag-bratislava-petrzalka","tag-cezaar2026","tag-interier","tag-sk","tag-slovak","tag-slovakia","tag-slovencina","tag-slovensko"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116997952970186014","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/135591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=135591"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/135591\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/135592"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=135591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=135591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=135591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}