{"id":20050,"date":"2026-03-16T14:45:11","date_gmt":"2026-03-16T14:45:11","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/20050\/"},"modified":"2026-03-16T14:45:11","modified_gmt":"2026-03-16T14:45:11","slug":"lupeznicka-komedia-poberta-zatvara-33-febiofest-bratislava-2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/20050\/","title":{"rendered":"L\u00fape\u017en\u00edcka kom\u00e9dia Poberta zatv\u00e1ra 33. Febiofest Bratislava"},"content":{"rendered":"<p>Bratislava 16. marca (TASR) &#8211; Viacero v\u00fdrazn\u00fdch osobnost\u00ed svetovej kinematografie priv\u00edtal po\u010das uplynul\u00e9ho v\u00edkendu 33. Medzin\u00e1rodn\u00fd filmov\u00fd festival (MFF) Febiofest Bratislava. V\u010faka spolupr\u00e1ci s Visegrad Film Forum hostil tvorcu \u0161peci\u00e1lnych efektov nominovan\u00e9ho na Oscara Shanea Patricka Mahana, ma\u010farsk\u00e9ho film\u00e1ra Gy\u00f6rgya P\u00e1lfiho, litovsk\u00e9ho re\u017eis\u00e9ra Andriusa Bla\u017eevi\u010diusa, \u010di re\u017eis\u00e9rske duo Elsa Kremser a Peter Levin. Festival v pondelok sl\u00e1vnostne uzavrie \u010desk\u00e1 kom\u00e9dia Poberta.<\/p>\n<p>P\u00e1lfi predstavil bratislavsk\u00e9mu publiku svoj najnov\u0161\u00ed film Sliepka, uveden\u00fd vo svetovej premi\u00e9re na 50. ro\u010dn\u00edku MFF v Toronte. Ide o origin\u00e1lnu dr\u00e1mu s prvkami humoru, rozpr\u00e1van\u00fa z poh\u013eadu nosnice plemena Leghorn. Sn\u00edmka s netradi\u010dnou hlavnou \u201ehrdinkou\u201c bojuje o cenu za najlep\u0161\u00ed celove\u010dern\u00fd hran\u00fd film v s\u00fa\u0165a\u017enej sekcii V strede Eur\u00f3py. Jeho rak\u00faskym \u201es\u00faperom\u201c je film Pod ko\u017eou, v\u00ed\u0165az dvoch cien z festivalu v Locarne. Vizu\u00e1lne podmaniv\u00fa dr\u00e1mu, ktor\u00e1 sp\u00e1ja kr\u00e1su s t\u00e9mou smrti, nakr\u00fatila re\u017eis\u00e9rska dvojica Elsa Kremser a Peter Levin.<\/p>\n<p>\u010cesk\u00fdm z\u00e1stupcom v s\u00fa\u0165a\u017ei je film Na druhej strane leta re\u017eis\u00e9ra Vojt\u011bcha Strakat\u00e9ho, poetick\u00fd coming-of-age pr\u00edbeh o dospievaj\u00facom priate\u013estve, nenaplnen\u00fdch o\u010dak\u00e1vaniach a neistote sp\u00e1janej s prechodom do dospelosti. Slovensko v s\u00fa\u0165a\u017enej sekcii reprezentuje film \u0160ampi\u00f3n re\u017eis\u00e9ra Jakuba \u010cervenku, \u010desko-slovensk\u00e1 \u017eivotopisn\u00e1 sn\u00edmka o legend\u00e1rnom krasokor\u010duliarovi Ondrejovi Nepelovi.<\/p>\n<p>Febiofest Bratislava vyvrchol\u00ed v pondelok ve\u010der odovzd\u00e1van\u00edm cien a premi\u00e9rou l\u00fape\u017en\u00edckej kom\u00e9die Poberta za osobnej \u00fa\u010dasti re\u017eis\u00e9ra Ond\u0159eja Hude\u010dka, v\u00f4bec prv\u00e9ho \u010desk\u00e9ho re\u017eis\u00e9ra, ktor\u00fd zv\u00ed\u0165azil na filmovom festivale Sundance. Poberta je zlodej, lupi\u010d, chmat\u00e1k, podvodn\u00edk, dareb\u00e1k a gauner, ale aj \u201ehrdina\u201c Hude\u010dkovej zlodejskej kom\u00e9die. Svoj celove\u010dern\u00fd hran\u00fd debut zasadil do rodnej Str\u00e1\u017enice po\u010das lockdownov.<\/p>\n<p>Do hlavn\u00fdch \u00faloh pr\u00edbehu odohr\u00e1vaj\u00faceho sa po\u010das covidov\u00e9ho obdobia obsadil Maty\u00e1\u0161a \u0158ezn\u00ed\u010dka, Denisu Bare\u0161ov\u00fa, Stanislava Majera \u010di Filipa Ka\u0148kovsk\u00e9ho. Slovensk\u00e9 publikum sa m\u00f4\u017ee te\u0161i\u0165 na Milana Mikul\u010d\u00edka \u010di J\u00e1na Jackuliaka. \u201eNa Ondrejovom filme je v\u00fdnimo\u010dn\u00e9, \u017ee je lok\u00e1lne zasaden\u00fd na Slov\u00e1cko, z\u00e1rove\u0148 sa mi p\u00e1\u010di, \u017ee sa odohr\u00e1va po\u010das covidov\u00e9ho obdobia, ktor\u00e9 bolo pre n\u00e1s v\u0161etk\u00fdch in\u00e9, \u201atajomn\u00e9\u2018. Na jeho pozad\u00ed Ond\u0159ej Hude\u010dek nato\u010dil krimin\u00e1lno-kom\u00e9dio-mafi\u00e1nsku-slov\u00e1cku metaforu na v\u0161etko mo\u017en\u00e9, \u010do sa m\u00f4\u017ee odohr\u00e1va\u0165 po\u010das obdobia, ktor\u00e9 my sami ako \u013eudia nevieme podchyti\u0165,\u201c uviedol Jackuliak k sn\u00edmke, ktor\u00fa herci nakr\u00facali s r\u00fa\u0161kami na tv\u00e1rach.<\/p>\n<p>\u201eBol to z\u00e1\u017eitok, preto\u017ee dial\u00f3gy a v\u0161etky situ\u00e1cie boli vystavan\u00e9 na tom, \u017ee sme sa museli dr\u017ea\u0165 meter od seba, rozpr\u00e1vali sme slov\u00e1ckymi n\u00e1re\u010d\u00edm,\u201c pr\u00edzvukuje Jackuliak, ktor\u00fd v \u201ekrimin\u00e1lke zo Slov\u00e1cka\u201c stv\u00e1r\u0148uje mafi\u00e1nsku trojku spolu s Janom Plouharom a Stanislavom Majerom. Vo filme si zahrali popri slov\u00e1ckom dialekte aj miestni neprofesion\u00e1lni herci, v\u00fdnimo\u010dnos\u0165 pandemickej doby pripom\u00ednaj\u00fa zo d\u0148a na de\u0148 sa meniace pravidl\u00e1. Film vst\u00fapi do slovensk\u00fdch k\u00edn 19. marca.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 16. marca (TASR) &#8211; Viacero v\u00fdrazn\u00fdch osobnost\u00ed svetovej kinematografie priv\u00edtal po\u010das uplynul\u00e9ho v\u00edkendu 33. Medzin\u00e1rodn\u00fd filmov\u00fd festival&hellip;\n","protected":false},"author":2,"featured_media":20026,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[136,4820,3733,76,9725,43,40,39,42,41],"class_list":{"0":"post-20050","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bratislava","8":"tag-bratislava","9":"tag-febiofest","10":"tag-festival","11":"tag-film","12":"tag-poberta","13":"tag-sk","14":"tag-slovak","15":"tag-slovakia","16":"tag-slovencina","17":"tag-slovensko"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116239395877684371","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/20050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=20050"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/20050\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/20026"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=20050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=20050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=20050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}