Bratislava 17. marca (TASR) – Medzin\u00e1rodn\u00fd filmov\u00fd festival Febiofest Bratislava (11. – 17. 3.) v pondelok (16. 3.) ocenil sn\u00edmky v s\u00fa\u0165a\u017en\u00fdch sekci\u00e1ch. Najlep\u0161\u00edm celove\u010dern\u00fdm filmom v s\u00fa\u0165a\u017ei V strede Eur\u00f3py je sn\u00edmka Valentyna Vasjanovy\u010da Na v\u00ed\u0165azstvo.<\/p>\n
Pr\u00edbeh zasaden\u00fd do povojnovej bud\u00facnosti Ukrajiny sleduje b\u00fdval\u00e9ho filmov\u00e9ho re\u017eis\u00e9ra, ktor\u00fd h\u013ead\u00e1 cestu sp\u00e4\u0165 k tvorbe aj ku svojej rodine. Vo Vasjanovy\u010dovom filme sa div\u00e1k neocit\u00e1 v zbombardovan\u00fdch mest\u00e1ch ani na vojensk\u00fdch cintor\u00ednoch, d\u00f4raz sa kladie na menej vidite\u013en\u00e9, no rovnako bolestiv\u00e9 n\u00e1sledky vojny – rozpad rodinn\u00fdch v\u00e4zieb, stratu zmyslu \u017eivota a neistotu, \u010do vlastne znamen\u00e1 v\u00ed\u0165azstvo. \u201eKam \u010falej? Ke\u010f je to najhor\u0161ie za nami, \u010do sa stane s t\u00fdmi, ktor\u00ed zostan\u00fa, aby sa sna\u017eili zlepi\u0165 \u017eivot rozbit\u00fd na k\u00fasky a zhojenie star\u00fdch r\u00e1n vyu\u017ei\u0165 na to, aby dok\u00e1zali znovu \u017ei\u0165? Tento film si n\u00e1s z\u00edskal t\u00fdm, ako sa mu dar\u00ed vyva\u017eova\u0165 svetlo a temnotu a ako n\u00e1s neust\u00e1le prekvapoval,\u201c zhodnotila porota.<\/p>\n
Zvl\u00e1\u0161tne uznanie udelila \u017eensk\u00e9mu hereck\u00e9mu obsadeniu celove\u010dern\u00e9ho filmu Na druhej strane leta. \u201ePrirodzen\u00e9 v\u00fdkony mlad\u00e9ho hereck\u00e9ho obsadenia priniesli na pl\u00e1tno \u00faprimnos\u0165 a intenzitu a opantali n\u00e1s svoj\u00edm hereck\u00fdm \u010darom. Zachyten\u00edm v\u0161etk\u00fdch emocion\u00e1lnych odtienkov dospievania a rozmerov priate\u013estva sa n\u00e1dherne o\u017eivila energia mladosti,\u201c uviedli medzin\u00e1rodn\u00ed porotcovia k v\u00fdkonu hereck\u00e9ho kolekt\u00edvu, ktor\u00fd tvorili Lucie Fingerhutov\u00e1, Nikola Kylarov\u00e1, Eli\u0161ka Ba\u0161usov\u00e1 a Sofie Anna \u0160vehl\u00edkov\u00e1.<\/p>\n
Hlavn\u00fa cenu v s\u00fa\u0165a\u017ei kr\u00e1tkometr\u00e1\u017enych filmov z\u00edskal dokument\u00e1rny film re\u017eis\u00e9rky Terezy Smetanovej Seablindness. Div\u00e1kom pripomenie, \u017ee 90 % v\u0161etk\u00e9ho, \u010do spotreb\u00favame, k n\u00e1m pl\u00e1va po mori. V\u00ed\u0165azn\u00fd film sk\u00fama hrani\u010dn\u00fd priestor pr\u00edstavov, kde sa pevnina stret\u00e1va s morom a kde cirkuluje kapit\u00e1l. V\u00ed\u0165azn\u00fd film je pod\u013ea poroty lyrick\u00fdm sk\u00faman\u00edm nikdy nekon\u010diacej spotreby a vyu\u017e\u00edvania zdrojov, hoci sa jav\u00ed ako nehybn\u00fd. \u201eJeho uchvacuj\u00faca kamera a starostlivo volen\u00e9 tempo v\u00e1bia div\u00e1ka, aby vst\u00fapil do priestoru rozj\u00edmania, v ktorom mu svoju n\u00e1dheru, ale aj ne\u013eahkos\u0165, odha\u013euje nekone\u010dn\u00e9 s\u00fakolie na\u0161ej existencie. Do priestoru, kde sa zem stret\u00e1va s morom a za\u010d\u00edna by\u0165 vidite\u013en\u00fd kolobeh kapit\u00e1lu, a pr\u00e1ve v \u0148om tento film pon\u00faka podvratne siln\u00e9 rozj\u00edmanie o zriedka v\u00eddan\u00fdch infra\u0161trukt\u00farach,\u201c zd\u00f4vodnila porota svoje rozhodnutie.<\/p>\n
Zvl\u00e1\u0161tne uznanie udelila filmu Ter\u00e9zie Halamovej Pes a vlk. \u010cestn\u00fdm uznan\u00edm chceli porotcovia upozorni\u0165 na v\u00fdnimo\u010dn\u00fa pr\u00e1cu re\u017eis\u00e9rky, najm\u00e4 pri veden\u00ed hlavn\u00e9ho hereck\u00e9ho predstavite\u013ea a formovan\u00ed jeho v\u00fdkonu. \u201eIde o v\u00fdborne re\u017e\u00edrovan\u00fa s\u00e9riu epiz\u00f3d, ktor\u00e9 dr\u017e\u00ed pokope jedin\u00fd hlavn\u00fd predstavite\u013e, neboj\u00e1cne ukazuj\u00faci svoju silu, vieru v sam\u00e9ho seba, ale aj zranite\u013enos\u0165,\u201c dod\u00e1va porota, ktor\u00e1 hodnotila celkovo 20 kr\u00e1tkometr\u00e1\u017enych titulov.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 17. marca (TASR) – Medzin\u00e1rodn\u00fd filmov\u00fd festival Febiofest Bratislava (11. – 17. 3.) v pondelok (16. 3.)…\n","protected":false},"author":2,"featured_media":20861,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[136,4585,4820,76,10122,43,40,39,42,41,2578],"class_list":{"0":"post-20868","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bratislava","8":"tag-bratislava","9":"tag-europy","10":"tag-febiofest","11":"tag-film","12":"tag-laureati","13":"tag-sk","14":"tag-slovak","15":"tag-slovakia","16":"tag-slovencina","17":"tag-slovensko","18":"tag-sutaz"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116244653166630975","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/20868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=20868"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/20868\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/20861"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=20868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=20868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=20868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}