{"id":2338,"date":"2026-02-22T14:03:08","date_gmt":"2026-02-22T14:03:08","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/2338\/"},"modified":"2026-02-22T14:03:08","modified_gmt":"2026-02-22T14:03:08","slug":"koniec-100-rocnej-zahady-v-lesoch-spanielsko-odhalilo-nove-dielo-gaudiho-cestovny-ruch-cestovanie","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/2338\/","title":{"rendered":"Koniec 100-ro\u010dnej z\u00e1hady v lesoch: \u0160panielsko odhalilo nov\u00e9 dielo Gaud\u00edho – Cestovn\u00fd ruch – Cestovanie"},"content":{"rendered":"

Meno Antoni Gaud\u00ed sa neodmyslite\u013ene sp\u00e1ja s ikonickou bazilikou Sagrada Fam\u00edlia \u010di farebn\u00fdm parkom G\u00fcell v Barcelone. Najnov\u0161ie spr\u00e1vy zo \u0160panielska v\u0161ak dokazuj\u00fa, \u017ee katal\u00e1nsky majster modernizmu zanechal svoju nezamenite\u013en\u00fa stopu aj \u010faleko od ruchu ve\u013ekomesta \u2013 v hlbok\u00fdch lesoch na \u00fap\u00e4t\u00ed Pyrenej\u00ed.<\/p>\n

\t\t\t\t\t \t\t\t\tStraten\u00fd poklad uprostred lesov: \u0160panielsko potvrdilo nov\u00e9 dielo legend\u00e1rneho Gaud\u00edho \t\t\t<\/p>\n

\t \t\t\t Video \t<\/p>\n

\t\t\t\tMnoh\u00fdch prekvapuje, pre\u010do sa svetozn\u00e1my architekt k tomuto projektu nikdy verejne nepriznal. Odpove\u010f le\u017e\u00ed v jeho perfekcionizme. \t\t\t\t\/\t\t\t\t\t\t\t\t\tZdroj: Reuters \t\t\t\t\t\t<\/p>\n

\u0160panielske \u00farady t\u00fato stredu tento t\u00fd\u017ede\u0148 ofici\u00e1lne potvrdili, \u017ee autorom stavby zn\u00e1mej ako Xalet del Catllaras nie je nikto in\u00fd ne\u017e samotn\u00fd Antoni Gaud\u00ed. Ukon\u010dili tak dek\u00e1dy \u0161pekul\u00e1ci\u00ed o\u00a0p\u00f4vode tejto nen\u00e1padnej, no architektonicky prevratnej budovy.<\/p>\n

Xalet del Catllaras, trojpodla\u017en\u00e1 horsk\u00e1 chata, bola postaven\u00e1 za\u010diatkom 20.\u00a0storo\u010dia (1901\u00a0\u2013 1908) v\u00a0od\u013eahlej oblasti La Pobla de Lillet, pribli\u017ene 125\u00a0kilometrov severne od Barcelony. P\u00f4vodne sl\u00fa\u017eila ako ubytov\u0148a pre in\u017einierov a robotn\u00edkov z\u00a0ne\u010falekej cement\u00e1rne.<\/p>\n

Spojitos\u0165 s\u00a0Gaud\u00edm sa dlho len predpokladala. Majite\u013eom fabriky bol toti\u017e bohat\u00fd priemyseln\u00edk Eusebi G\u00fcell, Gaud\u00edho najbli\u017e\u0161\u00ed priate\u013e a mecen\u00e1\u0161. Ch\u00fdbal v\u0161ak jasn\u00fd d\u00f4kaz\u00a0\u2013 a\u017e doteraz.<\/p>\n

\t\t\t\t\t \t\t\t\t\u0160panielsko, Costa del Sol, Barcelona, more, pl\u00e1\u017ee \t\t\t<\/p>\n

\t \t\t\t Video \t<\/p>\n

\t\t\t\tToto je domovsk\u00e9 prostredie jedn\u00e9ho z najv\u00e4\u010d\u0161\u00edch architektov. \t\t\t\t\/\t\t\t\t\t\t\t\t\tZdroj: Pixabay \t\t\t\t\t\t<\/p>\n

Prevratn\u00e9 prvky<\/p>\n

Odborn\u00fa spr\u00e1vu, ktor\u00e1 definit\u00edvne potvrdila autorstvo, vypracoval znalec Gaud\u00edho diela Galdric Santana. Ten pomocou 3D technol\u00f3gi\u00ed, anal\u00fdzy historick\u00fdch dokumentov a star\u00fdch fotografi\u00ed na\u0161iel v\u00a0budove prvky, ktor\u00e9 v\u00a0tom \u010dase nepou\u017e\u00edval nikto in\u00fd na\u00a0svete.<\/p>\n

\u201ePre m\u0148a je najd\u00f4le\u017eitej\u0161ie, \u017ee t\u00e1to stavba ukazuje nov\u00e9 hodnoty, ktor\u00e9 Gaud\u00ed priniesol do architekt\u00fary. Naz\u00fdvam to architekt\u00farou bud\u00facnosti,\u201c vysvetlil Santana. \u201eS\u00fa tu pou\u017eit\u00e9 \u0161pecifick\u00e9 klenby a steny umiestnen\u00e9 pod 45-stup\u0148ov\u00fdm uhlom. Tieto techniky si jeho u\u010den\u00edci osvojili a\u017e o\u00a010\u00a0\u010di 15\u00a0rokov nesk\u00f4r.\u201c<\/p>\n

Gaud\u00ed na tejto horskej chate pracoval v\u00a0\u010dase svojej najv\u00e4\u010d\u0161ej sl\u00e1vy, kedy s\u00fa\u010dasne navrhoval tak\u00e9 skvosty ako Casa Batll\u00f3 alebo Park\u00a0G\u00fcell.<\/p>\n

\t\t\"N\u00e1v\u0161tevn\u00edci<\/a><\/p>\n

\t\t\"Baziliku<\/a><\/p>\n

Pre\u010do Gaud\u00ed ml\u010dal?<\/p>\n

Mnoh\u00fdch prekvapuje, pre\u010do sa svetozn\u00e1my architekt k\u00a0tomuto projektu nikdy verejne nepriznal. Odpove\u010f le\u017e\u00ed v\u00a0jeho perfekcionizme. Kv\u00f4li ve\u013ekej vzdialenosti a pracovnej vy\u0165a\u017eenosti nemohol Gaud\u00ed na stavbu osobne dohliada\u0165 a riadenie zveril svojim asistentom.<\/p>\n

Ke\u010f\u017ee sa realiz\u00e1cia mierne odklonila od jeho p\u00f4vodn\u00fdch pl\u00e1nov, architekt sa rozhodol pod budovu nepodp\u00edsa\u0165. V\u00a0tom \u010dase bolo be\u017enou praxou, \u017ee ak fin\u00e1lne dielo presne nezodpovedalo v\u00edzii autora, ten si k\u00a0nemu nepriznal ofici\u00e1lne autorstvo.<\/p>\n

\t\t\"Barcelona\"<\/a><\/p>\n

\t\t\"Barcelona\"<\/a><\/p>\n

P\u00e1tranie pokra\u010duje<\/p>\n

Potvrdenie chaty Xalet del Catllaras prich\u00e1dza v\u00a0symbolickom \u010dase. Pr\u00e1ve v\u00a0roku 2026\u00a0si svet pripom\u00edna st\u00e9 v\u00fdro\u010die Gaud\u00edho smrti. Pod\u013ea Santanu v\u0161ak zoznam \u201estraten\u00fdch\u201c diel nie je kone\u010dn\u00fd. \u201eExistuje \u010fal\u0161\u00edch desa\u0165 a\u017e dvan\u00e1s\u0165 stavieb, ktor\u00e9 s\u00fa mu pripisovan\u00e9. Niektor\u00e9 s\u00fa dokonca dolo\u017een\u00e9 dokumentmi, ale ich autorstvo e\u0161te nebolo stopercentne dok\u00e1zan\u00e9,\u201c uzavrel expert.<\/p>\n

Pre milovn\u00edkov architekt\u00fary a cestovate\u013eov tak v\u00a0Katal\u00e1nsku pribudla nov\u00e1 povinn\u00e1 zast\u00e1vka. Xalet del Catllaras u\u017e nie je len oby\u010dajnou chatou v\u00a0lese, ale unik\u00e1tnym svedectvom o\u00a0tom, ako jeden z\u00a0najv\u00e4\u010d\u0161\u00edch g\u00e9niov hist\u00f3rie prem\u00fd\u0161\u013eal o\u00a0b\u00fdvan\u00ed bud\u00facnosti.<\/p>\n","protected":false},"excerpt":{"rendered":"Meno Antoni Gaud\u00ed sa neodmyslite\u013ene sp\u00e1ja s ikonickou bazilikou Sagrada Fam\u00edlia \u010di farebn\u00fdm parkom G\u00fcell v Barcelone. Najnov\u0161ie…\n","protected":false},"author":2,"featured_media":2339,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[109,108,855,110,113,70,1699,300,43,40,39,42,41,1698,1697,112,111,71],"class_list":{"0":"post-2338","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-umenie-a-dizajn","8":"tag-art","9":"tag-art-and-design","10":"tag-cestovanie","11":"tag-design","12":"tag-dizajn","13":"tag-entertainment","14":"tag-gaudi","15":"tag-porovnaj-cestovne-poistenie","16":"tag-sk","17":"tag-slovak","18":"tag-slovakia","19":"tag-slovencina","20":"tag-slovensko","21":"tag-spanielsko","22":"tag-stavba","23":"tag-umenie","24":"tag-umenie-a-dizajn","25":"tag-zabava"},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/2338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=2338"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/2338\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/2339"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=2338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=2338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=2338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}