{"id":25071,"date":"2026-03-22T09:53:07","date_gmt":"2026-03-22T09:53:07","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/25071\/"},"modified":"2026-03-22T09:53:07","modified_gmt":"2026-03-22T09:53:07","slug":"najzvratenejsie-sceny-v-historii-filmu-ktore-nejak-presli-cenzurou","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/25071\/","title":{"rendered":"Najzvr\u00e1tenej\u0161ie sc\u00e9ny v hist\u00f3rii filmu, ktor\u00e9 nejak pre\u0161li cenz\u00farou"},"content":{"rendered":"

Hist\u00f3ria filmu pon\u00faka mnoho ojedinel\u00fdch diel, ktor\u00e9 dok\u00e1\u017eu div\u00e1ka vyvies\u0165 z komfortnej z\u00f3ny. Ke\u010f sa v\u0161ak tvorcovia rozhodn\u00fa, \u017ee to je ich hlavn\u00fdm cie\u013eom, mus\u00ed\u0161 sa pripravi\u0165 na poriadne nepr\u00edjemn\u00fa jazdu. V tomto \u010dl\u00e1nku sa pozrieme na tri filmov\u00e9 sc\u00e9ny, ktor\u00e9 \u0161okuj\u00fa a fascinuj\u00fa dodnes. Nahliadneme aj do z\u00e1kulisia tvorby a obdobia po tom, \u010do sa tieto najzvr\u00e1tenej\u0161ie sc\u00e9ny dostali do obehu.<\/p>\n

\u010cL\u00c1NOK POKRA\u010cUJE POD REKLAMOU<\/p>\n

N\u00e1jde\u0161 tu preva\u017ene star\u0161ie sn\u00edmky, ktor\u00e9 by sa v dne\u0161nom svete plnom vizu\u00e1lnych efektov a prehnanej politickej korektnosti u\u017e do kina pravdepodobne nedostali. Ak \u0165a l\u00e1ka pr\u00e1ve tak\u00e1to star\u0161ia kinematografia pln\u00e1 hriechu, tieto sn\u00edmky s\u00fa ako stvoren\u00e9 pre teba.<\/p>\n

Irr\u00e9versible (2002)<\/p>\n

N\u00e1\u0161 prv\u00fd film na tomto kr\u00e1tkom zozname \u0165a zoberie do temn\u00e9ho par\u00ed\u017eskeho podchodu, kde sa odohr\u00e1va jedna z najviac traumatizuj\u00facich sc\u00e9n svetovej kinematografie. Re\u017eis\u00e9r Gaspar No\u00e9 sa rozhodol pre nepreru\u0161ovan\u00fd dev\u00e4\u0165min\u00fatov\u00fd z\u00e1ber na brut\u00e1lne zn***lnenie postavy Alex, ktor\u00fa stv\u00e1rnila Monica Bellucci. Kamera filmu Irr\u00e9versible<\/a> je statick\u00e1, chladn\u00e1 a ne\u00faprosn\u00e1 \u2013 nedovo\u013euje ti odvr\u00e1ti\u0165 zrak a n\u00fati \u0165a pre\u017ei\u0165 ka\u017ed\u00fa sekundu tohto utrpenia spolu s obe\u0165ou.<\/p>\n

Cenz\u00fara mala pri tomto diele obrovsk\u00fa dilemu, no sc\u00e9na nakoniec zostala v p\u00f4vodnej d\u013a\u017eke. Ako d\u00f4vod sa uv\u00e1dzalo, \u017ee n\u00e1silie sa tu nezobrazuje ako nie\u010do \u201el\u00e1kav\u00e9\u201c alebo ak\u010dn\u00e9, ale ako \u010dist\u00fd paralyzuj\u00faci teror. Re\u017eis\u00e9r chcel, aby si poc\u00edtil absol\u00fatnu bezmocnos\u0165, \u010do sa mu podarilo nato\u013eko, \u017ee pri premi\u00e9re v Cannes stovky \u013eud\u00ed v panike a znechuten\u00ed opustili s\u00e1lu.<\/p>\n

\"KriticiMars Distribution \/ MovieStillsDb<\/p>\n

Na YouTube si vie\u0161 pozrie\u0165 dokonca aj z\u00e1znam tohto masov\u00e9ho odchodu pob\u00faren\u00fdch div\u00e1kov<\/a>, ktor\u00ed na kamery ziapu ur\u00e1\u017eky a nad\u00e1vky na re\u017eis\u00e9ra. Ten sa pod\u013ea nich pomiatol a ni\u010d tak\u00e9to by nemalo by\u0165 nikdy nato\u010den\u00e9. Zauj\u00edmavos\u0165ou je, \u017ee vo filme hr\u00e1 aj vtedaj\u0161\u00ed man\u017eel Moniky Bellucci Vincent Cassel.<\/p>\n

\u010cL\u00c1NOK POKRA\u010cUJE POD REKLAMOU<\/p>\n

Ako sa t\u00e1to sc\u00e9na nat\u00e1\u010dala?<\/p>\n

Mnoh\u00ed div\u00e1ci si neuvedomuj\u00fa, \u017ee sc\u00e9ne predch\u00e1dzala prec\u00edzna a mimoriadne n\u00e1ro\u010dn\u00e1 pr\u00edprava, ktor\u00e1 predch\u00e1dzala samotn\u00e9mu spusteniu kamier. Zverejnen\u00e9 z\u00e1bery zo sk\u00fa\u0161ok odha\u013euj\u00fa, \u017ee ka\u017ed\u00fd pohyb a ka\u017ed\u00fd surov\u00fd moment vsunutia, zadych\u010dania a \u00faderu p\u00e4s\u0165ou sa vopred detailne napl\u00e1noval.<\/p>\n

Vzh\u013eadom na extr\u00e9mnu emocion\u00e1lnu intenzitu a rozhodnutie nato\u010di\u0165 sc\u00e9nu ako jeden nekone\u010dn\u00fd, nepreru\u0161ovan\u00fd z\u00e1ber boli tieto sk\u00fa\u0161ky nevyhnutn\u00e9 na zaistenie bezpe\u010dnosti hercov a technickej presnosti v\u00fdkonu. Bellucci si nat\u00e1\u010danie tej osudovej sc\u00e9ny vraj ve\u013emi u\u017e\u00edvala: \u201eNere\u017e\u00edroval som jej hranie; re\u017e\u00edroval som farby sc\u00e9ny a st\u00e1l som za kamerou. \u010co sa t\u00fdkalo jej spr\u00e1vania, povedal som: \u201aDobre, za svoj v\u00fdkon si zodpovedn\u00e1 ty\u2018,\u201c poznamenal re\u017eis\u00e9r v rozhovore pre web IndieWire<\/a>.<\/p>\n

\u201eCel\u00fd scen\u00e1r mal navy\u0161e len tri strany a neobsahoval \u017eiadne dial\u00f3gy. V ka\u017edej sc\u00e9ne filmu herci svoje repliky improvizuj\u00fa. Monike som povedal: \u201aTu je chlap\u00edk, ktor\u00fd stv\u00e1rni agresora. Po\u010fme si stanovi\u0165 limity toho, \u010do si ochotn\u00e1 urobi\u0165\u2018,\u201c pribli\u017eoval nat\u00e1\u010danie \u010falej. Nesk\u00f4r dodal, \u017ee dvojica sa v\u010faka faktu, \u017ee tvorili p\u00e1r, c\u00edtila \u201esilnej\u0161ia\u201c.<\/p>\n

\u201eSamozrejme, jeho pohlavn\u00fd \u00fad sme pridali a\u017e digit\u00e1lne v postprodukcii, ale na konci ka\u017edej klapky boli obaja ve\u013emi hrd\u00ed na to, ako sc\u00e9nu zahrali, a medzi klapkami sa dokonca smiali,\u201c poznamenal na z\u00e1ver.<\/p>\n

\u010cL\u00c1NOK POKRA\u010cUJE POD REKLAMOU<\/p>\n

No\u00e9ho radik\u00e1lna vo\u013eba statick\u00e9ho z\u00e1beru bez jedin\u00e9ho strihu je k\u013e\u00fa\u010dom k tomu, pre\u010do je tento moment tak\u00fd neznesite\u013en\u00fd. Re\u017eis\u00e9r \u0165a toti\u017e nenech\u00e1 uhn\u00fa\u0165 poh\u013eadom a n\u00fati \u0165a sedie\u0165 v absol\u00fatnom nepohodl\u00ed a\u017e do \u00fapln\u00e9ho konca. \u010ci u\u017e tento film pova\u017euje\u0161 za majstrovsk\u00e9 dielo alebo \u010dist\u00fd hnus, faktom zost\u00e1va, \u017ee Irr\u00e9versible posunul hranice rozpr\u00e1vania No\u00e9ho nepr\u00edjemn\u00fdch pr\u00edbehov na \u00faplne nov\u00fa \u00farove\u0148.<\/p>\n

Posledn\u00e9 tango v Par\u00ed\u017ei (1972)<\/p>\n

Na druhom mieste m\u00e1me e\u0161te desivej\u0161\u00ed pr\u00edpad, preto\u017ee zvrhlos\u0165 sa neodohrala len v scen\u00e1ri, ale aj v skuto\u010dnosti. Re\u017eis\u00e9r Bernardo Bertolucci a ikonick\u00fd, no neraz kontroverzn\u00fd herec Marlon Brando sa dohodli na sc\u00e9ne s*xu\u00e1lneho pon\u00ed\u017eenia za pomoci kocky masla str\u010den\u00e9ho do ist\u00e9ho otvoru bez toho, aby o tom informovali hlavn\u00fa hrdinku Mariu Schneider. Chceli toti\u017e zachyti\u0165 jej autentick\u00fd \u0161ok a pla\u010d, \u010do je z dne\u0161n\u00e9ho poh\u013eadu absol\u00fatne neakceptovate\u013en\u00e9 prekro\u010denie v\u0161etk\u00fdch etick\u00fdch hran\u00edc.<\/p>\n

Hoci sc\u00e9na filmu Posledn\u00e9 tango<\/a> v Par\u00ed\u017ei pre\u0161la cenz\u00farou ako prelomov\u00e9 dielo e*otick\u00e9ho realizmu, pre Mariu to bol za\u010diatok celo\u017eivotnej traumy. Mala vtedy len 19 rokov a po zvy\u0161ok \u017eivota nen\u00e1videla v\u00f4\u0148u masla aj oboch mu\u017eov, ktor\u00ed jej toto pon\u00ed\u017eenie pripravili. Tesne po dokon\u010den\u00ed filmu e\u0161te k tomu prepadla aj z\u00e1vislosti od omamn\u00fdch l\u00e1tok.<\/p>\n

Pokra\u010dovanie \u010dl\u00e1nku n\u00e1jde\u0161 na \u010fal\u0161ej strane <\/p>\n","protected":false},"excerpt":{"rendered":"Hist\u00f3ria filmu pon\u00faka mnoho ojedinel\u00fdch diel, ktor\u00e9 dok\u00e1\u017eu div\u00e1ka vyvies\u0165 z komfortnej z\u00f3ny. Ke\u010f sa v\u0161ak tvorcovia rozhodn\u00fa,…\n","protected":false},"author":2,"featured_media":25072,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[70,76,4930,11849,11850,11851,11852,11853,11854,11855,11856,11857,11858,43,40,39,42,41,71],"class_list":{"0":"post-25071","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-entertainment","9":"tag-film","10":"tag-filmy-a-serialy","11":"tag-gaspar-noe","12":"tag-irreversible","13":"tag-legendarne-filmy","14":"tag-marlon-brando","15":"tag-monica-belluci","16":"tag-nechutne-film","17":"tag-nechutne-filmy","18":"tag-necutne-filmove-sceny","19":"tag-posledne-tango-v-parizi","20":"tag-salo-alebo-120-dni-sodomy","21":"tag-sk","22":"tag-slovak","23":"tag-slovakia","24":"tag-slovencina","25":"tag-slovensko","26":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116272221748685509","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/25071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=25071"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/25071\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/25072"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=25071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=25071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=25071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}