{"id":30091,"date":"2026-03-28T11:16:12","date_gmt":"2026-03-28T11:16:12","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/30091\/"},"modified":"2026-03-28T11:16:12","modified_gmt":"2026-03-28T11:16:12","slug":"jedinecne-spojenie-obrazu-a-slova-slovenska-narodna-galeria-predstavi-v-novej-vystave-ceskych-umelcov-jiriho-kolara-a-ladislava-novaka-kultura-komercne-spravy","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/30091\/","title":{"rendered":"Jedine\u010dn\u00e9 spojenie obrazu a slova: Slovensk\u00e1 n\u00e1rodn\u00e1 gal\u00e9ria predstav\u00ed v novej v\u00fdstave \u010desk\u00fdch umelcov Ji\u0159\u00edho Kol\u00e1\u0159a a Ladislava Nov\u00e1ka – Kult\u00fara – Komer\u010dn\u00e9 spr\u00e1vy"},"content":{"rendered":"

Slovensk\u00e1 n\u00e1rodn\u00e1 gal\u00e9ria prin\u00e1\u0161a v\u00fdnimo\u010dn\u00fd v\u00fdstavn\u00fd projekt Kol\u00e1\u0159 + Nov\u00e1k: Pocta much\u00e1m pav\u00fakom ryb\u00e1m my\u0161iam a psom, ktor\u00fd pribli\u017euje tvorbu dvoch \u010desk\u00fdch vizu\u00e1lnych umelcov a s\u00fa\u010dasne b\u00e1snikov. V\u00fdstava sa vracia do priestorov gal\u00e9rie takmer po tridsiatich rokoch od ich spolo\u010dnej prezent\u00e1cie v roku 1997 a prin\u00e1\u0161a nov\u00fd poh\u013ead na ich dielo v \u0161ir\u0161\u00edch s\u00favislostiach.<\/p>\n

\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPR servis<\/p>\n

\t\t\t\t\t\t\t\t26.03.2026 14:41 \t\t\t\t\t\t\t<\/p>\n

N\u00e1zov v\u00fdstavy vych\u00e1dza z\u00a0b\u00e1sne Ji\u0159\u00edho Kol\u00e1\u0159a zo zbierky N\u00e1vod k\u00a0upot\u0159eben\u00ed (1969) a odkazuje na jedine\u010dn\u00e9 prepojenie vizu\u00e1lnej tvorby a liter\u00e1rneho diela oboch autorov. V\u00fdstava predstavuje nielen v\u00fdtvarn\u00e9 diela, ale aj v\u00fdber z\u00a0ich b\u00e1snickej tvorby, \u010d\u00edm zd\u00f4raz\u0148uje vz\u00e1jomn\u00e9 prenikanie obrazu a slova\u00a0\u2013 charakteristick\u00fd znak ich spolo\u010dn\u00e9ho umeleck\u00e9ho pr\u00edstupu. V\u00fdstava je zostaven\u00e1 z\u00a0diel zapo\u017ei\u010dan\u00fdch zo s\u00fakromn\u00fdch zbierok\u00a0\u2013 v\u00fdznamn\u00e9ho zberate\u013ea umenia Jana Kukala, zo s\u00fakromnej \u010desko-nemeckej zbierky COLLETT Prague \/ Munich, pri\u010dom tvorbu Ladislava Nov\u00e1ka dop\u013a\u0148aj\u00fa tie\u017e diela zo s\u00fakromnej zbierky zn\u00e1meho \u010desk\u00e9ho zberate\u013ea umeleck\u00fdch diel Franti\u0161ka Dvo\u0159\u00e1\u010dka.<\/p>\n

Ji\u0159\u00ed Kol\u00e1\u0159 patr\u00ed medzi najv\u00fdraznej\u0161ie osobnosti \u010deskej umeleckej sc\u00e9ny 20.\u00a0storo\u010dia. Ako b\u00e1snik a v\u00fdtvarn\u00edk dok\u00e1zal prepoji\u0165 text s\u00a0obrazom a techniku kol\u00e1\u017ee pov\u00fd\u0161il na jedine\u010dn\u00fd umeleck\u00fd jazyk. Ladislav Nov\u00e1k, naopak, rozv\u00edjal origin\u00e1lne v\u00fdtvarn\u00e9 postupy zalo\u017een\u00e9 na princ\u00edpe n\u00e1hody a experimentu, pri\u010dom jeho tvorba osciluje medzi po\u00e9ziou, vizu\u00e1lnym umen\u00edm a performat\u00edvnymi formami. Spome\u0148me napr\u00edklad jeho nov\u00e9 techniky ako napr. froas\u00e1\u017e, muchl\u00e1\u017e \u010di veron\u00e1\u017e. V\u00fdstava z\u00e1rove\u0148 pripom\u00edna ich hlbok\u00e9 umeleck\u00e9 priate\u013estvo a spolo\u010dn\u00e9 h\u013eadanie nov\u00fdch v\u00fdrazov\u00fdch prostriedkov, ktor\u00e9 presahuj\u00fa hranice jednotliv\u00fdch umeleck\u00fdch discipl\u00edn.<\/p>\n

Gener\u00e1lny riadite\u013e SNG Juraj Kr\u00e1lik k\u00a0v\u00fdstave uviedol: \u201eIde o\u00a0jedine\u010dn\u00e9 stretnutie dvoch v\u00fdnimo\u010dn\u00fdch tvorcov, ktor\u00ed prirodzene prep\u00e1jali v\u00fdtvarn\u00e9 umenie s\u00a0po\u00e9ziou. Ich diela dokazuj\u00fa, \u017ee obraz a slovo m\u00f4\u017eu tvori\u0165 jeden celok a vz\u00e1jomne sa obohacova\u0165. Som r\u00e1d, \u017ee tento \u0161pecifick\u00fd umeleck\u00fd dial\u00f3g m\u00f4\u017eeme dnes op\u00e4\u0165, s\u00a0odstupom takmer tridsiatich rokov, predstavi\u0165 aj slovensk\u00e9mu publiku.\u201c<\/p>\n

\t\t\t \t\t\t\t\t\t\t\t\"\" \t\t\t\t\t\t\t\t<\/p>\n

\t\t\t\t \t\t\t\t\tto druhe \t\t\t\t \t\t\t\t\t\t<\/p>\n

Kur\u00e1tor v\u00fdstavy Martin Dost\u00e1l hovor\u00ed: \u201eV\u00fdstava pochopite\u013ene prin\u00e1\u0161a vizu\u00e1lne artefakty obidvoch tvorcov, nezab\u00fada v\u0161ak ani na fakt, \u017ee obaja boli rovnako liter\u00e1ti, a tak sa st\u00e1vaj\u00fa s\u00fa\u010das\u0165ou expoz\u00edcie aj niektor\u00e9 z\u00a0ich b\u00e1sn\u00ed. Pon\u00faka sa to najm\u00e4 u\u00a0Ji\u0159\u00edho Kol\u00e1\u0159a, ve\u010f Kol\u00e1\u0159 na \u010desk\u00fa kult\u00farnu sc\u00e9nu vst\u00fapil ako oce\u0148ovan\u00fd b\u00e1snik, a\u017e postupom \u010dasu a ist\u00fdm v\u00fdvinom svoje \u201eb\u00e1snenie\u201c rozpustil vo vizu\u00e1lnej \u201ehostine\u201c.\u201c<\/p>\n

Druh\u00fd z\u00a0kur\u00e1torov, v\u00fdtvarn\u00edk Vladim\u00edr Kordo\u0161 dod\u00e1va: \u201eLadislava Nov\u00e1ka obdivujem. Preto\u017ee jeho umenie je vyjadren\u00edm toho, v\u00a0\u010dom nach\u00e1dzal zmysel \u017eivota.\u201c<\/p>\n

V\u00fdstava Pocta much\u00e1m pav\u00fakom ryb\u00e1m my\u0161iam a psom prin\u00e1\u0161a div\u00e1kom jedine\u010dn\u00fa pr\u00edle\u017eitos\u0165 nahliadnu\u0165 do sveta, kde sa hranice medzi literat\u00farou a vizu\u00e1lnym umen\u00edm stieraj\u00fa a kde imagin\u00e1cia nadob\u00fada nov\u00e9, ne\u010dakan\u00e9 podoby. Sprievodn\u00fdmi akciami v\u00fdstavy bud\u00fa aj kur\u00e1torsk\u00e9 v\u00fdklady a v\u00fdtvarn\u00fd ateli\u00e9r pre verejnos\u0165 s\u00a0n\u00e1zvom Vytvor si svojho Kol\u00e1\u0159a, vytvor si svojho Nov\u00e1ka, ktor\u00fd sa nach\u00e1dza priamo vo v\u00fdstave.<\/p>\n

\t\tJi\u0159\u00ed Kol\u00e1\u0159 (24.\u00a0september 1914, Protiv\u00edn\u00a0\u2013 11.\u00a0august 2002,\u00a0Praha)<\/p>\n

B\u00e1snik slova i\u00a0b\u00e1snik obrazu, a tie\u017e jeden z\u00a0najv\u00fdraznej\u0161\u00edch spolo\u010densk\u00fdch fenom\u00e9nov \u010deskej a eur\u00f3pskej kult\u00farnej sc\u00e9ny. Napriek osudov\u00fdm a skuto\u010dn\u00fdm \u0165a\u017ekostiam je jeho mimoriadna ob\u010dianska a kult\u00farna anga\u017eovanos\u0165 dodnes pr\u00edkladom pozit\u00edvneho pr\u00edstupu k\u00a0umeniu a kult\u00fare. St\u00e1le sa vraciame k\u00a0jeho dielu, nech u\u017e ho vn\u00edmame ako sumu uhran\u010div\u00e9ho svedectva modernistick\u00e9ho intelektu\u00e1la, pevne presved\u010den\u00e9ho o\u00a0zmysle umenia a kult\u00farneho \u017eivota, alebo ako d\u00f4kaz nekone\u010dnej obrazovej kreativity. Kol\u00e1\u0159ove b\u00e1sne s\u00fa toti\u017e pres\u00fdten\u00e9 obrazmi, rovnako ako jeho vizu\u00e1lna tvorba pracuje s\u00a0poetikou slov aj s\u00a0po\u00e9ziou obrazov. Techniku kol\u00e1\u017ee potom pov\u00fd\u0161il na najkraj\u0161iu vizu\u00e1lnu ekvilibristiku.<\/p>\n

\t\tLadislav Nov\u00e1k (4.\u00a0august 1925, Turnov\u00a0\u2013 28.\u00a0j\u00fal 1999, T\u0159eb\u00ed\u010d)<\/p>\n

Meno Ladislava Nov\u00e1ka takisto patr\u00ed nielen do sveta po\u00e9zie, ale aj do sveta vizu\u00e1lneho umenia a v\u00a0stredoeur\u00f3pskom kontexte je unik\u00e1tne. Jeho tvoriv\u00e9 v\u00fdchodisk\u00e1 nie s\u00fa postaven\u00e9 na snahe o\u00a0vonkaj\u0161iu kr\u00e1su, ale na hlbokom prieskume vz\u0165ahu medzi \u013eudsk\u00fdm vedom\u00edm a neuchopite\u013enou energiou chaosu.<\/p>\n

V\u00fdchodisk\u00e1 surrealistickej n\u00e1hody uplat\u0148oval predov\u0161etk\u00fdm vo svojich froas\u00e1\u017each\u00a0\u2013 pokr\u010den\u00fdch papieroch, kde jednotliv\u00e9 zlomy vytv\u00e1rali n\u00e1hodn\u00fa \u0161trukt\u00faru, ktor\u00fa \u010falej dotv\u00e1ral, ale aj v\u00a0tzv. muchl\u00e1\u017each, veron\u00e1\u017each a alchym\u00e1\u017each. Ako \u010dlovek bytostne prepojen\u00fd s\u00a0umen\u00edm uverej\u0148oval svoju b\u00e1snick\u00fa tvorbu u\u017e od polovice 40.\u00a0rokov, a v\u00a060.\u00a0rokoch, ke\u010f za\u010d\u00edna jeho vizu\u00e1lna tvorba, ako aj v\u00a0nasleduj\u00facom desa\u0165ro\u010d\u00ed sa venoval rovnako akci\u00e1m a textom k\u00a0happeningom.<\/p>\n

Mesto T\u0159eb\u00ed\u010d, kde roky p\u00f4sobil, sa mu po jeho smrti odv\u010fa\u010dilo otvoren\u00edm Gal\u00e9rie Ladislava Nov\u00e1ka, ktor\u00e1 funguje od roku 2002.\u00a0Napriek tomu, \u017ee p\u00f4sobil mimo umeleck\u00fdch centier, zaradil sa v\u00a0priebehu \u017eivota do medzin\u00e1rodn\u00fdch s\u00favislost\u00ed, najm\u00e4 v\u00a0Taliansku a vo Franc\u00fazsku; jeho d\u00f4le\u017eit\u00fdm spolup\u00fatnikom a propag\u00e1torom bol v\u00fdznamn\u00fd \u010desk\u00fd v\u00fdtvarn\u00fd a liter\u00e1rny teoretik, kritik, historik umenia a esejista Jind\u0159ich Chalupeck\u00fd.<\/p>\n

V\u00fdstava: Kol\u00e1\u0159 + Nov\u00e1k: Pocta much\u00e1m pav\u00fakom ryb\u00e1m my\u0161iam a\u00a0psom<\/p>\n

Miesto: SNG, R\u00e1zusovo n\u00e1bre\u017eie, Bratislava, S\u00e1la I
Term\u00edn: 26.\u00a0marec\u00a0\u2013 30.\u00a0august 2026
Kur\u00e1tori: Martin Dost\u00e1l, Vladim\u00edr\u00a0Kordo\u0161<\/p>\n

Vstupenky je mo\u017en\u00e9 zak\u00fapi\u0165 v\u00a0pokladnici SNG alebo online na webstr\u00e1nke gal\u00e9rie:\u00a0sng.sk<\/a><\/p>\n

\t\t\"\"<\/a><\/p>\n

\t\t\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Slovensk\u00e1 n\u00e1rodn\u00e1 gal\u00e9ria prin\u00e1\u0161a v\u00fdnimo\u010dn\u00fd v\u00fdstavn\u00fd projekt Kol\u00e1\u0159 + Nov\u00e1k: Pocta much\u00e1m pav\u00fakom ryb\u00e1m my\u0161iam a psom, ktor\u00fd…\n","protected":false},"author":2,"featured_media":30092,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[109,108,110,113,70,2244,13674,13676,43,6687,40,39,42,1305,41,13675,112,111,71],"class_list":{"0":"post-30091","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-umenie-a-dizajn","8":"tag-art","9":"tag-art-and-design","10":"tag-design","11":"tag-dizajn","12":"tag-entertainment","13":"tag-inzercia","14":"tag-jedinecne","15":"tag-obrazu","16":"tag-sk","17":"tag-slova","18":"tag-slovak","19":"tag-slovakia","20":"tag-slovencina","21":"tag-slovenska","22":"tag-slovensko","23":"tag-spojenie","24":"tag-umenie","25":"tag-umenie-a-dizajn","26":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116306521722938488","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/30091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=30091"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/30091\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/30092"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=30091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=30091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=30091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}