Bratislava 31. marca (TASR) – Bratislavsk\u00e9 Divadlo P. O. Hviezdoslava (DPOH) pripravilo projekt Otvoren\u00e9 javisko na podporu nez\u00e1visl\u00fdch divadiel. Platforma pre umelcov nez\u00e1vislej divadelnej a tane\u010dnej sc\u00e9ny sa st\u00e1va s\u00fa\u010das\u0165ou dramaturgie divadla, poskytne priestor pre desa\u0165 subjektov z nezria\u010fovanej divadelnej a tane\u010dnej sc\u00e9ny v Bratislave. TASR o tom informovala PR mana\u017e\u00e9rka Lenka Lel\u00e1kov\u00e1. Prv\u00e9 hos\u0165ovanie v r\u00e1mci platformy sa uskuto\u010dn\u00ed v m\u00e1ji, pon\u00fakne hereck\u00fd koncert T\u00e1ne Pauhofovej a Jany O\u013ehovej v projekte Petra Mazal\u00e1na.<\/p>\n
Ako \u010falej uv\u00e1dza divadlo, projekt vznik\u00e1 v\u010faka podpore z Programu rozvoja mestsk\u00fdch kult\u00farnych organiz\u00e1ci\u00ed pre rok 2026 od hlavn\u00e9ho mesta Bratislava. Otvoren\u00fdm javiskom chce prispie\u0165 k stabiliz\u00e1cii nez\u00e1vislej divadelnej sc\u00e9ny v hlavnom meste. \u201eA umo\u017eni\u0165 pokra\u010dovanie umeleckej \u010dinnosti tvork\u00fd\u0148 a tvorcov, ktor\u00ed v roku 2026 nez\u00edskali potrebn\u00fa grantov\u00fa podporu z Fondu na podporu umenia,\u201c dod\u00e1va Lel\u00e1kov\u00e1.<\/p>\n
Projekt najbli\u017e\u0161ie predstav\u00ed dielo s n\u00e1zvom Schwanengesang D957\/Labutia piese\u0148 re\u017eis\u00e9ra a opern\u00e9ho spev\u00e1ka Mazal\u00e1na, prv\u00e9 hos\u0165ovanie sa uskuto\u010dn\u00ed 21. m\u00e1ja. Mazal\u00e1n pokra\u010duje vo svojom tvorivom pr\u00edstupe autorskej anal\u00fdzy a interpret\u00e1cie pies\u0148ov\u00fdch cyklov. \u201eDielo je koncertom, ktor\u00fd sa postupne premie\u0148a na autentick\u00fd pr\u00edbeh \u017eeny s onkologickou diagn\u00f3zou,\u201c pribli\u017euje DPOH.<\/p>\n
Mazal\u00e1n vo svojom diele reflektuje tabuizovan\u00e9 ochorenie, neost\u00e1va v\u0161ak len pri osvete, prin\u00e1\u0161a aj n\u00e1dej. V diele skladate\u013ea Franza Schuberta na\u0161iel anal\u00f3giu v s\u00fa\u010dasnom svete, libreto doplnil textami dramati\u010dky Jany Bodn\u00e1rovej. V projekte s\u00e1m aj \u00fa\u010dinkuje spolu s here\u010dkami Pauhofovou a O\u013ehovou.<\/p>\n
\u201eV najbli\u017e\u0161om obdob\u00ed a\u017e do konca roka pl\u00e1nujeme v r\u00e1mci projektu uv\u00e1dza\u0165 na mesa\u010dnej b\u00e1ze predstavenia tvoriv\u00fdch t\u00edmov z nez\u00e1vislej divadelnej sc\u00e9ny a poskytn\u00fa\u0165 im technick\u00e9 a produk\u010dn\u00e9 z\u00e1zemie,\u201c hovor\u00ed k projektu Otvoren\u00e9 javisko umeleck\u00e1 riadite\u013eka DPOH Veronika Kolej\u00e1kov\u00e1. Umelcom z nezria\u010fovanej kult\u00farnej obce bud\u00fa k dispoz\u00edcii \u0161tyri typy priestorov – alternat\u00edvna sc\u00e9na CO Kryt, javisko na Hlavnej sc\u00e9ne so zmen\u0161enou kapacitou 120 miest, foyer a dve sk\u00fa\u0161obne.<\/p>\n
Okrem Mazal\u00e1na bud\u00fa v DPOH so svojimi projektmi do konca roka hos\u0165ova\u0165 aj Divadlo Nude a Michal Belej, Adam Dragun, Petra Fornayov\u00e1, Manuel Ronda a Tane\u010dno, Veronika Malgot, Daniel Ra\u010dek s Annou Sedl\u00e1\u010dkovou, Tom\u00e1\u0161 Danielis, Divadlo \u0160EM \u010di Odivo.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 31. marca (TASR) – Bratislavsk\u00e9 Divadlo P. O. Hviezdoslava (DPOH) pripravilo projekt Otvoren\u00e9 javisko na podporu nez\u00e1visl\u00fdch…\n","protected":false},"author":2,"featured_media":12494,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[136,6400,14730,14731,3234,3195,43,40,39,42,41],"class_list":{"0":"post-32916","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bratislava","8":"tag-bratislava","9":"tag-dpoh","10":"tag-javisko","11":"tag-nezavisle-divadla","12":"tag-otvorene","13":"tag-podpora","14":"tag-sk","15":"tag-slovak","16":"tag-slovakia","17":"tag-slovencina","18":"tag-slovensko"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116324892948692716","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/32916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=32916"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/32916\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/12494"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=32916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=32916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=32916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}