{"id":37890,"date":"2026-04-06T20:13:09","date_gmt":"2026-04-06T20:13:09","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/37890\/"},"modified":"2026-04-06T20:13:09","modified_gmt":"2026-04-06T20:13:09","slug":"spojenie-historie-a-modernej-technologie-divadlo-v-budove-z-19-storocia-ziskalo-svoju-povodnu-krasu","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/37890\/","title":{"rendered":"Spojenie hist\u00f3rie a modernej technol\u00f3gie. Divadlo v budove z 19. storo\u010dia z\u00edskalo svoju p\u00f4vodn\u00fa kr\u00e1su"},"content":{"rendered":"

Po\u013esk\u00e9 divadlo pre\u0161lo radik\u00e1lnou architektonickou zmenou a stalo sa jedn\u00fdm z najmodernej\u0161\u00edch v Eur\u00f3pe. Projekt s medzin\u00e1rodn\u00fdm ohlasom sa dnes rad\u00ed medzi elitu, \u010do potvrdzuje aj jeho nomin\u00e1cia na prest\u00ed\u017enu cenu EU Mies van der Rohe Award 2026.<\/p>\n

Divadlo Stefana \u017beromsk\u00e9ho v po\u013eskom meste Kielce patr\u00ed k najstar\u0161\u00edm kult\u00farnym sc\u00e9nam v Po\u013esku. Prv\u00e9 predstavenie uviedlo v roku 1879 a dodnes ho sprev\u00e1dza nen\u00e1padn\u00e1 romantick\u00e1 legenda. Pod\u013ea nej dal budovu postavi\u0165 bohat\u00fd priemyseln\u00edk Ludwik Stumpf na znak svojej n\u00e1klonnosti k tajomnej here\u010dke z Var\u0161avy.<\/p>\n

Za projektom stoj\u00ed Franciszek Ksawery Kowalski, \u0161tudent renomovan\u00e9ho Henricha Marconiho, majstra po\u013eskej architekt\u00fary 19. storo\u010dia. Historick\u00e1 divadeln\u00e1 budova sa nach\u00e1dza priamo v centre mesta. M\u00e1 eklektick\u00fa fas\u00e1du zdoben\u00fa sochami \u0161tyroch m\u00faz. Pod\u013ea vtedaj\u0161\u00edch nov\u00edn Gazeta Kielecka bolo otvorenie v\u00fdznamnou kult\u00farnou udalos\u0165ou s \u00fa\u010das\u0165ou zhruba 800 \u013eud\u00ed.<\/p>\n

Svetlo premeny<\/p>\n

Po desa\u0165ro\u010diach postupn\u00e9ho ch\u00e1trania bola v roku 2017 vyhl\u00e1sen\u00e1 architektonick\u00e1 s\u00fa\u0165a\u017e zameran\u00e1 na komplexn\u00fa obnovu divadla. V\u00ed\u0165azn\u00fd n\u00e1vrh ateli\u00e9ru WXCA chcel zl\u00fa\u010di\u0165 re\u0161pekt k\u00a0historick\u00e9mu dedi\u010dstvu s potrebami s\u00fa\u010dasnej dynamickej kult\u00farnej in\u0161tit\u00facie.<\/p>\n

Obnova zah\u0155\u0148ala re\u0161taurovanie interi\u00e9ru divadla, pri ktorom sa renovovali p\u00f4vodn\u00e9 stavebn\u00e9 prvky a nahr\u00e1dzali sa ch\u00fdbaj\u00face detaily. Starostlivo bola zrekon\u0161truovan\u00e1 aj fas\u00e1da z 19. storo\u010dia a po viac ne\u017e \u0161es\u0165desiatich rokoch sa na \u0148u vr\u00e1tili \u0161tyri sochy. Reprezenta\u010dn\u00e1 vstupn\u00e1 hala a schodisko op\u00e4\u0165 z\u00edskali svoju niekdaj\u0161iu ve\u013ekolepos\u0165.<\/p>\n

\"divadlo\"divadlo<\/a>Ru\u010dne tepan\u00fd pozl\u00e1ten\u00fd stropn\u00fd prvok z mosadze m\u00e1 okrem dekorat\u00edvnej aj akustick\u00fa funkciu. | Zdroj: Adam Grzesik<\/p>\n

Vrcholom tohto z\u00e1\u017eitku je samotn\u00fd vstup na hlavn\u00e9 javisko. Rekon\u0161trukciou o\u017eivili majest\u00e1tne karyat\u00eddy r\u00e1muj\u00face jeho okno. Medzi n\u00e1jden\u00fdmi dekor\u00e1ciami bolo p\u00e4tn\u00e1s\u0165 medail\u00f3nov s portr\u00e9tmi spisovate\u013eov, ktor\u00e9 p\u00f4vodne zdobili doln\u00fd balk\u00f3n. Gal\u00e9riu obnovili a z iniciat\u00edvy projektantov e\u0161te roz\u0161\u00edrili: soch\u00e1r Piotr Ma\u015blanka vytvoril nov\u00e9 basreli\u00e9fy na hornom balk\u00f3ne, ktor\u00e9 zobrazuj\u00fa s\u00fa\u010dasn\u00e9 liter\u00e1rne postavy.<\/p>\n

Ostrov moderny vstupuje do priestoru v podobe ru\u010dne tepan\u00e9ho pozl\u00e1ten\u00e9ho stropn\u00e9ho prvku z mosadze, ktor\u00fd m\u00e1 okrem dekorat\u00edvnej aj akustick\u00fa funkciu. Farebn\u00e1 \u0161k\u00e1la \u2013 od zlata cez pastelov\u00fa ru\u017eov\u00fa po svetl\u00e9 a tmav\u00e9 odtiene zelenej \u2013 vych\u00e1dza z p\u00f4vodnej fin-de-si\u00e8cle atmosf\u00e9ry divadla.<\/p>\n

Javisko novej \u00e9ry<\/p>\n

Oprava sa v\u0161ak nezastavila pri detailoch. Hlavn\u00e1 sc\u00e9na dnes disponuje \u0161pi\u010dkov\u00fdmi technol\u00f3giami: \u0161es\u0165metrov\u00fdm oto\u010dn\u00fdm javiskom, mobiln\u00fdm h\u013eadiskom a \u0161iestimi dvojpodla\u017en\u00fdmi prepadliskami. Tento syst\u00e9m umo\u017e\u0148uje r\u00fdchle zmeny sc\u00e9n, ot\u00e1\u010danie o 360 stup\u0148ov a inscen\u00e1cie hran\u00e9 v troch smeroch, \u010do rob\u00ed z divadla jedno z najvyspelej\u0161\u00edch technick\u00fdch priestorov v Eur\u00f3pe.<\/p>\n

Hlavnou prioritou n\u00e1vrhu bola \u00faprava priestorov a pohybov\u00fdch tr\u00e1s tak, aby podporovali plynul\u00fa prev\u00e1dzku a vytv\u00e1rali kvalitn\u00e9 pracovn\u00e9 podmienky pre v\u0161etk\u00fdch, ktor\u00ed sa podie\u013eaj\u00fa na tvorbe predstaven\u00ed.<\/p>\n

\"divadlo\"divadlo<\/a>S\u00fa\u010das\u0165ou projektu je aj nov\u00fd mestsk\u00fd dvor otvoren\u00fd verejnosti, ktor\u00fd roz\u0161iruje divadeln\u00fd \u017eivot do ul\u00edc mesta. | Zdroj: Nate Cook<\/p>\n

Roz\u0161\u00edren\u00edm o susedn\u00fa budovu sa plocha hlavnej sc\u00e9ny viac ne\u017e zdvojn\u00e1sobila, pri\u010dom p\u00f4vodn\u00e9 umiestnenie h\u013eadiska zostalo zachovan\u00e9. Prerobili ju do modern\u00e9ho, no striedmeho \u0161t\u00fdlu, ktor\u00fd citlivo reaguje na historick\u00e9 prostredie. Prepojenie \u201estar\u00e9ho a nov\u00e9ho\u201c nebolo zalo\u017een\u00e9 na napodob\u0148ovan\u00ed ani v\u00fdraznom kontraste, ale na vz\u00e1jomnom dial\u00f3gu, v ktorom nov\u00e1 \u010das\u0165 plynulo nadv\u00e4zuje na p\u00f4vodn\u00fa.<\/p>\n

Divadlo tak z\u00edskalo druh\u00fa modern\u00fa sc\u00e9nu, sk\u00fa\u0161obne, nahr\u00e1vacie \u0161t\u00fadio, dielne, sklady, technick\u00e9 z\u00e1zemie, reziden\u010dn\u00e9 priestory pre umelcov aj zrekon\u0161truovan\u00e9 \u0161atne. Nov\u00e9 \u201emestsk\u00e9 n\u00e1dvorie\u201c dnes funguje ako exteri\u00e9rov\u00e1 sc\u00e9na, miesto na workshopy, v\u00fdstavy a predov\u0161etk\u00fdm ako priestor stret\u00e1vania sa pre v\u0161etk\u00fdch vr\u00e1tane os\u00f4b so zn\u00ed\u017eenou pohyblivos\u0165ou alebo zmyslov\u00fdm znev\u00fdhodnen\u00edm.<\/p>\n

V\u010faka svojej otvorenosti a inkluz\u00edvnosti projekt z\u00edskal celoeur\u00f3psky ohlas a nomin\u00e1ciu na EU Mies van der Rohe Award 2026<\/a>. Ide o najvy\u0161\u0161ie ocenenie v oblasti v\u00fdnimo\u010dnej s\u00fa\u010dasnej architekt\u00fary. Medzi finalistov v\u0161ak nakoniec nepost\u00fapilo.<\/p>\n

Divadlo Stefana \u017beromsk\u00e9ho<\/p>\n

Lokalita:\u00a0Kielce, Po\u013esko
\u0160t\u00fadio: WXCA
Klient: Divadlo Stefana \u017beromsk\u00e9ho
Podlahov\u00e1 plocha: 10 887 m\u00b2
Realiz\u00e1cia: 2017 \u2013 2024<\/p>\n","protected":false},"excerpt":{"rendered":"Po\u013esk\u00e9 divadlo pre\u0161lo radik\u00e1lnou architektonickou zmenou a stalo sa jedn\u00fdm z najmodernej\u0161\u00edch v Eur\u00f3pe. Projekt s medzin\u00e1rodn\u00fdm ohlasom…\n","protected":false},"author":2,"featured_media":37891,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[109,108,110,113,70,2958,10648,1659,315,43,40,39,42,41,112,111,71],"class_list":{"0":"post-37890","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-umenie-a-dizajn","8":"tag-art","9":"tag-art-and-design","10":"tag-design","11":"tag-dizajn","12":"tag-entertainment","13":"tag-historicke-stavby","14":"tag-kulturne-stavby","15":"tag-obnova","16":"tag-polsko","17":"tag-sk","18":"tag-slovak","19":"tag-slovakia","20":"tag-slovencina","21":"tag-slovensko","22":"tag-umenie","23":"tag-umenie-a-dizajn","24":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116359594145578552","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/37890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=37890"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/37890\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/37891"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=37890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=37890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=37890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}