Bratislava 17. apr\u00edla (TASR) – Bratislavsk\u00e1 Gal\u00e9ria Star\u00fd Avion vystavuje tvorbu v\u00fdtvarn\u00ed\u010dky Mary Ohman, ktor\u00e1 priaznivcom umenia predstav\u00ed svoj svet \u201efarebn\u00fdch hniezd\u201c. Pod\u013ea gal\u00e9rie pote\u0161\u00ed zvl\u00e1\u0161\u0165 t\u00fdch, ktor\u00ed v umen\u00ed h\u013eadaj\u00fa pocit domova. V\u00fdstava Mary Ohman s n\u00e1zvom \u201eHniezdna noc a hniezdny de\u0148\u201c potrv\u00e1 do 30. apr\u00edla. Komentovan\u00e1 prehliadka za \u00fa\u010dasti autorky sa uskuto\u010dn\u00ed v piatok o 16.30 h.<\/p>\n
\u201eDiv\u00e1kom pon\u00faka int\u00edmny poh\u013ead do autorkinho dlhodob\u00e9ho umeleck\u00e9ho sk\u00famania t\u00e9my \u201ahniezda\u2018 – ako fyzick\u00e9ho, symbolick\u00e9ho aj vn\u00fatorn\u00e9ho,\u201c uv\u00e1dza gal\u00e9ria k v\u00fdstave v\u00fdtvarn\u00ed\u010dky, poetky, editorky a architektky. \u201eZa umen\u00edm v\u017edy h\u013ead\u00e1m \u010dloveka. A jeho \u00faprimnos\u0165. A presne t\u00fa som na\u0161la v tvorbe Mary Ohman,\u201c komentovala v\u00fdber autorky na soci\u00e1lnej sieti galeristka Jana Chrappov\u00e1. \u201eMara nie je \u201alen\u2018 v\u00fdtvarn\u00ed\u010dka. Je to architektka, poetka a \u017eena, ktor\u00e1 sa po dlh\u0161ej pauze vr\u00e1tila k tvorbe s nemiernou silou. Jej \u00fastredn\u00fdm mot\u00edvom sa stalo hniezdo bezpe\u010dia, dedi\u010dstva a vn\u00fatorn\u00e9ho priestoru, ktor\u00fd si ka\u017ed\u00fd z n\u00e1s nesie v sebe,\u201c dod\u00e1va galeristka.<\/p>\n
Mot\u00edv hniezda rozv\u00edja autorka ako vizu\u00e1lny aj symbolick\u00fd jazyk, ako priestor, ktor\u00fd si \u010dlovek nesie v sebe, ale aj ako dedi\u010dstvo, ktor\u00e9 sk\u00fama a pretv\u00e1ra. \u201ePon\u00e1ram sa do hniezd, ktor\u00e9 som zdedila, do ktor\u00fdch som sa narodila, v ktor\u00fdch som vyr\u00e1stla a ktor\u00e9 vytv\u00e1ram ja sama, pre seba aj svoju rodinu. Zis\u0165ujem, ak\u00fa maj\u00fa moje hniezda podobu, tvar, nako\u013eko s\u00fa u\u017e otvoren\u00e9 sk\u00famaniu,\u201c opisuje Mara Ohman.<\/p>\n
Jej tvorba osciluje medzi \u010diernobielou kresbou a farebnou ma\u013ebou, medzi abstrakciou a figur\u00e1ciou. V kresbe pracuje s uhl\u00edkom, vodou a vrstven\u00edm, pri\u010dom zd\u00f4raz\u0148uje jedine\u010dnos\u0165 okamihu: ka\u017ed\u00fd \u0165ah vznik\u00e1 na prv\u00fd pokus. \u201eVo farebn\u00fdch akrylov\u00fdch obrazoch sa proces st\u00e1va hravej\u0161\u00edm a otvorenej\u0161\u00edm, autorka v nich postupne odkr\u00fdva vn\u00fatro hniezd, ich vrstvy, spomienky a em\u00f3cie,\u201c vysvet\u013euje kur\u00e1tor v\u00fdstavy \u013dudov\u00edt Petr\u00e1nsky. \u201eMarine obrazy s\u00fa o n\u00e1deji v na\u0161ich hniezdach, \u00fasvite aj s\u00famraku, o d\u0148och aj nociach – onej samej,\u201c uzavrel.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 17. apr\u00edla (TASR) – Bratislavsk\u00e1 Gal\u00e9ria Star\u00fd Avion vystavuje tvorbu v\u00fdtvarn\u00ed\u010dky Mary Ohman, ktor\u00e1 priaznivcom umenia predstav\u00ed…\n","protected":false},"author":2,"featured_media":2003,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[136,19343,4586,19344,43,40,39,42,41,611,6478],"class_list":{"0":"post-46509","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bratislava","8":"tag-bratislava","9":"tag-kreba","10":"tag-malba","11":"tag-ohman","12":"tag-sk","13":"tag-slovak","14":"tag-slovakia","15":"tag-slovencina","16":"tag-slovensko","17":"tag-vystava","18":"tag-vytvarne"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116419418215221893","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/46509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=46509"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/46509\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/2003"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=46509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=46509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=46509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}