{"id":48409,"date":"2026-04-19T16:40:19","date_gmt":"2026-04-19T16:40:19","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/48409\/"},"modified":"2026-04-19T16:40:19","modified_gmt":"2026-04-19T16:40:19","slug":"sef-sng-juraj-kralik-je-smutne-ako-sa-kultura-spolitizovala-prezradi-aj-to-preco-manzelka-mikulasa-galandu-zamurovala-slavny-ruzovy-akt-galeria-kultura","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/48409\/","title":{"rendered":"\u0160\u00e9f SNG Juraj Kr\u00e1lik: Je smutn\u00e9, ako sa kult\u00fara spolitizovala. Prezrad\u00ed aj to, pre\u010do man\u017eelka Mikul\u00e1\u0161a Galandu zamurovala sl\u00e1vny Ru\u017eov\u00fd akt – Gal\u00e9ria – Kult\u00fara"},"content":{"rendered":"

Naozaj mal Mikul\u00e1\u0161 Galanda tak\u00fd \u0161irok\u00fd z\u00e1ber a schopnos\u0165 sp\u00e1ja\u0165 a in\u0161pirova\u0165 umelcov? Plat\u00ed to\u00a0st\u00e1le?<\/p>\n

Mysl\u00edm si, \u017ee \u00e1no, hoci mo\u017eno trochu in\u00fdm sp\u00f4sobom, ne\u017e by div\u00e1k o\u010dak\u00e1val. V\u00fdstava nie je postaven\u00e1 ako monument jedn\u00e9ho g\u00e9nia, ale sk\u00f4r ako \u017eiv\u00fd organizmus vz\u0165ahov, stretnut\u00ed a vz\u00e1jomn\u00e9ho ovplyv\u0148ovania. Galanda je tu pr\u00edtomn\u00fd ako tich\u00e1, ale ve\u013emi siln\u00e1 l\u00ednia\u00a0\u2013 ako niekto, kto dok\u00e1zal in\u0161pirova\u0165 cel\u00fa gener\u00e1ciu, hoci s\u00e1m u\u017e nemohol by\u0165 jej priamou s\u00fa\u010das\u0165ou. Zamerali sme sa na skupinu galandovcov, ktor\u00e1 vznikla spont\u00e1nne\u00a0\u2013 z\u00a0priate\u013estiev, n\u00e1hodn\u00fdch stretnut\u00ed, spolo\u010dn\u00fdch ciest na prij\u00edma\u010dky \u010di z\u00a0rozhovorov v\u00a0ateli\u00e9roch. Boli to mlad\u00ed, za\u010d\u00ednaj\u00faci umelci z\u00a0r\u00f4znych miest\u00a0\u2013 hlavne z\u00a0okolia \u017diliny a Martina, ktor\u00ed postupne nach\u00e1dzali spolo\u010dn\u00fa\u00a0re\u010d.<\/p>\n

\t\t\t \t\t\t\t\t\t\t\t\"Galanda:Z\u00e1ti\u0161ie \t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\tFoto: arch\u00edv SNG \t\t\t\t\t\t\t\t<\/p>\n

\t\t\t\t \t\t\t\t\tgalanda a galandovci \t\t\t\t \t\t\t\t\t\t\t\t\tGalanda:Z\u00e1ti\u0161ie s vo\u0148avkou \t\t\t\t\t\t<\/p>\n

Boli to zauj\u00edmav\u00ed \u013eudia, na ktor\u00fdch sa ned\u00e1 zabudn\u00fa\u0165. Ka\u017ed\u00fd bol siln\u00e1 osobnos\u0165. \u010co ich spojilo a ak\u00fd odkaz zanechali?<\/p>\n

Zakladaj\u00facimi \u010dlenmi skupiny bol Andrej Bar\u010d\u00edk\u00a0\u2013 jej inici\u00e1tor, Rudolf Krivo\u0161, Milan Laluha, Milan Pa\u0161t\u00e9ka, \u013dudov\u00edt \u0160trompach, Anton \u010cutek, Vladim\u00edr Komp\u00e1nek, Ivan \u0160tub\u0148a, Pavol T\u00f3th, Zdeno Horeck\u00fd, Miroslav Mar\u010dek a R\u00f3bert D\u00fabravec. Nemali jednotn\u00fd program ani presne definovan\u00fd cie\u013e. Sk\u00f4r i\u0161lo o\u00a0energiu doby, o\u00a0potrebu slobodne tvori\u0165 a reagova\u0165 na meniaci sa svet. A\u00a0pr\u00e1ve v\u00a0tom je Galandov odkaz\u00a0\u2013 nie je to konkr\u00e9tny \u0161t\u00fdl, ale impulz.<\/p>\n

Odkaz pretrv\u00e1va ako nie\u010do, \u010do dok\u00e1zalo spoji\u0165 ve\u013emi rozdielne osobnosti. Ke\u010f dnes n\u00e1v\u0161tevn\u00edk prech\u00e1dza v\u00fdstavou, vid\u00ed, ako sa t\u00e1to energia rozvetvuje\u00a0\u2013 ako ka\u017ed\u00fd z\u00a0autorov i\u0161iel vlastnou cestou, a predsa ich nie\u010do nevidite\u013en\u00e9 dr\u017ealo spolu. Ke\u010f sme vym\u00fd\u0161\u013eali koncepciu v\u00fdstavy, dohodli sme sa, \u017ee budeme akcentova\u0165 iba ich tvorbu po\u010das trvania samotnej skupiny, ke\u010f je ich v\u00fdvoj najmarkantnej\u0161\u00ed.<\/p>\n

Ko\u013eko diel a od ko\u013ek\u00fdch autorov je na v\u00fdstave?<\/p>\n

Na v\u00fdstave je 135\u00a0diel od 16\u00a0autorov, \u010do je samo osebe pomerne ve\u013ekorys\u00fd rozsah. Ale d\u00f4le\u017eitej\u0161ie ako \u010d\u00edsla je to, \u017ee ide o\u00a0ve\u013emi koncentrovan\u00fd v\u00fdber\u00a0\u2013 ka\u017ed\u00fd autor tu m\u00e1 svoje miesto, svoj hlas. \u010cas\u0165 diel poch\u00e1dza zo zbierok SNG, ktor\u00e9 vznikali systematicky po\u010das desa\u0165ro\u010d\u00ed, a \u010das\u0165 zo s\u00fakromnej zbierky zberate\u013ea umenia Ivana Melicher\u010d\u00edka. Pr\u00e1ve tento dial\u00f3g medzi verejnou a s\u00fakromnou zbierkou d\u00e1va v\u00fdstave zvl\u00e1\u0161tnu h\u013abku. Niektor\u00e9 diela sa be\u017ene nevystavuj\u00fa, niektor\u00e9 maj\u00fa za sebou zauj\u00edmav\u00e9 osudy\u00a0\u2013 boli ukr\u00fdvan\u00e9, pres\u00favan\u00e9, menili majite\u013eov. N\u00e1v\u0161tevn\u00edk tak nevid\u00ed len \u201edejiny umenia\u201c, ale aj pr\u00edbehy obrazov a ich putovanie v\u00a0\u010dase.<\/p>\n

\t\t\t \t\t\t\t\t\t\t\t\"N\u00e1v\u0161tevn\u00edci \t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\tFoto: arch\u00edv SNG \t\t\t\t\t\t\t\t<\/p>\n

\t\t\t\t \t\t\t\t\tGalanda a galandovci, SNG \t\t\t\t \t\t\t\t\t\t\t\t\tN\u00e1v\u0161tevn\u00edci na v\u00fdstave Galanda a galandovci v SNG. \t\t\t\t\t\t<\/p>\n

Mikul\u00e1\u0161 Galanda bol aj iskriv\u00fd myslite\u013e, vedel sa vyjadrova\u0165 a aj p\u00edsa\u0165. S\u00a0\u013dudov\u00edtom Fullom boli spolu\u017eiaci na \u0160kole umeleck\u00e9ho priemyslu v\u00a0Prahe, nesk\u00f4r spolu vyd\u00e1vali dokonca (sporadicky) avantgardn\u00fd \u010dasopis (1930\u00a0\u2013 32) S\u00fakromn\u00e9 listy, ktor\u00e9 s\u00fa osobit\u00fdm v\u00fdtvarn\u00fdm dielom. Hovor\u00ed sa im aj manifest a dodnes elektrizuj\u00fa. Ako ich kur\u00e1tori do s\u00fa\u010dasnej v\u00fdstavy zakomponovali?<\/p>\n

S\u00fakromn\u00e9 listy sme chceli uk\u00e1za\u0165 ako nie\u010do viac ne\u017e len historick\u00fd dokument. S\u00fa to vlastne mal\u00e9 umeleck\u00e9 expl\u00f3zie pln\u00e9 n\u00e1padov, humoru, vzdoru aj radosti z\u00a0tvorby. Tie s\u00fakromn\u00e9 listy vy\u0161li dvakr\u00e1t, v\u00a0dvoch ed\u00edci\u00e1ch. Zberate\u013e Ivan Melicher\u010d\u00edk m\u00e1 obidve vydania a poskytol n\u00e1m origin\u00e1ly, ktor\u00e9 m\u00e1me vystaven\u00e9. Pre m\u0148a osobne s\u00fa tieto listy d\u00f4kazom, \u017ee Galanda a Fulla neboli len maliari, ale aj myslitelia, ktor\u00ed mali potrebu komunikova\u0165, provokova\u0165, otv\u00e1ra\u0165 nov\u00e9 t\u00e9my. A\u00a0t\u00e1to energia je prekvapivo \u017eiv\u00e1 aj\u00a0dnes.<\/p>\n

\t\t\t\t\t \t\t\t\t\u0160\u00e9f SNG Juraj Kr\u00e1lik: Nov\u00e1 v\u00fdstava ZO Z\u00c1PADU prin\u00e1\u0161a umenie z v\u00fdchodu. \u010co na to prezident Pellegrini? \t\t\t<\/p>\n

\t \t\t\t Video \t<\/p>\n

\t\t\t\t \t\t\t\t\t\t\t\t\t\t\t\t\tZdroj: TV Pravda \t\t\t\t\t\t<\/p>\n

Galanda sa nesk\u00f4r stret\u00e1val s\u00a0Fullom v\u00a0ateli\u00e9ri na Trnavskej ulici. M\u00e1 SNG k\u00a0dispoz\u00edcii inform\u00e1cie aj o\u00a0ateli\u00e9roch, kde galandovci tvorili? Pozn\u00e1te niektor\u00fdch potomkov galandovcov? Aj vy ste vyrastali v\u00a0bratislavskej umeleckej \u0161tvrti\u00a0\u2013 m\u00e1te spomienky na galandovcov?<\/p>\n

Pr\u00edbehy ateli\u00e9rov s\u00fa \u010dasto len fragment\u00e1rne, ale o\u00a0to silnej\u0161ie. Vieme, \u017ee ateli\u00e9ry neboli len pracovisk\u00e1\u00a0\u2013 boli to miesta stretnut\u00ed, diskusi\u00ed, niekedy aj sporov. Ja m\u00e1m to \u0161\u0165astie, \u017ee som vyrastal v\u00a0prostred\u00ed, kde galandovci a ich rodiny \u017eili. Pozn\u00e1m deti viacer\u00fdch z\u00a0nich\u00a0\u2013 vyrastali sme spolu, stret\u00e1vali sa a hrali na ulici. Pre m\u0148a to vtedy neboli \u201eve\u013ek\u00ed umelci\u201c, ale susedia, ktor\u00fdch som v\u00eddaval ka\u017ed\u00fd de\u0148. A\u00a0mo\u017eno pr\u00e1ve preto dnes vn\u00edmam ich tvorbu inak\u00a0\u2013 nie ako vzdialen\u00fd k\u00e1non, ale ako nie\u010do ve\u013emi \u017eiv\u00e9, \u013eudsk\u00e9.<\/p>\n

\t\t\t\t \t\t\t\t\t\t\t\t\"Rudolf \t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\tFoto: arch\u00edv SNG \t\t\t\t\t\t\t\t<\/p>\n

\t\t\t\t \t\t\t\t\tRudolf Krivo\u0161: Chlapec s jablkom, Galanda a galandovci \t\t\t\t \t\t\t\t\t\t\t\t\tRudolf Krivo\u0161: Chlapec s jablkom na v\u00fdstave Galanda a galandovci \t\t\t\t\t\t<\/p>\n

A\u00a0ako na v\u00e1s p\u00f4sobila t\u00e1 tvorba v\u00a0detstve?<\/p>\n

\u00daprimne\u00a0\u2013 ja som sa s\u00a0\u0148ou stretol sk\u00f4r, ne\u017e som vedel, \u010do vlastne vid\u00edm. Ich obrazy viseli u\u00a0n\u00e1s doma, hra\u010dky od Vladim\u00edra Komp\u00e1nka boli s\u00fa\u010das\u0165ou m\u00f4jho detstva. A\u017e nesk\u00f4r, ke\u010f som za\u010dal \u0161tudova\u0165, pri\u0161iel ten zvl\u00e1\u0161tny moment\u00a0\u2013 ke\u010f si uvedom\u00edte, \u017ee to, \u010do ste pova\u017eovali za samozrejm\u00e9, je vlastne s\u00fa\u010das\u0165 slovensk\u00fdch dej\u00edn umenia. Je to zvl\u00e1\u0161tny pocit, a\u017e dojemn\u00fd. \u010clovek si sp\u00e4tne uvedom\u00ed, ak\u00e9 mal \u0161\u0165astie, \u017ee mohol vidie\u0165 t\u00fdchto \u013eud\u00ed nielen ako men\u00e1 v\u00a0u\u010debnici, ale ako \u017eiv\u00e9 osobnosti.<\/p>\n

\t \t\t\t\t\t\"sng, \t\t\t \t\t\t\t \t\t\t\t\t\t\t\t\t\t\t\u010c\u00edtajte viac \t\t\t\t\t\t\t\t\t \t\t\t\t \t\t\t\t\t\u0160\u00e9f SNG Juraj Kr\u00e1lik: Ja by som sa na cudziu stoli\u010dku neposadil. Aj t\u00fa, na ktorej dnes sed\u00edm, som si priniesol vlastn\u00fa \t\t\t\t \t\t\t \t\t\t<\/a>
\n\u010co sa v\u00e1m na tejto aktu\u00e1lnej v\u00fdstave najviac p\u00e1\u010di? Zostalo nie\u010do nedopovedan\u00e9?<\/p>\n

Najviac sa mi p\u00e1\u010di pr\u00e1ve t\u00e1 r\u00f4znorodos\u0165. To, \u017ee ka\u017ed\u00fd autor je \u00faplne in\u00fd, a napriek tomu vytv\u00e1raj\u00fa spolo\u010dn\u00fd pr\u00edbeh. A\u00a0\u00e1no, v\u017edy zostane nie\u010do nedopovedan\u00e9. V\u00fdstava je len jedna z\u00a0mo\u017en\u00fdch interpret\u00e1ci\u00ed. O\u00a0p\u00e1r rokov by mohla vyzera\u0165 \u00faplne inak\u00a0\u2013 s\u00a0in\u00fdmi d\u00f4razmi, s\u00a0in\u00fdmi ot\u00e1zkami. A\u00a0to je na tom kr\u00e1sne.<\/p>\n

\t\t\t\t \t\t\t\t\t\t\t\t\"Vladim\u00edr \t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\tFoto: arch\u00edv SNG \t\t\t\t\t\t\t\t<\/p>\n

\t\t\t\t \t\t\t\t\tVladimir Kompanek Materstvo, Galanda a galandovci \t\t\t\t \t\t\t\t\t\t\t\t\tVladim\u00edr Komp\u00e1nek: Materstvo na v\u00fdstave Galanda a galandovci \t\t\t\t\t\t<\/p>\n

Zostal e\u0161te v\u00a0depozit\u00e1roch (\u010di v\u00a0s\u00fakrom\u00ed) materi\u00e1l aj na \u010fal\u0161ie v\u00fdstavy?<\/p>\n

Ur\u010dite \u00e1no. Slovensk\u00e1 n\u00e1rodn\u00e1 gal\u00e9ria je zbierkotvorn\u00e1 in\u0161tit\u00facia, v\u00a0ktorej sa nach\u00e1dza takmer 100-tis\u00edc zbierkov\u00fdch predmetov. Mnoh\u00e9 diela z\u00a0depozit\u00e1rov \u010dakaj\u00fa na svoje znovuobjavenie. Mo\u017eno aj s\u00fa\u010dasn\u00e1 konsolida\u010dn\u00e1 finan\u010dn\u00e1 situ\u00e1cia n\u00e1s n\u00fati viac sa obraca\u0165 k\u00a0tomu, \u010do u\u017e m\u00e1me\u00a0\u2013 a nach\u00e1dza\u0165 v\u00a0tom nov\u00e9 s\u00favislosti. Niekedy pr\u00e1ve v\u00a0depozit\u00e1ri objav\u00edte diela, ktor\u00e9 v\u00e1s prekvapia viac ako nov\u00e9 akviz\u00edcie. Pre m\u0148a bolo mimoriadne, \u017ee ke\u010f sme t\u00fato v\u00fdstavu pripravovali, tak v\u0161etci autori boli zast\u00fapen\u00ed v\u00a0zbierkach Slovenskej n\u00e1rodnej gal\u00e9rie.<\/p>\n

Dnes toti\u017e zis\u0165ujeme, \u017ee mnoh\u00e9 signifikantn\u00e9 pers\u00f3ny slovenskej v\u00fdtvarnej sc\u00e9ny boli za ostatn\u00fdch dvadsa\u0165 rokov vytes\u0148ovan\u00e9. Vedenie alebo kur\u00e1tori, ktor\u00ed nemali sympatiu k\u00a0ist\u00fdm umelcom, ich diela jednoducho nekupovali. Keby sa toto dialo v\u00a0minulosti, dnes by sme nemali v\u00a0depozit\u00e1ri SNG napr\u00edklad \u013dudov\u00edta \u0160trompacha alebo Zdena Horeck\u00e9ho. Slovensk\u00e1 n\u00e1rodn\u00e1 gal\u00e9ria, na\u0161\u0165astie, v\u00a0minulosti re\u0161pektovala t\u00fdchto autorov ako s\u00fa\u010das\u0165 dan\u00e9ho obdobia a ich diela zak\u00fapila do svojich zbierok. Zbierkov\u00e1 politika SNG sa bude meni\u0165. Je nutn\u00e9 doplni\u0165 diela viacer\u00fdch autorov, ktor\u00ed sa mo\u017eno nep\u00e1\u010dili b\u00fdval\u00e9mu vedeniu, ale napriek tomu maj\u00fa kvalitn\u00e9 diela. Tu ide antipatia alebo sympatia\u00a0bokom.<\/p>\n

\t\t\t \t\t\t\t\t\t\t\t\"Mikul\u00e1\u0161 \t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\tFoto: arch\u00edv SND \t\t\t\t\t\t\t\t<\/p>\n

\t\t\t\t \t\t\t\t\tMikul\u00e1\u0161 Galanda, Ru\u017eov\u00fd akt \t\t\t\t \t\t\t\t\t\t\t\t\tMikul\u00e1\u0161 Galanda: Ru\u017eov\u00fd akt \t\t\t\t\t\t<\/p>\n

S\u00fa\u010das\u0165ou v\u00fdstavy je aj kolekcia diel galandovcov od u\u017e spom\u00ednan\u00e9ho zberate\u013ea Ivana Melicher\u010d\u00edka. S\u00fa v\u00a0tejto zbierke unik\u00e1ty? Upozor\u0148ujete napr\u00edklad na Ru\u017eov\u00fd akt, na ktorom je pani Galandov\u00e1. \u010c\u00edm je dielo jedine\u010dn\u00e9?<\/p>\n

Ivan Melicher\u010d\u00edk je doyen slovensk\u00e9ho zberate\u013estva. Patr\u00ed k\u00a0najv\u00e4\u010d\u0161\u00edm s\u00fakromn\u00fdm zberate\u013eom umenia. Zberate\u013estvo je pre\u0148ho rados\u0165, v\u00e1\u0161e\u0148, ako on s\u00e1m hovor\u00ed, \u201eobsesia\u201c. Obraz Ru\u017eov\u00fd akt m\u00e1 za sebou siln\u00fd pr\u00edbeh. Pani Galandov\u00e1 ho po\u010das 2.\u00a0svetovej vojny zamurovala do steny, aby ho zachr\u00e1nila. A\u00a0po vojne ho z\u00a0\u00fakrytu vybrala. To u\u017e nie je len umeleck\u00e9 dielo\u00a0\u2013 to je svedok dej\u00edn. A\u00a0ke\u010f dnes vid\u00edte ten obraz na v\u00fdstave, nesie v\u0161etky tieto vrstvy. Pani Galandov\u00e1 obraz nechcela nikdy preda\u0165. Cel\u00fd \u017eivot ho uchov\u00e1vala a na sklonku \u017eivota ho Ivanovi Melicher\u010d\u00edkovi darovala za to, \u017ee sa o\u00a0meno a tvorbu Mikul\u00e1\u0161a Galandu a aj o\u00a0\u0148u staral. Ide o\u00a0unik\u00e1tne dielo a n\u00e1v\u0161tevn\u00edci gal\u00e9rie ho maj\u00fa teraz mo\u017enos\u0165 vidie\u0165 na v\u00fdstave.<\/p>\n

Jednu z\u00a0prv\u00fdch v\u00fdstav Skupiny M. Galandu otv\u00e1ral ich genera\u010dn\u00fd rovesn\u00edk Milan R\u00fafus a bola to udalos\u0165. M\u00e1 aj t\u00e1to v\u00fdstava n\u00e1dej na ve\u013ek\u00fa odozvu?<\/p>\n

Ver\u00edm, \u017ee \u00e1no. R\u00fafus vedel pomenova\u0165 podstatu vec\u00ed\u00a0\u2013 a galandovci ju niesli vo v\u00fdtvarnej podobe. Ka\u017ed\u00e1 doba potrebuje svoje pr\u00edbehy a svoje n\u00e1vraty k\u00a0hodnot\u00e1m. T\u00e1to v\u00fdstava nie je len o\u00a0minulosti\u00a0\u2013 je aj o\u00a0tom, ako sa pozer\u00e1me na umenie dnes. Ak sa n\u00e1m podar\u00ed sprostredkova\u0165 t\u00fato energiu a vn\u00fatorn\u00fa pravdivos\u0165, v\u00fdstava si svojho div\u00e1ka\u00a0n\u00e1jde.<\/p>\n

\t\t\t\t \t\t\t\t\t\t\t\t\"Milan \t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\tFoto: Marian Tur\u010dan \t\t\t\t\t\t\t\t<\/p>\n

\t\t\t\t \t\t\t\t\tGalanda a galandovci, Milan Laluha \t\t\t\t \t\t\t\t\t\t\t\t\tMilan Laluha: Za dedinou na v\u00fdstave Galanda a galandovci. \t\t\t\t\t\t<\/p>\n

Ak\u00e1 je teda n\u00e1v\u0161tevnos\u0165 v\u00fdstavy? Nezanikne ve\u013ekolep\u00fd projekt v\u00a0neprajn\u00fdch okolnostiach?<\/p>\n

Doba nie je jednoduch\u00e1 a kult\u00fara to v\u017edy poc\u00edti medzi prv\u00fdmi. N\u00e1v\u0161tevnos\u0165 kol\u00ed\u0161e, \u013eudia maj\u00fa in\u00e9 starosti, \u010dasto existen\u010dn\u00e9. Ja ale ver\u00edm, \u017ee pr\u00e1ve v\u00a0\u0165a\u017ek\u00fdch \u010dasoch m\u00e1 umenie ve\u013ek\u00fd v\u00fdznam. Mo\u017eno nie masov\u00fd, ale hlbok\u00fd. Kult\u00fara pre\u017eila hor\u0161ie obdobia a v\u017edy si na\u0161la cestu. Je smutn\u00e9, ako je v\u00a0s\u00fa\u010dasnosti kult\u00fara silno spolitizovan\u00e1. Nesk\u00fama sa kvalita diela, nesk\u00fama sa odbornos\u0165, sk\u00fama sa politick\u00fd n\u00e1zor. Nep\u00ed\u0161u sa nezaujat\u00e9 odborn\u00e9 recenzie na v\u00fdstavy, p\u00ed\u0161u sa politick\u00e9 pamflety \u010dasto pln\u00e9 klamstva a zav\u00e1dzania. Napr\u00edklad sa verejne vyz\u00fdva na bojkot n\u00e1v\u0161tevy SNG. A\u00a0n\u00e1sledne n\u00e1s t\u00ed ist\u00ed, ktor\u00ed na bojkot vyz\u00fdvaj\u00fa, kritizuj\u00fa za n\u00edzku n\u00e1v\u0161tevnos\u0165. \u010co je vlastne cie\u013eom t\u00fdchto iniciat\u00edv? Ide im naozaj o\u00a0gal\u00e9riu, o\u00a0to, aby fungovala, alebo tu ide o\u00a0politiku?<\/p>\n

Aspo\u0148 na \u010das by mohol v\u0161etk\u00fdch spoji\u0165 ve\u013ek\u00fd objav. Mysl\u00edte, \u017ee s\u00fa zmapovan\u00e9 v\u0161etky diela galandovcov? M\u00f4\u017ee sa objavi\u0165 nezn\u00e1my unik\u00e1t?<\/p>\n

Nikdy to nemo\u017eno vyl\u00fa\u010di\u0165. St\u00e1le sa objavuj\u00fa diela v\u00a0s\u00fakromn\u00fdch zbierkach, na poval\u00e1ch, v\u00a0zabudnut\u00fdch z\u00e1suvk\u00e1ch. Pam\u00e4t\u00e1m si pr\u00edpad, ke\u010f niekto na\u0161iel pod poste\u013eou obrazy od Bazovsk\u00e9ho. Aj to je s\u00fa\u010das\u0165 dobrodru\u017estva umenia\u00a0\u2013 nikdy neviete, kde sa e\u0161te ukr\u00fdva.<\/p>\n

Ko\u013eko \u010dasu si maj\u00fa n\u00e1v\u0161tevn\u00edci rezervova\u0165 na prehliadku v\u00fdstavy? Ak\u00fd priestor ste jej poskytli?<\/p>\n

Ak sa chc\u00fa ponori\u0165 do umenia naozaj d\u00f4kladne, pokojne aj nieko\u013eko hod\u00edn. V\u00fdstava je rozlo\u017een\u00e1 na dvoch podla\u017eiach a pon\u00faka dostatok priestoru na tich\u00e9 vn\u00edmanie aj rozj\u00edmanie. A\u00a0to je mo\u017eno v\u00a0dne\u0161nej upon\u00e1h\u013eanej dobe najd\u00f4le\u017eitej\u0161ie\u00a0\u2013 spomali\u0165 a necha\u0165 obrazy prehovori\u0165.<\/p>\n","protected":false},"excerpt":{"rendered":"Naozaj mal Mikul\u00e1\u0161 Galanda tak\u00fd \u0161irok\u00fd z\u00e1ber a schopnos\u0165 sp\u00e1ja\u0165 a in\u0161pirova\u0165 umelcov? Plat\u00ed to\u00a0st\u00e1le? Mysl\u00edm si, \u017ee…\n","protected":false},"author":2,"featured_media":48410,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[70,20031,20030,2710,43,40,39,42,41,7547,611,71],"class_list":{"0":"post-48409","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-entertainment","9":"tag-galanda-a-galandovci","10":"tag-juraj-kralik","11":"tag-kultura","12":"tag-sk","13":"tag-slovak","14":"tag-slovakia","15":"tag-slovencina","16":"tag-slovensko","17":"tag-sng","18":"tag-vystava","19":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116432366777195845","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/48409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=48409"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/48409\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/48410"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=48409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=48409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=48409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}