{"id":50042,"date":"2026-04-21T14:15:31","date_gmt":"2026-04-21T14:15:31","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/50042\/"},"modified":"2026-04-21T14:15:31","modified_gmt":"2026-04-21T14:15:31","slug":"okrem-fotiek-karola-kallaya-v-danubiane-ukazuju-zrkadlo-rozbiteho-sveta-galeria-kultura","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/50042\/","title":{"rendered":"Okrem fotiek Karola K\u00e1llaya v Danubiane ukazuj\u00fa Zrkadlo rozbit\u00e9ho sveta – Gal\u00e9ria – Kult\u00fara"},"content":{"rendered":"

Ve\u013ekolep\u00fa fotografick\u00fa retrospekt\u00edvu Karola K\u00e1llaya v Danubiane nazvan\u00fa Svedectvo epochy dop\u013a\u0148a Zrkadlo rozbit\u00e9ho sveta. Je to tie\u017e retrospekt\u00edva, tentoraz prem\u00fd\u0161\u013eav\u00e9ho \u010desk\u00e9ho maliara Petra Pavl\u00edka (nar. 1945 v Prahe), ktor\u00e1 ukazuje jeho umeleck\u00fa cestu od 70. rokov a\u017e do na\u0161ej kontroverznej s\u00fa\u010dasnosti. Ako p\u00ed\u0161e kur\u00e1tor Martin Dost\u00e1l, je to z\u00e1rove\u0148 obrazov\u00e1 cesta od prvotn\u00e9ho zhluku a\u017e po mo\u017en\u00fa, hoci nechcen\u00fa, apokalypsu.<\/p>\n

\t\t\t\t\"Petr
\n\t\t\t\t\t\t\t\t\tFoto: arch\u00edv Danubiany<\/p>\n

Poh\u013ead do v\u00fdstavy Petra Pavl\u00edka v Danubiane.<\/p>\n

S\u00a0menom Petra Pavl\u00edka, \u010dlena vo\u013en\u00e9ho zoskupenia s\u00a0vtipn\u00fdm n\u00e1zvom \u201e12:15 Pozd\u011b, ale p\u0159ece\u201c sa \u010ditatelia stret\u00e1vali v\u00a0publik\u00e1ci\u00e1ch Ateli\u00e9r, Architekt, v\u00a0Lidov\u00fdch novin\u00e1ch, Prager Zeitung, Liter\u00e1rnych novin\u00e1ch, v\u00a0Hostovi aj v\u00a0\u010dasopise Mlad\u00fd sv\u011bt. V\u00a0roku 1998\u00a0vydal v\u00a0Stredoeur\u00f3pskej gal\u00e9rii a nakladate\u013estve s\u00fabor teoretick\u00fdch a kritick\u00fdch stat\u00ed \u201eUm\u011bn\u00ed a \u017eivot v\u00a0\u010cech\u00e1ch, aneb um\u011bn\u00ed \u017e\u00edt v\u00a0\u010cech\u00e1ch\u201c a v\u00a0roku 2012\u00a0sa vr\u00e1til ku svojej maliarskej a soch\u00e1rskej\u00a0pr\u00e1ci.<\/p>\n

\t \t\t\t\t\t\"Karol \t\t\t \t\t\t\t \t\t\t\t\t\t\t\t\t\t\t\u010c\u00edtajte viac \t\t\t\t\t\t\t\t\t \t\t\t\t \t\t\t\t\tKarol K\u00e1llay: Ke\u010f fot\u00ed\u0161, ma\u013euje\u0161 obraz. V Japonsku ho mali za \u0161pi\u00f3na, di\u00e1ky pa\u0161oval vo vlaku na Z\u00e1pad \t\t\t\t \t\t\t \t\t\t<\/a><\/p>\n

Petr Pavl\u00edk sa zaober\u00e1 vz\u0165ahom medzi poriadkom a chaosom. \u201eV\u00a0jeho obrazoch sa zrkadlia na\u0161e neistoty, na\u0161e t\u00e1panie a h\u013eadanie s\u00favislost\u00ed. Nach\u00e1dzame v\u00a0nich \u00fatr\u017eky skuto\u010dnosti, ktor\u00e9 sa prirodzene sp\u00e1jaj\u00fa do nov\u00fdch celkov. Odr\u00e1\u017ea sa v\u00a0nich celkov\u00fd v\u00fdvoj s\u00a0jeho z\u00e1konitos\u0165ami i\u00a0chaosom. Stret\u00e1vaj\u00fa sa v\u00a0nich jednoduch\u00e9 i\u00a0zlo\u017eit\u00e9 a nepreh\u013eadn\u00e9 deje, z\u00a0ktor\u00fdch sa splieta skuto\u010dnos\u0165, svet, ktor\u00e9ho sme v\u0161etci s\u00fa\u010das\u0165ou,\u201c tvrd\u00ed Ji\u0159\u00ed Machalick\u00fd.<\/p>\n

\t\t\t \t\t\t\t\t\t\t\t\"Poh\u013ead \t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\tFoto: arch\u00edv Danubiany \t\t\t\t\t\t\t\t<\/p>\n

\t\t\t\t \t\t\t\t\tPetr Pavl\u00edk, Danubiana \t\t\t\t \t\t\t\t\t\t\t\t\tPoh\u013ead do v\u00fdstavy Petra Pavl\u00edka v Danubiane. \t\t\t\t\t\t<\/p>\n

\u010ealej dod\u00e1va, \u017ee v\u00a0jeho kresb\u00e1ch a obrazoch sa prel\u00ednaj\u00fa r\u00f4zne pr\u00edbehy, ktor\u00fdch pr\u00fad sa preru\u0161uje a zase znovu nadv\u00e4zuje, rovnako ako tomu doch\u00e1dza v\u00a0\u017eivote. Pavl\u00edkova tvorba m\u00e1 mnoho vrstiev, ktor\u00e9 sa prekr\u00fdvaj\u00fa a prestupuj\u00fa. Premieta sa do nej \u010das, ktor\u00fd ich postupne zakr\u00fdva alebo zase odha\u013euje, ako to je v\u00a0celom v\u00fdvoji pr\u00edrody a vesm\u00edru, Zeme i\u00a0na\u0161ej civiliz\u00e1cie. Je zrejm\u00e9, \u017ee tvorba Petra Pavl\u00edka prirodzene vyrast\u00e1 z\u00a0minulosti, \u017ee nie je myslite\u013en\u00e1 bez sk\u00fasenost\u00ed predo\u0161l\u00fdch gener\u00e1ci\u00ed, ale pritom sa do nej zrete\u013ene premieta s\u00fa\u010dasn\u00e1 doba vo svojej zlo\u017eitosti a nepochopite\u013enosti, vo svojom nekone\u010dnom a neodmyslite\u013enom a zjavne nesvetlom v\u00fdvoji. Je ve\u013emi citliv\u00e1 na premeny v\u00a0spolo\u010dnosti a na pocity, ktor\u00e9 sa st\u00e1vaj\u00fa odozvou v\u0161etk\u00e9ho, \u010do sa okolo n\u00e1s deje. St\u00e1va sa obrazom toho, odkia\u013e a kam smerujeme, v\u00a0akom priestore \u017eijeme, ako ho m\u00f4\u017eeme ovplyvni\u0165 a ako naopak na\u0161e prostredie p\u00f4sob\u00ed na\u00a0n\u00e1s.<\/p>\n

Tvorba Petra Pavl\u00edka sa celkom prirodzene zara\u010fuje do stredoeur\u00f3pskeho kult\u00farneho prostredia a pritom nadv\u00e4zuje nielen na medzivojnov\u00fa avantgardu, ale aj na historick\u00fd i\u00a0prehistorick\u00fd v\u00fdvoj hlboko do d\u00e1vnej minulosti. Pre neho s\u00fa d\u00f4le\u017eit\u00e9 ur\u010dit\u00e9 momenty, v\u00a0ktor\u00fdch sa zrodilo \u010fal\u0161ie pokra\u010dovanie jeho tvorby. K\u00a0nim patria po\u010diatky na\u0161ej plan\u00e9ty a cel\u00e9ho vesm\u00edru, prv\u00e9 n\u00e1znaky \u017eivota, rozv\u00edjanie civiliz\u00e1ci\u00ed a ich ni\u010denie za pr\u00edrodn\u00fdch katastrof i\u00a0trag\u00e9di\u00ed sp\u00f4soben\u00fdch\u00a0\u013eu\u010fmi.<\/p>\n

S\u00a0t\u00fdm s\u00favis\u00ed jeho prem\u00fd\u0161\u013eanie o\u00a0vz\u0165ahu medzi zroden\u00edm a smr\u0165ou, medzi za\u010diatkom i\u00a0koncom, z\u00a0ktor\u00e9ho sa v\u0161ak m\u00f4\u017ee odvin\u00fa\u0165 nie\u010do \u00faplne nov\u00e9 a mo\u017eno aj protikladn\u00e9. V\u00a0posledn\u00fdch obrazoch sa ukazuje umelcov poh\u013ead na to, ako sa mo\u017eno na\u0161a civiliz\u00e1cia bl\u00ed\u017ei ku koncu, v\u0161etko sa rozpad\u00e1, ru\u0161\u00ed sa poriadok, ktor\u00fd sa premie\u0148a na chaos, ale predsa len kdesi v\u00a0hlbin\u00e1ch zost\u00e1va e\u0161te\u00a0n\u00e1dej.<\/p>\n","protected":false},"excerpt":{"rendered":"Ve\u013ekolep\u00fa fotografick\u00fa retrospekt\u00edvu Karola K\u00e1llaya v Danubiane nazvan\u00fa Svedectvo epochy dop\u013a\u0148a Zrkadlo rozbit\u00e9ho sveta. Je to tie\u017e retrospekt\u00edva,…\n","protected":false},"author":2,"featured_media":50043,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[136,5721,20585,20586,12320,20584,43,40,39,42,41,611],"class_list":{"0":"post-50042","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bratislava","8":"tag-bratislava","9":"tag-danubiana","10":"tag-fotiek","11":"tag-karola","12":"tag-okrem","13":"tag-petr-pavlik","14":"tag-sk","15":"tag-slovak","16":"tag-slovakia","17":"tag-slovencina","18":"tag-slovensko","19":"tag-vystava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116443121186144198","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/50042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=50042"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/50042\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/50043"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=50042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=50042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=50042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}