SALZBURG \u2013 Vo veku 88 rokov zomrel vo \u0161tvrtok svetozn\u00e1my nemeck\u00fd maliar a soch\u00e1r Georg Baselitz, vlastn\u00fdm menom Hans-Georg Kern. Baselitz, ktor\u00fd sa narodil 23. janu\u00e1ra 1938 v saskom Deutschbaselitzi, patril k najv\u00fdznamnej\u0161\u00edm postav\u00e1m eur\u00f3pskeho umenia 20. a 21. storo\u010dia a bol k\u013e\u00fa\u010dov\u00fdm predstavite\u013eom nemeck\u00e9ho neoexpresionizmu. Inform\u00e1ciu o jeho \u00famrt\u00ed priniesol ako prv\u00fd denn\u00edk Die Welt, uviedla agent\u00fara DPA.<\/p>\n
Baselitz sa do dej\u00edn umenia nezmazate\u013ene zap\u00edsal svoj\u00edm rozhodnut\u00edm z roku 1969, ke\u010f za\u010dal ma\u013eova\u0165 a vystavova\u0165 svoje diela oto\u010den\u00e9 hore nohami. Prv\u00fdm takto nama\u013eovan\u00fdm obrazom je Der Wald auf dem Kopf (Les na hlave). \u201eObjekt na obraze nem\u00e1 \u017eiadny v\u00fdznam. Ma\u013eujem ho hore nohami, aby som div\u00e1kovi znemo\u017enil vn\u00edma\u0165 ho len ako ilustr\u00e1ciu a prin\u00fatil ho pozera\u0165 sa na samotn\u00fa ma\u013ebu,\u201c povedal umelec o svojej unik\u00e1tnej technike.<\/p>\n
Jeho kari\u00e9ra bola spojen\u00e1 s \u010dast\u00fdmi kontroverziami<\/p>\n
Jeho kari\u00e9ra bola spojen\u00e1 s \u010dast\u00fdmi kontroverziami. V roku 1963 vyvolala \u0161kand\u00e1l jeho prv\u00e1 samostatn\u00e1 v\u00fdstava, na ktorej \u00farady zhabali pre \u00fadajn\u00fa obsc\u00e9nnos\u0165 jeho olejoma\u013eby Die gro\u00dfe Nacht im Eimer (doslova Ve\u013ek\u00e1 noc v k\u00fdbli) a Der nackte Mann (Nah\u00fd mu\u017e). Po zd\u013ahavom s\u00fadnom spore, ktor\u00fd trval a\u017e do roku 1965, boli obrazy umelcovi vr\u00e1ten\u00e9. Baselitz vo svojej tvorbe \u010dasto spracov\u00e1val t\u00e9my nemeckej identity, povojnovej traumy a \u201ezni\u010den\u00e9ho poriadku\u201c.<\/p>\n
\u201eNarodil som sa do zni\u010den\u00e9ho poriadku, do zni\u010denej krajiny, do zni\u010denej mor\u00e1lky. Nechcel som ni\u010d obnovova\u0165, chcel som len uk\u00e1za\u0165 t\u00fa de\u0161trukciu tak\u00fa, ak\u00e1 je,\u201c povedal. Reprezentoval Nemecko na Bien\u00e1le v Ben\u00e1tkach v roku 1980, kde predstavil svoju monument\u00e1lnu dreven\u00fa sochu Modell f\u00fcr eine Skulptur. Hrubo tesan\u00e1 postava so zdvihnutou pravicou vyvolala b\u00farliv\u00e9 diskusie o mo\u017en\u00fdch politick\u00fdch nar\u00e1\u017ekach, hoci umelec zd\u00f4raz\u0148oval jej \u010disto form\u00e1lny charakter.<\/p>\n
Po roku 2005 sa Baselitz vr\u00e1til k svojim najzn\u00e1mej\u0161\u00edm dielam (vr\u00e1tane Ve\u013ekej noci v k\u00fdbli) a nama\u013eoval ich znova \u013eah\u0161\u00edm, transparentnej\u0161\u00edm \u0161t\u00fdlom, \u010d\u00edm ironicky a s odstupom prehodnocoval vlastn\u00fa minulos\u0165. Jeho diela s\u00fa s\u00fa\u010das\u0165ou zbierok najprest\u00ed\u017enej\u0161\u00edch in\u0161tit\u00faci\u00ed ako s\u00fa Guggenheimovo m\u00fazeum v New Yorku, Tate Gallery v Lond\u00fdne \u010di Centre Pompidou v Par\u00ed\u017ei. Baselitz \u017eil a tvoril striedavo v rak\u00faskom Salzburgu, pri jazere Ammersee v Nemecku a v talianskom meste Imperia. Zostala po \u0148om man\u017eelka Johanna Elke, ktor\u00e1 bola jeho dlhoro\u010dnou m\u00fazou.<\/p>\n","protected":false},"excerpt":{"rendered":"SALZBURG \u2013 Vo veku 88 rokov zomrel vo \u0161tvrtok svetozn\u00e1my nemeck\u00fd maliar a soch\u00e1r Georg Baselitz, vlastn\u00fdm menom…\n","protected":false},"author":2,"featured_media":58318,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[15],"tags":[70,23248,23246,23247,43,40,39,42,41,1370,71],"class_list":["post-58317","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-georg-baselitz","tag-maliar","tag-neoexpresionizmus","tag-sk","tag-slovak","tag-slovakia","tag-slovencina","tag-slovensko","tag-sochar","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116498403354016897","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/58317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=58317"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/58317\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/58318"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=58317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=58317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=58317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}