Salzburg 30. apr\u00edla (TASR) \u2013 Vo veku 88 rokov zomrel vo \u0161tvrtok svetozn\u00e1my nemeck\u00fd maliar a soch\u00e1r Georg Baselitz, vlastn\u00fdm menom Hans-Georg Kern. Baselitz, ktor\u00fd sa narodil 23. janu\u00e1ra 1938 v saskom Deutschbaselitzi, patril k najv\u00fdznamnej\u0161\u00edm postav\u00e1m eur\u00f3pskeho umenia 20. a 21. storo\u010dia a bol k\u013e\u00fa\u010dov\u00fdm predstavite\u013eom nemeck\u00e9ho neoexpresionizmu. Inform\u00e1ciu o jeho \u00famrt\u00ed priniesol ako prv\u00fd denn\u00edk Die Welt, uviedla agent\u00fara DPA.<\/p>\n
Baselitz sa do dej\u00edn umenia nezmazate\u013ene zap\u00edsal svoj\u00edm rozhodnut\u00edm z roku 1969, ke\u010f za\u010dal ma\u013eova\u0165 a vystavova\u0165 svoje diela oto\u010den\u00e9 hore nohami. Prv\u00fdm takto nama\u013eovan\u00fdm obrazom je Der Wald auf dem Kopf (Les na hlave).<\/p>\n
\u201eObjekt na obraze nem\u00e1 \u017eiadny v\u00fdznam. Ma\u013eujem ho hore nohami, aby som div\u00e1kovi znemo\u017enil vn\u00edma\u0165 ho len ako ilustr\u00e1ciu a prin\u00fatil ho pozera\u0165 sa na samotn\u00fa ma\u013ebu,\u201c povedal umelec o svojej unik\u00e1tnej technike. <\/p>\n
Jeho kari\u00e9ra bola spojen\u00e1 s \u010dast\u00fdmi kontroverziami. V roku 1963 vyvolala \u0161kand\u00e1l jeho prv\u00e1 samostatn\u00e1 v\u00fdstava, na ktorej \u00farady zhabali pre \u00fadajn\u00fa obsc\u00e9nnos\u0165 jeho olejoma\u013eby Die gro\u00dfe Nacht im Eimer (doslova Ve\u013ek\u00e1 noc v k\u00fdbli) a Der nackte Mann (Nah\u00fd mu\u017e). Po zd\u013ahavom s\u00fadnom spore, ktor\u00fd trval a\u017e do roku 1965, boli obrazy umelcovi vr\u00e1ten\u00e9.<\/p>\n
Baselitz vo svojej tvorbe \u010dasto spracov\u00e1val t\u00e9my nemeckej identity, povojnovej traumy a \u201ezni\u010den\u00e9ho poriadku\u201c.<\/p>\n
\u201eNarodil som sa do zni\u010den\u00e9ho poriadku, do zni\u010denej krajiny, do zni\u010denej mor\u00e1lky. Nechcel som ni\u010d obnovova\u0165, chcel som len uk\u00e1za\u0165 t\u00fa de\u0161trukciu tak\u00fa, ak\u00e1 je,\u201c povedal.<\/p>\n
Reprezentoval Nemecko na Bien\u00e1le v Ben\u00e1tkach v roku 1980, kde predstavil svoju monument\u00e1lnu dreven\u00fa sochu Modell f\u00fcr eine Skulptur. Hrubo tesan\u00e1 postava so zdvihnutou pravicou vyvolala b\u00farliv\u00e9 diskusie o mo\u017en\u00fdch politick\u00fdch nar\u00e1\u017ekach, hoci umelec zd\u00f4raz\u0148oval jej \u010disto form\u00e1lny charakter.<\/p>\n
Po roku 2005 sa Baselitz vr\u00e1til k svojim najzn\u00e1mej\u0161\u00edm dielam (vr\u00e1tane Ve\u013ekej noci v k\u00fdbli) a nama\u013eoval ich znova \u013eah\u0161\u00edm, transparentnej\u0161\u00edm \u0161t\u00fdlom, \u010d\u00edm ironicky a s odstupom prehodnocoval vlastn\u00fa minulos\u0165.<\/p>\n
Jeho diela s\u00fa s\u00fa\u010das\u0165ou zbierok najprest\u00ed\u017enej\u0161\u00edch in\u0161tit\u00faci\u00ed ako s\u00fa Guggenheimovo m\u00fazeum v New Yorku, Tate Gallery v Lond\u00fdne \u010di Centre Pompidou v Par\u00ed\u017ei.<\/p>\n
Baselitz \u017eil a tvoril striedavo v rak\u00faskom Salzburgu, pri jazere Ammersee v Nemecku a v talianskom meste Imperia. Zostala po \u0148om man\u017eelka Johanna Elke, ktor\u00e1 bola jeho dlhoro\u010dnou m\u00fazou.<\/p>\n","protected":false},"excerpt":{"rendered":"Salzburg 30. apr\u00edla (TASR) \u2013 Vo veku 88 rokov zomrel vo \u0161tvrtok svetozn\u00e1my nemeck\u00fd maliar a soch\u00e1r Georg…\n","protected":false},"author":2,"featured_media":27373,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[8],"tags":[23532,23246,236,33,43,40,42,1370,36,50,565,49,48],"class_list":["post-59272","post","type-post","status-publish","format-standard","has-post-thumbnail","category-svet","tag-baselitz","tag-maliar","tag-nemecko","tag-news","tag-sk","tag-slovak","tag-slovencina","tag-sochar","tag-spravy","tag-svet","tag-umrtie","tag-world","tag-world-news"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116504993742672739","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/59272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=59272"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/59272\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/27373"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=59272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=59272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=59272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}