<\/p>\n
\n Zdroj: Slovensk\u00e1 filharm\u00f3nia\n <\/p>\n
Varga Quartett Wien<\/p>\n
P\u00e1\u010dil sa v\u00e1m \u010dl\u00e1nok?<\/p>\n
Piaty koncert cyklu Komorn\u00e1 hudba v Slovenskej filharm\u00f3nii je na programe v utorok 12. m\u00e1ja 2026 o 19.00 h. Mal\u00e1 s\u00e1la SF bude patri\u0165 \u010dlenom Varga Quartett Wien. Informovala n\u00e1s o tom tla\u010dov\u00e1 tajomn\u00ed\u010dka SF Martina Tolstova.<\/p>\n
„Kvarteto bolo zalo\u017een\u00e9 v roku 2007 ako Varga Quartet a p\u00f4sobilo na slovenskej hudobnej sc\u00e9ne. Po pres\u0165ahovan\u00ed sa \u010dlenov kvarteta do Viedne v roku 2018 sa zoskupenie premenovalo na Varga Quartett Wien. Od svojho vzniku prin\u00e1\u0161a zauj\u00edmav\u00e9 koncertn\u00e9 programy, ktor\u00e9 n\u00e1v\u0161tevn\u00edkom poskytuj\u00fa mo\u017enos\u0165 hlb\u0161ie prenikn\u00fa\u0165 do sveta komornej hudby,“ pribl\u00ed\u017eila Tolstov\u00e1.<\/p>\n
Sl\u00e1\u010dikov\u00e9 kvarteto, jedna z najreprezentat\u00edvnej\u0161\u00edch foriem komornej hudby patr\u00ed k najn\u00e1ro\u010dnej\u0161\u00edm discipl\u00ednam skladate\u013esk\u00e9ho umenia. \u0160tyri samostatn\u00e9 hlasy, ka\u017ed\u00fd veden\u00fd osobitne, no z\u00e1rove\u0148 v s\u00falade s t\u00fdmi ostatn\u00fdmi. V Malej s\u00e1le SF zaznej\u00fa pre toto n\u00e1strojov\u00e9 zoskupenie diela troch skladate\u013eov.<\/p>\n
Na \u00favod to bude Sl\u00e1\u010dikov\u00e9 kvarteto \u010d. 15 d mol, KV 421 Wolfganga Amadea Mozarta, druh\u00e9 zo sl\u00e1vnej \u0161estice kvartet, ktor\u00e9 skladate\u013e venoval Josephovi Haydnovi, \u201eotcovi\u201c sl\u00e1\u010dikov\u00e9ho kvarteta. Skladate\u013e ho skomponoval v lete v roku 1783.<\/p>\n
Nasledova\u0165 bude P\u00e4\u0165 kusov pre sl\u00e1\u010dikov\u00e9 kvarteto mlad\u00e9ho slovensk\u00e9ho skladate\u013ea Jaroslava Kone\u010dn\u00e9ho z roku 2010. Ide o miniat\u00fary, ktor\u00e9 nadv\u00e4zuj\u00fa na \u0160tyri skladby pre sl\u00e1\u010dikov\u00e9 trio z roku 1999. P\u00e4\u0165 skladieb pre sl\u00e1\u010dikov\u00e9 kvarteto sp\u00e1ja citliv\u00e1 pr\u00e1ca so zvukovou kvalitou a v\u00fdrazovou expresivitou.<\/p>\n
Utorkov\u00fd ve\u010der uzavrie posledn\u00e9 Sl\u00e1\u010dikov\u00e9 kvarteto \u010d. 3 es mol, op. 30 Piotra I\u013eji\u010da \u010cajkovsk\u00e9ho. Skladate\u013e skomponoval tri sl\u00e1\u010dikov\u00e9 kvartet\u00e1, ktor\u00e9 zaznievaj\u00fa na koncertn\u00fdch p\u00f3di\u00e1ch pomerne zriedkavo a zost\u00e1vaj\u00fa v tieni jeho najsl\u00e1vnej\u0161\u00edch opusov. Tret\u00ed kvartetov\u00fd opus \u010cajkovskij nap\u00edsal ako poctu huslistovi Ferdinandovi Laubovi, v\u00fdznamn\u00e9mu interpretovi a pedag\u00f3govi Moskovsk\u00e9ho konzervat\u00f3ria a bl\u00edzkemu priate\u013eovi. Laub so svojim kvartetom premi\u00e9roval skladate\u013eove prv\u00e9 dve sl\u00e1\u010dikov\u00e9 kvartet\u00e1. Jeho smr\u0165 v roku 1875 \u010cajkovsk\u00e9ho mimoriadne zasiahla. Na kvartete za\u010dal pracova\u0165 v janu\u00e1ri 1876 po\u010das pobytu v Par\u00ed\u017ei.<\/p>\n
(ms)<\/p>\n
P\u00e1\u010dil sa v\u00e1m \u010dl\u00e1nok?<\/p>\n","protected":false},"excerpt":{"rendered":"Zdroj: Slovensk\u00e1 filharm\u00f3nia Varga Quartett Wien P\u00e1\u010dil sa v\u00e1m \u010dl\u00e1nok? Piaty koncert cyklu Komorn\u00e1 hudba v Slovenskej filharm\u00f3nii…\n","protected":false},"author":2,"featured_media":64776,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[136,43,40,39,42,41],"class_list":{"0":"post-64775","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bratislava","8":"tag-bratislava","9":"tag-sk","10":"tag-slovak","11":"tag-slovakia","12":"tag-slovencina","13":"tag-slovensko"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116539659539000939","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/64775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=64775"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/64775\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/64776"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=64775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=64775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=64775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}