Bratislava 12. m\u00e1ja (TASR) – V Koncertnej sieni Slovenskej filharm\u00f3nie (SF) sa vo \u0161tvrtok 14. m\u00e1ja uskuto\u010dn\u00ed z\u00e1vere\u010dn\u00fd koncert z Popul\u00e1rneho cyklu. Po boku orchestra SF vyst\u00fapi v tomto roku jubiluj\u00face Bratislavsk\u00e9 gitarov\u00e9 kvarteto s atrakt\u00edvnym programom pod taktovkou \u010desk\u00e9ho dirigenta Leo\u0161a Sv\u00e1rovsk\u00e9ho. N\u00e1v\u0161tevn\u00edci si vypo\u010duj\u00fa diela Ger\u00f3nima Gim\u00e9neza, Joaquina Rodriga, \u013dudov\u00edta Rajtera a Mauricea Ravela. TASR o tom informovala Martina Tolstova, tla\u010dov\u00e1 tajomn\u00ed\u010dka SF.<\/p>\n
Program \u0161tvrtkov\u00e9ho ve\u010dera otvoria diela \u0161panielskych autorov. \u201eIntermezzo zo zarzuely La Boda de Luis Alonso Ger\u00f3nima Gim\u00e9neza, rod\u00e1ka zo Sevilly, v ktorom sa sp\u00e1ja tane\u010dn\u00fd impulz a farebn\u00e1 in\u0161trument\u00e1cia,\u201c pribl\u00ed\u017eila Tolstova. Pripomenula, \u017ee k \u00fastredn\u00fdm osobnostiam \u0161panielskej hudby 20. storo\u010dia patr\u00ed Joaqu\u00edn Rodrigo. \u201eNapriek tomu, \u017ee bol od detstva nevidiaci, vytvoril rozsiahle dielo zah\u0155\u0148aj\u00face orchestr\u00e1lnu, vok\u00e1lnu i komorn\u00fa hudbu. Osobitn\u00e9 miesto v jeho tvorbe zauj\u00edma pr\u00e1ve gitara. Z jeho diela si n\u00e1v\u0161tevn\u00edci koncertu vypo\u010duj\u00fa Concierto Andaluz pre \u0161tyri gitary a orchester z roku 1967 skomponovan\u00e9 pre legend\u00e1rne gitarov\u00e9 kvarteto Los Romeros,\u201c uv\u00e1dza filharm\u00f3nia k dielu, ktor\u00e9 v Koncertnej sieni SF zaznie v interpret\u00e1cii Bratislavsk\u00e9ho gitarov\u00e9ho kvarteta, patriacemu ku komorn\u00fdm teles\u00e1m slovenskej hudobnej sc\u00e9ny u\u017e tridsa\u0165 rokov.<\/p>\n
\u201eRoky kon\u010diace sa \u0161estkou s\u00fa ozna\u010dovan\u00e9 za roky slovenskej hudby. V roku 1906 sa narodil zakladate\u013e Slovenskej filharm\u00f3nie \u013dudov\u00edt Rajter, ktor\u00fd roky formoval umeleck\u00fd profil orchestra. Popri dirigentskej \u010dinnosti sa venoval aj kompoz\u00edcii,\u201c pripom\u00edna SF umelca, ktor\u00e9ho 120. v\u00fdro\u010die narodenia si pripomenie suitou z baletu Maj\u00e1les. \u201eBalet Pre\u0161porsk\u00fd maj\u00e1les (Pozsonyi maj\u00e1lis) z roku 1938 je jeho jedin\u00fdm dochovan\u00fdm sc\u00e9nick\u00fdm dielom. Po \u00faspe\u0161nej budape\u0161tianskej premi\u00e9re sa dielo udr\u017ealo na javisku nieko\u013eko sez\u00f3n. V roku 1950 skladate\u013e z baletu pripravil orchestr\u00e1lnu suitu, ktor\u00fa Slovensk\u00e1 filharm\u00f3nia uv\u00e1dza na dom\u00e1cich i zahrani\u010dn\u00fdch koncertn\u00fdch p\u00f3di\u00e1ch,\u201c vysvet\u013euje Tolstova.<\/p>\n
Z\u00e1ver ve\u010dera bude patri\u0165 legend\u00e1rnemu Boleru Mauricea Ravela. \u201eVzniklo v roku 1928 ako baletn\u00e1 hudba a urobilo Ravela najpopul\u00e1rnej\u0161ou osobnos\u0165ou vtedaj\u0161ieho Franc\u00fazska,\u201c poznamen\u00e1va filharm\u00f3nia. Dod\u00e1va, \u017ee avizovan\u00fd koncert zaznie aj v Dome umenia Pie\u0161\u0165any, kde v piatok 15. m\u00e1ja otvor\u00ed 71. music festival Pie\u0161\u0165any a v sobotu 16. m\u00e1ja o 18.00 s upraven\u00fdm programom na K\u00fape\u013enom n\u00e1mest\u00ed v Tren\u010dianskych Tepliciach.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 12. m\u00e1ja (TASR) – V Koncertnej sieni Slovenskej filharm\u00f3nie (SF) sa vo \u0161tvrtok 14. m\u00e1ja uskuto\u010dn\u00ed z\u00e1vere\u010dn\u00fd…\n","protected":false},"author":2,"featured_media":68373,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[21],"tags":[136,18392,92,5640,43,40,39,42,41,26250],"class_list":["post-68372","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bratislava","tag-bratislava","tag-dirigent","tag-koncerty","tag-sf","tag-sk","tag-slovak","tag-slovakia","tag-slovencina","tag-slovensko","tag-svarovsky"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116563814811079023","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/68372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=68372"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/68372\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/68373"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=68372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=68372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=68372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}