{"id":68406,"date":"2026-05-12T23:05:15","date_gmt":"2026-05-12T23:05:15","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/68406\/"},"modified":"2026-05-12T23:05:15","modified_gmt":"2026-05-12T23:05:15","slug":"letne-shakespearovske-slavnosti-prokracuju-26-rocnikom-v-divadelnej-magii-pod-holym-nebom","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/68406\/","title":{"rendered":"Letn\u00e9 Shakespearovsk\u00e9 sl\u00e1vnosti prokra\u010duj\u00fa 26. ro\u010dn\u00edkom v divadelnej m\u00e1gii pod hol\u00fdm nebom"},"content":{"rendered":"

Od 4. j\u00fala do 6. augusta 2026 sa n\u00e1dvorie Bratislavsk\u00fd hrad premen\u00ed na divadeln\u00fa sc\u00e9nu pln\u00fa dr\u00e1my, v\u00e1\u0161ne, nap\u00e4tia, humoru aj poetiky. Festival prinesie \u0161es\u0165 v\u00fdnimo\u010dn\u00fdch inscen\u00e1ci\u00ed diel najv\u00e4\u010d\u0161ieho dramatika v\u0161etk\u00fdch \u010dias \u2013 Williama Shakespeara. Div\u00e1ci sa m\u00f4\u017eu te\u0161i\u0165 na v\u00fdnimo\u010dn\u00e9 divadeln\u00e9 z\u00e1\u017eitky a nezamenite\u013en\u00fa atmosf\u00e9ru letn\u00fdch ve\u010derov pod hol\u00fdm nebom.<\/p>\n

Shakespeare je viac ne\u017e len autor z minulosti. Jeho hry prekra\u010duj\u00fa hranice \u010dasu, n\u00e1rodov a kult\u00far. Rie\u0161ia t\u00e9my, ktor\u00e9 s\u00fa st\u00e1le aktu\u00e1lne \u2013 t\u00fa\u017ebu po moci, mor\u00e1lku, l\u00e1sku, \u017eiarlivos\u0165 a in\u00e9 \u013eudsk\u00e9 slabosti. \u201eTento festival vznikol z l\u00e1sky k divadlu a k textom, ktor\u00e9 aj po viac ne\u017e 400 rokoch dok\u00e1\u017eu oslovi\u0165 dne\u0161n\u00e9ho div\u00e1ka. Pri sk\u00fa\u0161an\u00ed ka\u017edej novej inscen\u00e1cie ma v\u017edy prekvap\u00ed, ko\u013eko spolo\u010dn\u00e9ho maj\u00fa Shakespearove postavy a ich konanie s nami sam\u00fdmi. Akoby sme sa ako \u013eudia nedok\u00e1zali pou\u010di\u0165 a st\u00e1le opakovali tie ist\u00e9 \u2013 neraz e\u0161te v\u00e4\u010d\u0161ie \u2013 chyby,\u201c hovor\u00ed riadite\u013eka festivalu Janka Zednikovi\u010dov\u00e1.<\/p>\n

\"Letn\u00e92fotky v gal\u00e9rii<\/a>
\n Letn\u00e9 Shakespearovsk\u00e9 sl\u00e1vnosti 2026
\n <\/a>Zdroj: LSSProgram festivalu \u2013 \u0161es\u0165 ve\u010derov, ve\u013ek\u00e9 pr\u00edbehy a siln\u00e9 em\u00f3cie<\/p>\n

Ve\u013ea kriku pre ni\u010d \u2013 premi\u00e9ra v r\u00e9\u017eii Jakuba Nvotu otvor\u00ed na\u0161e shakespearovsk\u00e9 br\u00e1ny. Sme presved\u010den\u00ed, \u017ee aj post\u00e1ro\u010diach dok\u00e1\u017ee inteligentn\u00fd humor, slovn\u00e9 prestrelky a nap\u00e4tie medzi l\u00e1skou a hrdos\u0165ou oslovi\u0165 dne\u0161n\u00e9 publikum. Nad\u010dasov\u00fd pr\u00edbeh pln\u00fd em\u00f3ci\u00ed, intr\u00edg a komick\u00fdch situ\u00e1ci\u00ed pripom\u00edna, \u017ee niekedy vznikne najv\u00e4\u010d\u0161\u00ed rozruch pr\u00e1ve okolo mali\u010dkost\u00ed. \u201eHumor v tejto inscen\u00e1cii vych\u00e1dza z existenci\u00e1lnej v\u00e1\u017enosti a z pevn\u00e9ho presved\u010denia, s ak\u00fdm sa Beatrice a Benedik br\u00e1nia vz\u0165ahu. Pr\u00e1ve z ich vz\u00e1jomn\u00e9ho odporu sa postupne rod\u00ed skuto\u010dn\u00e1 v\u00e1\u0161e\u0148, s ktorou obaja z\u00e1pasia, a\u017e jej napokon pod\u013eahn\u00fa. Sme tak svedkami toho, ako na\u0161e vlastn\u00e9 predstavy o tom, ako chceme \u017ei\u0165, aj s\u013euby, ktor\u00e9 d\u00e1vame sami sebe o tom, \u010d\u00edm budeme alebo nebudeme, predstavuj\u00fa len l\u00e1kav\u00fa v\u00fdzvu pre osud, ktor\u00fd si r\u00e1d prever\u00ed silu n\u00e1\u0161ho skuto\u010dn\u00e9ho odhodlania,\u201c dod\u00e1va re\u017eis\u00e9r.<\/p>\n

Othello (hos\u0165uj\u00faca inscen\u00e1cia z Prahy) \u2013 v r\u00e9\u017eii Bra\u0148a Holi\u010dka. Sl\u00e1vna \u0161t\u00fadia \u017eiarlivosti a tragick\u00fd pr\u00edbeh o zhubnej moci ohov\u00e1rania. Ak\u00e9 \u013eahk\u00e9 je zni\u010di\u0165 \u00faprimn\u00fa l\u00e1sku aj siln\u00e9ho a hrd\u00e9ho \u010dloveka, ke\u010f niekto za\u010dne jeho du\u0161u nalept\u00e1va\u0165 jedovat\u00fdmi slovami?<\/p>\n

The Winter’s tale – s\u00fa\u010das\u0165ou programovej l\u00ednie bude po prv\u00fdkr\u00e1t aj inscen\u00e1cia v anglickom jazyku pod\u013ea scen\u00e1ra z ed\u00edcie\u202fNo Fear Shakespeare, ktor\u00e1 pon\u00faka modern\u00fa, zrozumite\u013en\u00fa angli\u010dtinu pri zachovan\u00ed p\u00f4vodn\u00e9ho v\u00fdznamu a \u0161t\u00fdlu diela. Inscen\u00e1cia je v\u00fdsledkom spolupr\u00e1ce so \u0161tudentami Art Academy z mesta Poprad<\/p>\n

Kom\u00e9dia omylov v r\u00e9\u017eii Romana Pol\u00e1ka\u2013 dynamick\u00e1 kom\u00e9dia o z\u00e1mene ident\u00edt, v ktorej sa dva p\u00e1ry dvoji\u010diek postaraj\u00fa o lav\u00ednu nedorozumen\u00ed a bl\u00e1zniv\u00fdch situ\u00e1ci\u00ed.<\/p>\n

Skrotenie zlej \u017eeny v r\u00e9\u017eii Michala Vajdi\u010dku \u2013 provokat\u00edvna hra o l\u00e1ske, sile slova a spolo\u010densk\u00fdch o\u010dak\u00e1vaniach s ve\u013ek\u00fdm potenci\u00e1lom na modern\u00e9 interpreta\u010dn\u00e9 v\u00fdklady.\u201eSkrotenie zlej \u017eeny je jednou z najkontroverznej\u0161\u00edch Shakespearov\u00fdch hier \u2013 a pr\u00e1ve preto n\u00e1s fascinuje. V dne\u0161nom kontexte sa p\u00fdta, kde je hranica medzi l\u00e1skou a mocou, medzi hrou a manipul\u00e1ciou. Nepon\u00fakame jednozna\u010dn\u00e9 odpovede, ale sna\u017e\u00edme sa t\u00fato hru \u010d\u00edta\u0165 tak, aby podnietila dial\u00f3g. Je to kom\u00e9dia, ktor\u00e1 vie by\u0165 z\u00e1rove\u0148 z\u00e1bavn\u00e1 aj znepokojuj\u00faca \u2013 a v tom je jej sila.\u201c<\/p>\n

Festival uzavrie inscen\u00e1cia Sen noci sv\u00e4toj\u00e1nsk\u00e9 z OSTRAVY, v r\u00e9\u017eii Ad\u00e9ly La\u0161tovkovej Stodolovej. \u201eM\u011b velmi zaj\u00edmaj\u00ed vztahy. U\u017e odmala. Tak\u017ee i ono propleten\u00ed \u010dty\u0159 milenc\u016f ve h\u0159e, je pro m\u011b l\u00e1kav\u00e1 v\u00fdzva. L\u00e1ska, p\u0159\u00edroda, gender, to je n\u011bco, co m\u011b velmi oslovuje. J\u00e1 sama se v\u011bnuji magii, zkoum\u00e1n\u00ed archetyp\u016f, tak\u017ee to v\u0161e m\u00e1 k sob\u011b bl\u00edzko,\u201cuv\u00e1dza k svojej inscen\u00e1cii samotn\u00e1 re\u017eis\u00e9rka.<\/p>\n","protected":false},"excerpt":{"rendered":"Od 4. j\u00fala do 6. augusta 2026 sa n\u00e1dvorie Bratislavsk\u00fd hrad premen\u00ed na divadeln\u00fa sc\u00e9nu pln\u00fa dr\u00e1my, v\u00e1\u0161ne,…\n","protected":false},"author":2,"featured_media":68407,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[70,43,40,39,42,41,71],"class_list":{"0":"post-68406","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-entertainment","9":"tag-sk","10":"tag-slovak","11":"tag-slovakia","12":"tag-slovencina","13":"tag-slovensko","14":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116564113834613766","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/68406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=68406"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/68406\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/68407"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=68406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=68406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=68406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}