Bratislava 14. m\u00e1ja (TASR) – Kamenn\u00fa s\u00e1lu bratislavskej Gal\u00e9rie Umelka zaplnili textiln\u00e9 miniat\u00fary. V stredu (13. 5.) tu otvorili prehliadku diel 24. ro\u010dn\u00edka medzin\u00e1rodnej s\u00fa\u0165a\u017ee a v\u00fdstavy textilnej miniat\u00fary s t\u00e9mou Empatia\/Empathy. Na podujat\u00ed, ktor\u00e9 tradi\u010dne organizuje Slovensk\u00e9 zdru\u017eenie textiln\u00fdch v\u00fdtvarn\u00edkov TXT, ocenili aj tvorcov. Z\u00fa\u010dast\u0148uje sa na \u0148om 65 profesion\u00e1lnych umelcov a 21 \u0161tudentov, spolu z viac ako 20 kraj\u00edn sveta.<\/p>\n
Hlavn\u00e1 cena poroty patr\u00ed Makiko Wakisaka z Japonska za dielo Microscopic creatures. Cenu Slovensk\u00e9ho zdru\u017eenia textiln\u00fdch v\u00fdtvarn\u00edkov TxT z\u00edskala slovensk\u00e1 autorka Ren\u00e1ta Rehorovsk\u00e1 za dielo Listening to each other. \u0160tudentsk\u00fa cenu udelili Aleksandre Lecha\u0144skej z Po\u013eska za dielo Coexistence.<\/p>\n
Medzin\u00e1rodn\u00e1 porota, ktor\u00fa tvorili v\u00fdtvarn\u00edci, pedag\u00f3govia, \u0161tudent dej\u00edn umenia i teoreti\u010dka umenia, pracovala v zlo\u017een\u00ed Jozef Bajus, Silvia Fedorov\u00e1, Matej Mur\u00edn, Magdalena Kleszy\u0144ska a Na\u010fa Kan\u010devov\u00e1.<\/p>\n
Na 24. ro\u010dn\u00edku medzin\u00e1rodnej v\u00fdstavy textilnej miniat\u00fary m\u00f4\u017eu n\u00e1v\u0161tevn\u00edci obdivova\u0165 aj diela, ktor\u00e9 vytvorili umelci z Nemecka, Rak\u00faska, Talianska, \u0160panielska, Holandska, Belgicka, D\u00e1nska, F\u00ednska, N\u00f3rska, \u00cdrska, prispeli aj autori textiln\u00fdch miniat\u00far z Litvy, Rumunska, Bulharska, \u0160vaj\u010diarska, Franc\u00fazska, ale aj Ju\u017enej K\u00f3rey a Taiwanu.<\/p>\n
\u201eV\u00fdstavn\u00e1 kolekcia diel bola vybran\u00e1 na z\u00e1klade medzin\u00e1rodn\u00e9ho open callu odbornou porotou, pri\u010dom prezentuje \u0161irok\u00e9 spektrum autorsk\u00fdch pr\u00edstupov, techn\u00edk a v\u00fdtvarn\u00fdch interpret\u00e1ci\u00ed t\u00e9my empatie,\u201c pribli\u017euj\u00fa organiz\u00e1tori. Dod\u00e1vaj\u00fa, \u017ee t\u00e9mou v\u00fdstavy je empatia ako vn\u00fatorn\u00fd, tich\u00fd, no z\u00e1sadn\u00fd pohyb, ktor\u00fd formuje medzi\u013eudsk\u00e9 vz\u0165ahy aj vn\u00edmanie sveta. \u201eEmpatia tu nie je ch\u00e1pan\u00e1 len ako schopnos\u0165 porozumie\u0165 druh\u00e9mu, ale ako vedom\u00e9 rozhodnutie pribl\u00ed\u017ei\u0165 sa k sk\u00fasenosti in\u00e9ho \u010dloveka – bez potreby ju hodnoti\u0165 \u010di zjednodu\u0161ova\u0165,\u201c vysvet\u013euje kur\u00e1torka Vanessa \u010eurovi\u010dov\u00e1.<\/p>\n
Ako \u010falej objas\u0148uje, v s\u00fa\u010dasnom svete, pozna\u010denom konfliktmi, soci\u00e1lnymi nerovnos\u0165ami a rast\u00facim pocitom odcudzenia, sa empatia st\u00e1va akt\u00edvnym postojom. \u201eZnamen\u00e1 odmietnutie \u013eahostajnosti a anonymiz\u00e1cie utrpenia, schopnos\u0165 vidie\u0165 konkr\u00e9tneho \u010dloveka tam, kde in\u00ed vidia len \u010d\u00edsla \u010di medi\u00e1lne obrazy,\u201c hovor\u00ed kur\u00e1torka v\u00fdstavy, reflektuj\u00facej t\u00fato t\u00e9mu prostredn\u00edctvom textilnej miniat\u00fary. \u201eM\u00e9dia, ktor\u00e9 prirodzene pracuje s bl\u00edzkos\u0165ou, detailom a koncentr\u00e1ciou v\u00fdpovede. Presne vymedzen\u00fd form\u00e1t vedie autorov a autorky k redukcii a presnosti. V malom meradle sa empatia neprejavuje ako ve\u013ek\u00e9 gesto, ale ako jemn\u00fd dotyk, osobn\u00e1 stopa \u010di fragment em\u00f3cie,\u201c poznamen\u00e1va \u010eurovi\u010dov\u00e1.<\/p>\n
Textiln\u00e1 miniat\u00fara vznikla v 70. rokoch 20. storo\u010dia ako \u0161pecifick\u00e1 umeleck\u00e1 discipl\u00edna s rozmermi limitovan\u00fdmi na 20 kr\u00e1t 20 kr\u00e1t 20 cm. Tento form\u00e1t podporuje experimentovanie s technikami, materi\u00e1lmi a sp\u00f4sobmi v\u00fdtvarn\u00e9ho vyjadrenia.<\/p>\n
V\u00fdstava potrv\u00e1 do 7. j\u00fana.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 14. m\u00e1ja (TASR) – Kamenn\u00fa s\u00e1lu bratislavskej Gal\u00e9rie Umelka zaplnili textiln\u00e9 miniat\u00fary. V stredu (13. 5.) tu…\n","protected":false},"author":2,"featured_media":69542,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[21],"tags":[136,26567,13877,43,40,39,42,41,26568,26377,611],"class_list":["post-69541","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bratislava","tag-bratislava","tag-miniatura","tag-oceneni","tag-sk","tag-slovak","tag-slovakia","tag-slovencina","tag-slovensko","tag-textilna","tag-umelka","tag-vystava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116571868103405776","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/69541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=69541"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/69541\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/69542"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=69541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=69541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=69541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}