{"id":70035,"date":"2026-05-14T18:28:07","date_gmt":"2026-05-14T18:28:07","guid":{"rendered":"https:\/\/www.europesays.com\/sk\/70035\/"},"modified":"2026-05-14T18:28:07","modified_gmt":"2026-05-14T18:28:07","slug":"v-galerii-umelka-otvorili-vystavu-polskeho-maliara-s-piedziejewskeho","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/sk\/70035\/","title":{"rendered":"V Gal\u00e9rii Umelka otvorili v\u00fdstavu po\u013esk\u00e9ho maliara S. Piedziejewsk\u00e9ho"},"content":{"rendered":"<p>Bratislava 14. m\u00e1ja (TASR) &#8211; V bratislavskej Gal\u00e9rii Umelka sa vo \u0161tvrtok konala vernis\u00e1\u017e Sylwester Piedziejewski &#8211; N\u00e1lez. \u201eJe rozpr\u00e1van\u00edm o procese objavovania em\u00f3ci\u00ed, svetla, priestoru a vz\u0165ahu \u010dloveka k pr\u00edrode i vlastn\u00e9mu vn\u00fatorn\u00e9mu pre\u017e\u00edvaniu,\u201c pribli\u017euje gal\u00e9ria v\u00fdstavu po\u013esk\u00e9ho maliara. Dod\u00e1va, \u017ee n\u00e1zov \u201eN\u00e1lez\u201c m\u00f4\u017eu milovn\u00edci v\u00fdtvarn\u00e9ho umenia ch\u00e1pa\u0165 ako pokus pribl\u00ed\u017ei\u0165 sa k jemn\u00fdm stavom citlivosti, ktor\u00e9 sa odha\u013euj\u00fa prostredn\u00edctvom farby, \u0161trukt\u00fary a maliarskeho gesta.<\/p>\n<p>Piedziejewsk\u00e9ho najnov\u0161ie obrazy prezentovan\u00e9 na v\u00fdstave sa s\u00fastre\u010fuj\u00fa na ot\u00e1zky farby, priestoru, svetla a maliarskej hmoty. \u201ePovrchy pl\u00e1tien s\u00fa budovan\u00e9 vrstvene a vytv\u00e1raj\u00fa nap\u00e4tie medzi transparentnos\u0165ou a hustotou farby, pokojom a dynamikou, tichom a expresiou. D\u00f4le\u017eit\u00fa \u00falohu tu zohr\u00e1va fakt\u00fara a intuit\u00edvne gesto, ktor\u00e9 dielam dod\u00e1vaj\u00fa organick\u00fd a \u017eiv\u00fd charakter,\u201c uv\u00e1dza gal\u00e9ria k v\u00fdstave v kur\u00e1torskej koncepcii Miroslava Lewandowsk\u00e9ho.<\/p>\n<p>\u201eHoci s\u00fa diela abstraktn\u00e9, c\u00edtite v nich ozveny krajiny, pam\u00e4\u0165 miesta a organick\u00fd rytmus pr\u00edrody. Ka\u017ed\u00e9 pl\u00e1tno pon\u00faka vlastn\u00fd pr\u00edbeh, ktor\u00fd dotvor\u00edte vy &#8211; svoj\u00edm poh\u013eadom a vlastnou citlivos\u0165ou,\u201c opisuje tvorbu v\u00fdtvarn\u00edka Po\u013esk\u00fd in\u0161tit\u00fat v Bratislave na soci\u00e1lnej sieti.<\/p>\n<p>Sylwester Piedziejewski je po\u013esk\u00fd v\u00fdtvarn\u00edk a pedag\u00f3g Akad\u00e9mie v\u00fdtvarn\u00fdch umen\u00ed vo Var\u0161ave, najv\u00e4\u010d\u0161ej a najstar\u0161ej umeleckej \u0161koly v Po\u013esku. Dlh\u00e9 roky rozv\u00edja svoj vlastn\u00fd jazyk maliarskej abstrakcie. \u201eJeho tvorba vyrast\u00e1 z pozorovania pr\u00edrody a premenlivosti svetla, no nesmeruje k doslovn\u00e9mu zobrazovaniu reality. Autor vytv\u00e1ra kompoz\u00edcie vyvol\u00e1vaj\u00face asoci\u00e1cie s krajinou, pam\u00e4\u0165ou miesta \u010di emocion\u00e1lnym pre\u017e\u00edvan\u00edm priestoru,\u201c dod\u00e1va gal\u00e9ria.<\/p>\n<p>V\u00fdstava potrv\u00e1 do 5. j\u00fana.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 14. m\u00e1ja (TASR) &#8211; V bratislavskej Gal\u00e9rii Umelka sa vo \u0161tvrtok konala vernis\u00e1\u017e Sylwester Piedziejewski &#8211; N\u00e1lez.&hellip;\n","protected":false},"author":2,"featured_media":2183,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[1095,136,2207,43,40,39,42,41,992,26703,611],"class_list":{"0":"post-70035","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-bratislava","8":"tag-bax","9":"tag-bratislava","10":"tag-nalez","11":"tag-sk","12":"tag-slovak","13":"tag-slovakia","14":"tag-slovencina","15":"tag-slovensko","16":"tag-sr","17":"tag-vernisaz","18":"tag-vystava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116574349075759989","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/70035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=70035"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/70035\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/2183"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=70035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=70035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=70035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}