Bratislava 26. m\u00e1ja (TASR) – Slovensk\u00e1 n\u00e1rodn\u00e1 gal\u00e9ria (SNG) v Bratislave a jej vysunut\u00e9 pracovisk\u00e1 priv\u00edtali vlani celkovo 116.304 n\u00e1v\u0161tevn\u00edkov. Z toho 67.338 z\u00e1ujemcov si pozrelo v\u00fdstavy v Bratislave. Zbierkotvorn\u00e1 in\u0161tit\u00facia vlani zrealizovala sedem nov\u00fdch v\u00fdstav a jednu st\u00e1lu expoz\u00edciu. Informoval o tom na utorkovom verejnom odpo\u010dte SNG jej gener\u00e1lny riadite\u013e Juraj Kr\u00e1lik.<\/p>\n
Spresnil, \u017ee Zvolensk\u00fd z\u00e1mok vlani nav\u0161t\u00edvilo 32.678 z\u00e1ujemcov o umenie, Ka\u0161tie\u013e Str\u00e1\u017eky 13.105 os\u00f4b, do Schaubmarovho mlyna v Pezinku, ktor\u00fd bol spr\u00edstupnen\u00fd od augusta 2025, pri\u0161lo vy\u0161e 2600 n\u00e1v\u0161tevn\u00edkov.<\/p>\n
Gal\u00e9ria, ktorej bol pridelen\u00fd rozpo\u010det 13.229.248 eur, nesk\u00f4r zn\u00ed\u017een\u00fd na 9.609.327 eur, vyk\u00e1zala ku koncu roka 2025 z\u00e1porn\u00fd hospod\u00e1rsky v\u00fdsledok -752.131 eur. \u201eRozpo\u010det bol nastaven\u00fd nere\u00e1lne,\u201c uviedol Kr\u00e1lik a pripomenul, \u017ee na post gener\u00e1lneho riadite\u013ea SNG nast\u00fapil v apr\u00edli 2025. Z\u00e1porn\u00fd hospod\u00e1rsky v\u00fdsledok vedenie in\u0161tit\u00facie zd\u00f4vod\u0148uje zn\u00ed\u017een\u00edm finan\u010dn\u00fdch prostriedkov zria\u010fovate\u013ea, nedosiahnut\u00edm pl\u00e1novan\u00fdch pr\u00edjmov, rekon\u0161truk\u010dn\u00fdmi pr\u00e1cami na vysunut\u00fdch pracovisk\u00e1ch, celoro\u010dn\u00fdm zatvoren\u00edm Gal\u00e9rie \u013dudov\u00edta Fullu v Ru\u017eomberku, ale aj spolo\u010denskou situ\u00e1ciou v oblasti kult\u00fary.<\/p>\n
Zn\u00ed\u017een\u00fa n\u00e1v\u0161tevnos\u0165 aj tr\u017eby SNG, ktor\u00e9 na vstupnom dosiahli sumu vy\u0161e 330.700 eur, pod\u013ea Kr\u00e1lika ovplyvnila kampa\u0148 veden\u00e1 proti vedeniu ministerstva kult\u00fary. \u201eMyslel som si, \u017ee po mojom n\u00e1stupe sa v\u00e1\u0161ne upokoja a kolegovia, ktor\u00ed tu st\u00e1vaj\u00fa nezmyselne pred gal\u00e9riou a protestuj\u00fa proti tomu, \u017ee ich vystavujem, \u010do je absurdn\u00e9, \u017ee t\u00edto \u013eudia pochopia, \u017ee som pri\u0161iel do gal\u00e9rie preto, aby som ju stabilizoval, aby sa zachr\u00e1nila,\u201c poznamenal Kr\u00e1lik.<\/p>\n
Pri hodnoten\u00ed v\u00fdstavn\u00fdch projektov zd\u00f4raznil, \u017ee po jeho nast\u00fapen\u00ed do vedenia in\u0161tit\u00facie spolu s Martinom Dost\u00e1lom kur\u00e1tori a odch\u00e1dzaj\u00faci zamestnanci zru\u0161ili p\u00f4vodne pripraven\u00fd v\u00fdstavn\u00fd pl\u00e1n. \u201ePri\u0161li sme do situ\u00e1cie, ke\u010f sa kon\u010dili dve v\u00fdstavy a vyzeralo to tak, \u017ee gal\u00e9ria sa zavrie. V priebehu desiatich t\u00fd\u017ed\u0148ov sme otvorili, vyu\u017eili sme na\u0161e kontakty v \u010cech\u00e1ch a doniesli sme dve zauj\u00edmav\u00e9 v\u00fdstavy,\u201c povedal Kr\u00e1lik k v\u00fdstav\u00e1m Bolo aj nebolo, prezentuj\u00facej tvorbu \u0161tyroch bardov umenia \u010deskej \u010di \u010deskoslovenskej ma\u013eby, a Zo z\u00e1padu, predstavuj\u00facej zbierku slovensk\u00e9ho umenia 20. storo\u010dia z Galerie um\u011bn\u00ed Karlovy Vary.<\/p>\n
Za signifikantn\u00e9 ozna\u010dil Kr\u00e1lik aj otvorenie v\u00fdstavy Bang! Bang?! \u010di n\u00e1vrat najv\u00e4\u010d\u0161ieho podujatia na svete v oblasti detskej ilustr\u00e1cie – Bien\u00e1le ilustr\u00e1ci\u00ed Bratislava 2025, ktor\u00e9 sa vlani po 60 rokoch vr\u00e1tilo nasp\u00e4\u0165 do SNG. Koncom roka gal\u00e9ria spr\u00edstupnila div\u00e1cky atrakt\u00edvnu v\u00fdstavu Galanda a galandovci.<\/p>\n
V SNG vlani zre\u0161taurovali a o\u0161etrili 2136 zbierkov\u00fdch predmetov. Zbierkov\u00fd fond sa rozr\u00e1stol o 414 predmetov, ktor\u00e9 gal\u00e9ria nadobudla k\u00fapou, darom alebo prevodom. Za najv\u00fdznamnej\u0161iu akviz\u00edciu \u0161\u00e9f SNG ozna\u010dil pozostalos\u0165 Milana Dobe\u0161a (1929 – 2025), v\u00fdraznej osobnosti slovensk\u00e9ho umenia druhej polovice 20. storo\u010dia, maliara, grafika, tvorcu in\u0161tal\u00e1ci\u00ed a objektov. \u201eZ\u00edskan\u00e1 kolekcia z r\u00f4znych obdob\u00ed jeho tvorby v\u00fdznamne roz\u0161\u00edrila autorsk\u00fd s\u00fabor v zbierkach SNG o k\u013e\u00fa\u010dov\u00e9 diela venovan\u00e9 geometrickej abstrakcii, kinetizmu, op-artu a predov\u0161etk\u00fdm origin\u00e1lnemu programu dynamick\u00e9ho kon\u0161truktivizmu,\u201c dodal Kr\u00e1lik s t\u00fdm, \u017ee osobitn\u00fa pozornos\u0165 si zasl\u00fa\u017ei Dobe\u0161ov mimoriadny vz\u00e1cny kinetick\u00fd objekt \u201eVertik\u00e1lne premeny \u0161tvorcov\u201c z roku 1964, ikonick\u00e9 dielo predstaven\u00e9 u\u017e na umelcov\u00fdch prv\u00fdch v\u00fdstav\u00e1ch v Bratislave a Prahe.<\/p>\n
Kompletn\u00e1 Spr\u00e1va o \u010dinnosti a hospod\u00e1ren\u00ed SNG za rok 2025 je dostupn\u00e1 na webstr\u00e1nke gal\u00e9rie.<\/p>\n","protected":false},"excerpt":{"rendered":"Bratislava 26. m\u00e1ja (TASR) – Slovensk\u00e1 n\u00e1rodn\u00e1 gal\u00e9ria (SNG) v Bratislave a jej vysunut\u00e9 pracovisk\u00e1 priv\u00edtali vlani celkovo…\n","protected":false},"author":2,"featured_media":80762,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[21],"tags":[1095,136,2710,20865,43,40,39,42,41,7547,992],"class_list":["post-80761","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bratislava","tag-bax","tag-bratislava","tag-kultura","tag-odpocet","tag-sk","tag-slovak","tag-slovakia","tag-slovencina","tag-slovensko","tag-sng","tag-sr"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@sk\/116641978213281400","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/80761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/comments?post=80761"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/posts\/80761\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media\/80762"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/media?parent=80761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/categories?post=80761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/sk\/wp-json\/wp\/v2\/tags?post=80761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}