Conductor: Jae Alexander
Classical soprano Carly Paoli transforms Theatre Royal Drury Lane into a musical film and theatre celebration, backed by the Royal Philharmonic Concert Orchestra under Jae Alexander’s direction. The evening promises a journey through beloved songs from Gigi, The Greatest Showman, and Carousel, among others; familiar territory given fresh classical treatment.
Paoli’s distinctive vibrato-laden voice will inevitably divide audiences, but for those who appreciate her operatic sensibilities, the performance offers genuine rewards. She demonstrates consummate control over her powerful instrument, reimagining musical theatre standards through a classical lens. Her arrangements prove both recognisable and subtly transformed, providing engaging twists on familiar material.
The evening’s “friends” provide welcome variety and breathing space. West End favourite Charlie Stemp brings impish charm to By The Light Of The Silvery Moon, while American tenor David Phelps anchors a romantic medley. But it’s Italian legend Al Bano who steals the show entirely. His seven-decade career radiates through every gesture, bringing presence and warmth that illuminates what the evening desperately lacks.
Despite Paoli’s undeniable vocal prowess, the production suffers from cold professionalism. Songs feel trotted out by roster rather than shared with genuine passion. Her “friends” receive perfunctory introductions—no handshakes, no embraces, nothing suggesting authentic relationships. Even her scripted anecdotes arrive flat and over-rehearsed.
Only when Bano delightfully abandons the script does the audience receive the emotional engagement they’re craving—their enthusiastic response proving how much warmth had been missing. It’s a telling moment that highlights the evening’s fundamental flaw.
Hollywood to Broadway succeeds as a showcase for Paoli’s considerable vocal talents and offers some genuinely lovely reimagined arrangements. However, it fails as an evening of entertainment where technical excellence should serve emotional connection. The songs deserve better than mere competent delivery—they need the human touch that only Al Bano seemed willing to provide.
Reviewed on 13 July 2025
The Reviews Hub Score
Impressive voices, missing hearts