Writer: C.S. Lewis

Based on the original production by Sally Cookson

Director: Mike Fentiman

Original Writer in the Room and Dramaturg: Adam Peck

Composers: Barnaby Race and Benji Bower

This October at Sheffield Theatres, audiences are invited to step through the wardrobe into the enchanting kingdom of Narnia, where a world of wonder awaits. C.S. Lewis’s timeless classic, The Lion, The Witch and The Wardrobe, comes to life in a spectacular stage adaptation that promises to delight viewers of all ages.

Join Lucy, Edmund, Susan, and Peter Pevensie as they embark on an extraordinary journey filled with adventure and discovery. In this magical realm, they encounter new friends and face formidable foes while learning invaluable lessons about courage, sacrifice, and the enduring power of love. The narrative unfolds as these four siblings are evacuated from London during the Blitz in 1940 and sent to live with Professor Digory Kirke in his sprawling countryside home.

The story begins when Lucy discovers Narnia through an enchanted wardrobe. Here she meets Mr Tumnus, a faun who initially contemplates betraying her but ultimately chooses friendship over allegiance to the tyrannical White Witch—the false ruler who has cast Narnia into an unending winter. Despite initial disbelief from her siblings regarding her fantastical tale, Edmund’s fateful encounter with the White Witch draws him deeper into her web of deceit.

As the children unite in Narnia’s struggle against tyranny, they learn that their destinies are intertwined with a prophecy foretelling that two Sons of Adam and two Daughters of Eve will reclaim Narnia for its rightful ruler – Aslan the great lion. This production not only showcases Lewis’ rich storytelling but also highlights themes that resonate profoundly across generations.

The Lion, The Witch and The Wardrobe is an ambitious production that showcases a seemingly endless array of cast members, each contributing to the rich tapestry of C.S. Lewis’ beloved tale. Katy Stephens delivers a formidable performance as the White Witch, embodying a commanding presence that is both poised and graceful, yet infused with frenzied power. In stark contrast stands Stanton Wright’s portrayal of Aslan, whose stillness and quiet strength serve to highlight the Witch’s unhinged nature.

The set and costume design by Tom Paris is nothing short of breathtaking. Paris has expertly managed to encapsulate the essence of the 1940s war culture while simultaneously infusing the production with the animalistic traits and fairytale beauty that define Narnia.

The meticulous attention to detail in both set and costume design transports audiences into a world where reality intertwines with fantasy. Each element is thoughtfully crafted to reflect not only the historical context but also the enchanting allure of Lewis’ narrative. This harmonious blend creates an immersive experience that resonates deeply with viewers, allowing them to fully engage with the timeless themes of bravery, sacrifice, and redemption found within this magical realm.

The true strength of this piece lies in the choreography crafted by Shannelle ‘Tali’ Fergus. The ensemble moves seamlessly from moment to moment, reminiscent of a flock of starlings in flight – unified and harmonious – interspersed with moments of sheer rapture that captivate the audience. Each scene is visually stunning; indeed, every moment feels photo-worthy, encapsulating complete beauty even amidst its most violent episodes. Additionally, the production is imbued with magic through jaw-dropping disappearing acts that leave spectators in awe.

However, it must be noted that the first half of the performance tends to feel long and somewhat protracted. While sequences such as the train journey, the White Queen’s entrance, and tea with Mr Tumnus are undoubtedly intricately choreographed highlights, they occasionally come across as laboured. This pacing stands in contrast to the second half which feels rushed; significant plot moments are hurriedly traversed and at times contrived. Unfortunately, this culminates in an underwhelming final showdown between good and evil. Given the large cast’s physical talent and potential for dynamic storytelling, one would expect an extraordinary climax; instead, it devolves into a rather small tussle accompanied by some shouting followed by a magic trick.

In summary, while The Lion, The Witch and The Wardrobe boasts impressive elements – particularly its choreography and individual performances – the overall experience suffers from uneven pacing that detracts from what could have been a truly spectacular finale. It is regrettable that such an ambitious production ultimately falls short when it comes to delivering on its climactic promise.

Don’t miss this opportunity to witness The Lion, The Witch and The Wardrobe on stage – a celebration of imagination that invites us all to believe in magic once more as we join these beloved characters on their quest for justice and redemption amidst a backdrop of stunning theatrical artistry.

Runs until 18th October 2025

  • The Reviews Hub Star Rating

    8