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Author George Orwell warns about surveillance in his classic novel, 1984.
Fast forward to now, some would argue that’s still apparent today. It’s a part of our daily lives. His world no longer feels as dystopian as it once did when it was first published in 1949.
But through a contemporary lens, this fascinating piece of fiction still has the power to invoke many a debate.
1984 at the Edge theatre
Jonny Cordingley
It is now headed to the stage in a new adaptation by local theatre company Lost in Transit. Starring Rupert Hill, who regularly treads the boards in Manchester.
I Love Manchester caught up with director and company founder, Jonny Cordingly to find out more.
“In many ways, 1984 is a warning, but that also means there’s hope, right, or why warn anyone?”
Why does he feel that 1984 remains relevant to audiences? He ponders the question and then says: “I think first and foremost great stories stand the test of time, and act as a mirror to the world your own story is in.
“And 1984 seems to fill the shape of any time it’s being read, or watched.” He then adds, “I also think it makes us ask some of the big questions.
“Like what kind of world do we want to live in? How do we want to leave it for who’s next? In many ways, 1984 is a warning, but that also means there’s hope, right, or why warn anyone?”
What are the challenges in adapting a piece like this for the stage?
The novel is so highly respected, so what are the challenges in adapting a piece like this to the stage?
He told us, “We have been developing this adaptation with the amazing writer Peter Kerry, who has done much of the heavy lifting when it comes to the challenges of the piece. There are so many amazing images Orwell conjures, I think one of the challenges is shifting the space to let the audience into Winston’s stormy mind.”
Many people who have read the book may be thinking what’s in it for me, and there will also be newcomers. So, what does Jonny hope that audiences will get from this revival?
He smiles and says, “Believe it or not, fun! This is theatre, and we want to take you for a wild ride.
“But I also hope people receive that at its most fundamental, it’s a story about human connection, a love story, or maybe more honestly a (human need for) love story.”
The role of the director
What about Orwell’s predictions? Does he think we have given in to the idea that we are being watched? He says “maybe,” and then pauses and begins again.
“I’m stubborn, so I like to believe not. There’s no doubting Orwell was so ahead of his time when it comes to surveillance. But I think more than this, he invites us to ask further questions like: Who is watching? Why? And who owns all the stuff?”
As a director, how do you know when you have got it right, or feel a sense of pride? Jonny says: “I don’t really believe that there’s a right or wrong when directing. I think different choices have different qualities, like different keys in music. It’s a question of what qualities we are reaching for in each moment.”
He adds: “I’m also lucky I’m working with an incredible creative company of actors and creatives, all of whom co-create with me. That’s when I feel a sense of pride, when we are all making as a company, as Lost In Transit.”
What is it about Manchester?
1984 is headed to Chorlton, so what are his thoughts on Manchester. Is there anything he would change about this city?
“I’m a very proud Mancunian”
He says: “I‘m from this city, I love this city. I love that it’s unashamed and unapologetic, but most of all I love the people.
“Speaking of which, we would’ve never been able to get this show off the ground without our amazing cast and creatives, and working in association with The Edge theatre in Chorlton. The beer’s very nice there too.” He pauses and reflects. “So, what would I change? Honestly? Nothing.. I’m a very proud Mancunian.”
Get your tickets
1984 is at the Edge theatre in Chorlton from 21-26 April. It then tours to Rochdale and Sheffield.
To book tickets at the Edge, please click here.
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