1457, The Boy at Rest continues at Studio One at Assembly George Square Studios until 24 August 2025.
Star rating: five stars ★ ★ ★ ★ ★
This is wonderful.
We’re in a heightened world of Greek tragedy, Hamlet and The Lion King. A young king is dethroned by his wicked Uncle and sent into exile, only to be executed at 17.
Based on a true story, this production leans heavily on its cultural references. The beautiful music, the exquisite costumes, the digital scenery, all place us firmly in 15th century Korea.
A troupe of mythical Korean Goblins treat us to a vibrant opening. Drums, gongs, noise. The atmosphere is a joyous carnival. The king enters, innocently played and beautifully sung by Hyeon-ho Kim, and we’re in a new world of fate, of expectation, of family feud. Why should the late king’s brother not accede to the throne in place of this… boy King?
The entire production, directed by Ho-young Lee, is so fabulously stylish. The grand themes of love, honour, ambition and loss are handled delicately. The poetry and symbolism of the lyrics (Ji-yune Sang) are mesmerising.
Eun-ji Kim’s songs and underscoring are orchestrated using traditional instruments, but are entirely modern in their construction. A blend that really works. The singing by the talented cast is of the highest standard.
For the finale, a requiem for all of our lost loves, we’re invited to keep our own loved ones alive by the memories that light the heart.
Well, the memory of 1457 will light the heart of this reviewer throughout the festival and beyond.
Steven Wren
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