Writer: Emily Henry
Director: Michael Deacon
Assembling flatpack furniture has become synonymous with the ultimate modern-day relationship test.
Yet, as the title suggests, Extra Ordinary goes far beyond everyday tribulations. With their struggle to build an IKEA table acting as a clever metaphor, Rachel and Max wrestle with the unsettling ethical complexity facing them as they try to start their family. Do they continue with their pregnancy knowing that their daughter will be born with Down Syndrome?
Unlike the table, life does not come with instructions, and there is no set moral manual to guide them to a decision. What results is an emotionally layered, thought-provoking production, insightfully constructed and convincingly delivered. The final moment of the play encapsulates its core message: although the table looks finished, the forgotten screw alludes to how life’s parts will never all fit perfectly in place.
By giving Rachel and Max conflicting perspectives, writer and actor Emily Henry explores the nuances behind the impending decision. Contrasting Max’s persistent optimism, the play delves into Rachel’s justification for her more controversial stance. Although traditional societal expectations would demonise the mother for questioning whether she would be able to fully accept her daughter, Rachel, in fact, demonstrates a refined empathy as she scrutinises the different experiences her unborn daughter may have, and if her overall life experience will be good enough to warrant her existence. In doing this, Henry probes the complexities of motherhood and disability, counteracting any shame that could be directed towards Rachel’s uncertainty. By resisting underdeveloped maternal archetypes, Extra Ordinary makes for meaningful theatre.
Delivering this premise, Toby Burchell playing Max and Henry as Rachel provide proficient vocal and physical intensity to land the emotional weight behind their dilemma. Yet this intensity is skillfully balanced by moments of naturalism. For example, their more passionate dialogue exchanges delivered with raised voices are quickly diffused as they resort back to sharing knowing smiles, establishing a convincing relationship dynamic where two people can reveal their unpolished sides amongst the backdrop of their love. What results is a touching performance that the audience cannot pull away from, except to consider their own response in the scenario.
Extra Ordinary is a thoughtful exploration of two people trying to do their best when faced with an unfathomably difficult decision. While the play does not provide a definitive answer, it encourages the audience members to explore their own moral compasses. Over the course of the hour, Rachel and Max’s open, evolving conversation suggests that navigating life’s most challenging choices depends on your ability to be honest with yourself and with those closest to you, in order to construct your own set of life instructions. Emerging from such a young creative, Henry’s next move should be highly anticipated.
Reviewed on 16 August 2025 and continues to tour
Camden Fringe runs until 24 August 2025
The Reviews Hub Star Rating
90%
Emotive, thought-provoking, relevant.