‘Final Destination: Bloodlines’ Box Office Analysis
You didn’t expect that “Final Destination Bloodlines” would die some spectacular, implausible, laughable death at the box office,…
Julia Ducournau’s Dour and Dismal AIDS Allegory
Julia Ducournau has insisted that genre “imposed a distance” on her first two features, but to watch her…
Family Drama Premieres at Cannes
If Icelandic filmmaker Hlynur Pálmason’s work has an overall motif to date, it could be summed up by lines…
Victoria Gill’s poignant portrait of 1980s Northern youth culture
When photographer and artist Victoria Gill returned from London to her hometown of Leeds for Christmas last year,…
Animated Film Is France’s Answer to Ghibli
There’s one particular journey the makers of “Arco,” a soulful animated movie premiering in the Special Screenings section…
Hafsia Herzi’s Poignant Lesbian Drama
The worst trauma for a queer person — other than homophobia pressing in from the outside world —…
These photos capture the flux of modern masculinity across America
The New American Man25 Images Masculinity in America can be responsive to where it happens: whether it’s defined…
Final Destination directors spent years deciding ‘what to ruin for people’ in sequel
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‘Staggeringly grisly’ new horror sequel debuts to huge 91% Rotten Tomatoes score
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Year of French Central European Films 2025
FNE together with UNIFRANCE is launching the Year of French Central European Films 2025 with a special focus on French films in Central and…