Market Review: Cartels – Global Competition Review
What kinds of infringement has the antitrust authority been focusing on recently? Have any industry sectors been under…
Cave Sermon – Fragile Wings Review
For the second year in a row, I was blindsided by a silent Cave Sermon drop. At least…
Aviron Victory Treadmill Review: Get Low
My daughter recently asked me what these white flecks were on the Aviron Victory Treadmill in her playroom.…
London Philharmonic Orchestra: Daphnis and Chloé – Southbank Centre, London
Conductor: Edward Gardner In a bold and breathtaking collaboration, Circa and the London Philharmonic Orchestra, conducted by Edward…
Wisdom & Fools – Prophecy Review
Liminal Dread Productions has been on a roll with releases in the past year. Some really took it…
Panthalassan – From the Shallows of the Mantle Review
Angry Metal Guy is an institution, and not just a mental one. Artists often dip into our comment…
A Raunchy Reimagining Of The Cinderella Story
With the surprise crossover success of Coralie Fargeat’s Cannes body-horror hit The Substance last year, there was a…
Coffin Feeder – Big Trouble Review
Sometimes you can judge a book by its cover. The intellectual property rights-busting album artwork of Big Trouble…
Fatal Fury: City of the Wolves Review (PS5)
SNK, once on the brink of bankruptcy, is back with a marketing budget that would make genre titans…
The Infernal Deceit – The True Harmful Black Review
In a year that already looks to be filled with heady pomp and artistry, there’s something to be…