Review: Electra/Persona, at Lyttelton, National Theatre
Nina Hoss and Cate Blanchett in Electra / Persona [Monika Rittershaus] DIRECTOR and adapter Benedict Andrews’ ambitious new…
Wizard from Oz: how newcomer has made his mark in London’s jazz scene
Graeme Blevins [www.graemeblevins.com] I REMEMBER seeing a very fresh-faced Graeme Blevins in the sax section of the Guy…
Review: How the Other Half Loves, at Old Vic
Roger Allam and Dorothy Atkinson in How the Other Half Loves [Manuel Harlan] ALAN Ayckbourn’s 1969 domestic farce…
Review: Love’s Labour’s Lost, at Shakespeare’s Globe
Colourful: Love’s Labour’s Lost [Tristram Kenton] SHAKESPEARE’S early comedy Love’s Labour’s Lost is tricky to stage with its…
The Marvellous Mr Muoneké | Camden New Journal
Alex Webb on piano and Marvin Muoneké on vocals and trumpet TO the Flamingo Club to see the…
Tunnels vision: ‘There’s nothing comparable to this in London…’
Angus Murray in the wartime tunnels 130 feet below the streets of Holborn THE man behind a project…
Review: The Guilty, at Donmar Warehouse
Russell Tovey on stage throughout the 60-minute drama [Helen Murray] THE GUILTYDonmar Warehouse3.5 stars A police officer’s…
Review: Pride, at the National Theatre
Matthew Woodyatt, Jhon Lumsden, Darren Lawrence, Matthew Durkan, Courtney Stapleton and Jordan Shaw in Pride [Manuel Harlan] …
‘It has huge power, like the first frame of Star Wars’
Turner’s The Fighting Temeraire [National Gallery] IT was a famous moment in London history – when a steam…
Review: War Horse, at Olivier, National Theatre
Tom Sturgess in War Horse [Brinkhoff-Moegenburg] WAR Horse premiered at the National in October 2007, adapted from Michael…