{"id":1056158,"date":"2026-06-28T20:53:40","date_gmt":"2026-06-28T20:53:40","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/1056158\/"},"modified":"2026-06-28T20:53:40","modified_gmt":"2026-06-28T20:53:40","slug":"van-gogh-and-the-dutch-old-masters-latest-research-reveals-the-links-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/1056158\/","title":{"rendered":"Van Gogh and the Dutch old masters: latest research reveals the links – The Art Newspaper"},"content":{"rendered":"

This week a Dutch journal is publishing the first comprehensive account of Van Gogh\u2019s admiration for the country\u2019s great artists of the 17th century: Vermeer, Rubens, Rembrandt, Hals, Van Ruisdael and Van Goyen. The texts (in English) are in Oud Holland: Journal for Art of the Low Countries<\/a>.<\/p>\n

Admiration for Vermeer<\/strong><\/p>\n

Van Gogh\u2019s love of Johannes Vermeer is now established<\/a>, but Elmer Kolfin, an art historian at the University of Amsterdam, probes deeper. He works out that Van Gogh would have seen just three Vermeers: View of Delft<\/a> (1660-61, Mauritshuis, The Hague), The Lacemaker<\/a> (1666-68, Louvre, Paris) and Woman in blue reading a Letter<\/a> (1662-64, Rijksmuseum, Amsterdam). However, Van Gogh knew more about Vermeer from books and journals.<\/p>\n

Kolfin also discusses the intriguing suggestion that Van Gogh was influenced by the Delft master\u2019s use of blue and yellow. Writing from Arles in September 1888, Vincent commented to his brother Theo: \u201cThe dome of the sky is a wonderful blue, the sun has a pale sulphur radiance, and it\u2019s soft and charming, like the combination of celestial blues and yellows in paintings by Vermeer of Delft. I can\u2019t paint as beautifully as that, but it absorbs me so much that I let myself go.\u201d<\/p>\n

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Van Gogh\u2019s The Yellow House (September 1888)<\/p>\n

Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)<\/p>\n

Just a week or so later Van Gogh painted one of his masterpieces, The Yellow House<\/a> (September 1888), depicting his home (in the centre of the composition) set under a powerful deep-blue sky.<\/p>\n

Inspired by Rubens<\/strong><\/p>\n

Peter Paul Rubens represented an important inspiration for Van Gogh for a much shorter period, essentially the three months that he lived in the old master\u2019s home city of Antwerp in the winter of 1885-86. As Teio Meedendorp, the senior research at the Van Gogh Museum, demonstrates in his Oud Holland essay on Rubens, Van Gogh was inspired by the master\u2019s portraits, particularly his use of colour in the modelling of faces.\u00a0<\/p>\n

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Van Gogh\u2019s Portrait of a Woman (December 1885) and Head of a Woman with a scarlet Bow (December 1885-January 1886)<\/p>\n

Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) and private collection<\/p>\n

While in Antwerp, Van Gogh painted three portraits of female sex workers. Writing to Theo about Head of a Woman with a scarlet Bow (December 1885-January 1886), Vincent commented that he was trying to capture \u201ca whore\u2019s expression\u201d.\u00a0<\/p>\n

Something of Rubens’ style of modelling can be seen in Van Gogh\u2019s work, particularly in Portrait of a Woman<\/a>, with opaque light yellow and pink areas in the face, and accentuated shadows and red accents near the eyes.<\/p>\n

On 14 December 1885, when Vincent started painting the female portraits, he wrote to Theo that Rubens \u201cis certainly making a strong impression on me\u201d, particularly \u201cby his way of drawing the features in a face with strokes of pure red\u201d. He singled out the blonde heads in Rubens\u2019 Saint Theresa of Avila through Christ\u2019s intervention rescuing Bernardinus of Mendoza from purgatory <\/a>(1630-1635), a large altarpiece in what was then called the Mus\u00e9e Ancien.<\/p>\n

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Rubens\u2019 Saint Theresa of Avila through Christ\u2019s intervention rescuing Bernardinus of Mendoza from purgatory (1630-35) (detail)<\/p>\n

Royal Museum of Fine Arts Antwerp<\/p>\n

Looking at Rembrandt<\/strong><\/p>\n

An essay by Alison McQueen, an art historian at McMaster University in Ontario, focusses on Van Gogh and Rembrandt van Rijn. Van Gogh remained a great admirer of the old master throughout his life.<\/p>\n

Both artists ultimately became renowned for their numerous and powerful self-portraits. Rembrandt painted just over 40 and Van Gogh completed 35. Van Gogh was inspired by the number and quality of Rembrandt\u2019s self-portraits, but in style and colouration the work of the two artists could hardly be more different.<\/p>\n

Although Van Gogh probably only knew Rembrandt\u2019s painted self-portraits through black-and-white reproductions, he singled out two in his letters: The Prodigal Son in the Inn (Self-portrait with Saskia) (around 1635, Gem\u00e4ldegalerie Alte Meister, Dresden) and Self-portrait as Zeuxis (1662-63, Wallraf-Richartz Museum, Cologne). He knew <\/strong>Rembrandt\u2019s etched self-portraits.<\/p>\n

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Rembrandt\u2019s The Prodigal Son in the Inn (Self-portrait with Saskia) (around 1635) and Van Gogh\u2019s Self-portrait (September 1889)<\/p>\n

Gem\u00e4ldegalerie Alte Meister, Dresden and Mus\u00e9e d\u2019Orsay, Paris<\/p>\n

Vincent praised Rembrandt in September 1889 in a letter to his sister Wil. This was the very moment that he was working on two of his finest self-portraits, done just after his recovery from a mental crisis at the asylum of Saint-R\u00e9my-de-Provence. These paintings are now at the the Mus\u00e9e d\u2019Orsay<\/a> in Paris and the National Gallery of Art<\/a> in Washington, DC.<\/p>\n

In his letter, Vincent told Wil that \u201cI\u2019ve done two portraits of myself, one of which is quite in character\u201d (both are fine works, but he is more likely to be referring to the Mus\u00e9e d\u2019Orsay\u2019s self-portrait with a background of swirling lines). He then goes on to refer to a self-portrait by his colleague Armand Guillaumin<\/a>, saying that \u201cit\u2019s one of the rare things that would hold up alongside even the old Dutchmen Rembrandt and Hals<\/a>\u201d.<\/p>\n

Other artists featured in the Oud Holland essays are Frans Hals (by Christopher Atkins), Jacob van Ruisdael (by Iris Louwersheimer) and Jan van Goyen (by Dien Bos and Elmer Koflin).<\/p>\n

The Adventures with Van Gogh blog will be taking a summer break in July and August, during which time a selection of articles from our archive will be updated and posted on Fridays. Normal posting will resume on 4 September.<\/strong><\/p>\n

Martin Bailey<\/strong> is a leading Van Gogh specialist and special correspondent for The Art Newspaper. He has curated exhibitions at the Barbican Art Gallery, Compton Verney\/National Gallery of Scotland and Tate Britain.<\/p>\n

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Martin Bailey\u2019s recent Van Gogh books<\/p>\n

Martin has written a number of bestselling books on Van Gogh\u2019s years in France: The Sunflowers Are Mine: The Story of Van Gogh’s Masterpiece (Frances Lincoln 2013, UK<\/a> and US<\/a>), Studio of the South: Van Gogh in Provence (Frances Lincoln 2016, UK<\/a> and US<\/a>), Starry Night: Van Gogh at the Asylum (White Lion Publishing 2018, UK<\/a> and US<\/a>) and Van Gogh\u2019s Finale: Auvers and the Artist\u2019s Rise to Fame (Frances Lincoln 2021, UK<\/a> and US<\/a>). The Sunflowers are Mine (2024, UK<\/a> and US<\/a>) and Van Gogh\u2019s Finale (2024, UK<\/a> and US<\/a>) are also now available in a more compact paperback format.<\/p>\n

His other recent books include Living with Vincent van Gogh: The Homes & Landscapes that shaped the Artist (White Lion Publishing 2019, UK<\/a> and US<\/a>), which provides an overview of the artist\u2019s life. The Illustrated Provence Letters of Van Gogh has been reissued (Batsford 2021, UK<\/a> and US<\/a>). My Friend Van Gogh\/Emile Bernard provides the first English translation of Bernard\u2019s writings on Van Gogh (David Zwirner Books 2023, UK<\/a>and US<\/a>).<\/p>\n

To contact Martin Bailey, please email vangogh@theartnewspaper.com<\/a><\/p>\n

Please note that he does not undertake authentications.<\/p>\n

Explore all of Martin\u2019s adventures with Van Gogh here<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"This week a Dutch journal is publishing the first comprehensive account of Van Gogh\u2019s admiration for the country\u2019s…\n","protected":false},"author":2,"featured_media":1056159,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[3939],"tags":[18095,4021,4020,4022,147342,77,16,15,18096],"class_list":["post-1056158","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-adventures-with-van-gogh","tag-arts","tag-arts-and-design","tag-design","tag-dutch-golden-age","tag-entertainment","tag-uk","tag-united-kingdom","tag-vincent-van-gogh"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/116829723944606926","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/1056158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=1056158"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/1056158\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/1056159"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=1056158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=1056158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=1056158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}