{"id":1081865,"date":"2026-07-11T03:00:24","date_gmt":"2026-07-11T03:00:24","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/1081865\/"},"modified":"2026-07-11T03:00:24","modified_gmt":"2026-07-11T03:00:24","slug":"the-1971-scene-so-controversial-it-was-banned-for-30-years","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/1081865\/","title":{"rendered":"The 1971 scene so controversial it was banned for 30 years"},"content":{"rendered":"<p> <img width=\"1140\" height=\"855\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2026\/07\/The-Devils-1971-Ken-Russell-Far-Out-Magazine-01-1140x855.jpg\" class=\"attachment-single-feature size-single-feature wp-post-image\" alt=\"The Devils - 1971 - Ken Russell\" layout=\"fill\"  style=\"object-position: 50% 20%\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\" \/><\/p>\n<p>Credit: Far Out \/ Warner Bros<\/p>\n<p> Fri 10 July 2026 20:45, UK <\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/tags\/cinema\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Cinema<\/a> was becoming increasingly open to the kinds of scenes that would truly leave people clutching their pearls back in the 1960s and early \u201870s, with Hollywood censorship easing in line with the demise of the Hays Code.\u00a0<\/p>\n<p>Everything started to become a little more violent and a little more risqu\u00e9, with movies like Bonnie and Clyde, Harold and Maude, The Graduate, and Easy Rider reflecting this new era for mainstream cinema. Nihilism, sex, drugs, nudity, blood and gore \u2013 these taboos suddenly became a defining element of this new wave of American filmmaking, emerging as a result of societal transformation. <a href=\"https:\/\/faroutmagazine.co.uk\/martin-scorsese-on-the-names-who-created-the-beginning-of-new-hollywood\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Everything had changed since the war,<\/a> from how people viewed sex to the role of young people in society, and this subsequently made its mark on film. <\/p>\n<p>Across the pond, British filmmakers were exploring some pretty taboo themes within the social realist genre \u2013 the lack of the Hays Code allowing for some pretty radical ideas to emerge as early as the late \u201850s and early \u201860s. Take 1961\u2019s A Taste of Honey, for example, which explored homosexuality, abortion, and interracial relationships. <\/p>\n<p>But still, the country\u2019s film industry was pretty stringently monitored by the BBFC, a censorship board that refused to hesitate in cutting and banning movies deemed offensive or potentially harmful. So, while filmmaking was becoming more daring during this period \u2013 with British filmmakers managing to get away with movies that, even within the New Hollywood landscape, might not have flown \u2013 directors were still at risk of having their movies interfered with by the BBFC.  <\/p>\n<p>This was the case for one of the most controversial movies of the era, Ken Russell\u2019s <a href=\"https:\/\/faroutmagazine.co.uk\/ken-russell-film-the-devils-50-years\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">1971 masterpiece The Devils<\/a>. With two powerhouse stars, Oliver Reed and Vanessa Redgrave, in the leading roles, the film actually took its source material from Aldous Huxley\u2019s non-fiction book The Devils of Loudun, an account of the Loudun \u2018possessions\u2019 which took place in the 1600s. How the movie got made in 1971 is actually impressive, because it\u2019s not hard to see why people would deem it sacrilegious, despite its origins, in fact. <\/p>\n<p><a href=\"https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2026\/05\/The-Devils-1971-Ken-Russell-Far-Out-Magazine.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" width=\"1024\" height=\"768\" loading=\"lazy\"  src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2026\/07\/The-Devils-1971-Ken-Russell-Far-Out-Magazine-1024x768.jpg\" alt=\"The Devils - 1971 - Ken Russell\" class=\"wp-image-920919\" \/><\/a>Credit: Far Out \/ Warner Bros<\/p>\n<p>The story follows a group of nuns who find themselves enamoured by Urbain Grandier, a handsome priest known for his womanising ways\u2026 In particular, the hunchbacked abbess Sister Jeanne is sexually obsessed with him, and eventually accuses him of possessing her \u2013 Grandier is soon accused of possessing the whole convent, and the film turns into an orgy of lust and terror, with many shots of the nuns involving them running around naked, screaming, and losing themselves in a frenzy of sexual repression.\u00a0\u00a0<\/p>\n<p>There\u2019s one horrifying scene in which an exorcism is attempted on Jeanne, which involves a pretty intense enema. The Devils is far from pleasant viewing, but it\u2019s a powerful tale of religion and corruption, with political disenchantment and division casting its shadow over the narrative. <\/p>\n<p>Considering that so many shocking scenes were passed in the cut version of the movie \u2013 like Jeanne using Grandier\u2019s bone to masturbate following his death \u2013 it makes you wonder what had to be censored. Well, most notoriously, the BBFC were quick to remove a scene that has long been sought after by many die-hard fans of the movie, and it was actually near impossible to find the scene until it was broadcast in the 2002 documentary,\u00a0Hell on Earth, about the making of the film.\u00a0<\/p>\n<p>The scene in question is known by fans as \u2018The Rape of Christ\u2019, with the naked nuns going wild over a giant crucifix, and in one shot, you can see one of the nuns sitting on top of the statue\u2019s genitals, while the statue\u2019s face is grabbed, licked and sat upon, and another appears to masturbate with his foot. <\/p>\n<p>You can see why it was cut by the BBFC, although it\u2019s hardly that much more shocking than other moments in the film. <a href=\"https:\/\/faroutmagazine.co.uk\/warner-bros-spent-decades-hiding-the-devils-cannes\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">If you\u2019re going to watch The Devils, you might as well see it all<\/a>. With that being said, you can\u2019t really blame people for being shocked by the film. The Halliwell\u2019s Filmgoers\u2019 Companion regards the movie as \u201coutrageously sick\u201d, which is not an opinion they\u2019re alone in holding. <\/p>\n<p>These days, it seems that the only way to watch the fully uncut version of the movie is through bootleg copies floating about online, which allows you to see the horrifying sequence in all of its crazy, uncensored glory.<\/p>\n<\/p>\n<p>  <a class=\"fw\" href=\"https:\/\/www.google.com\/preferences\/source?q=https:\/\/faroutmagazine.co.uk\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" style=\"\"> ADD AS A PREFERRED SOURCE ON GOOGLE <img loading=\"lazy\" decoding=\"async\" width=\"28\" height=\"28\" src=\"https:\/\/faroutmagazine.co.uk\/wp-content\/themes\/far-out-magazine\/img\/google-discover.svg\" alt=\"\"\/> <\/a>   <\/p>\n","protected":false},"excerpt":{"rendered":"Credit: Far Out \/ Warner Bros Fri 10 July 2026 20:45, UK Cinema was becoming increasingly open to&hellip;\n","protected":false},"author":2,"featured_media":1081866,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[3935],"tags":[91533,230811,18319,77,986,47684,3943,16,15],"class_list":["post-1081865","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-1970s","tag-230811","tag-censorship","tag-entertainment","tag-horror","tag-ken-russell","tag-movies","tag-uk","tag-united-kingdom"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/116899114633499088","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/1081865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=1081865"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/1081865\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/1081866"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=1081865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=1081865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=1081865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}