{"id":1084885,"date":"2026-07-12T16:37:15","date_gmt":"2026-07-12T16:37:15","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/1084885\/"},"modified":"2026-07-12T16:37:15","modified_gmt":"2026-07-12T16:37:15","slug":"moana-box-office-live-action-remake-among-weakest-for-disney","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/1084885\/","title":{"rendered":"Moana Box Office: Live-Action Remake Among Weakest for Disney"},"content":{"rendered":"

\n\t\u201cMoana<\/a>\u201d failed to make a splash at the box office, earning $43 million from 3,827 North American theaters in its opening weekend.<\/p>\n

\n\tThose ticket sales, though enough for No. 1 on box office charts, are disastrous given the live-action \u201cMoana\u201d remake has a massive $250 million production budget \u2014 and that\u2019s before Disney\u2019s hefty marketing spend. Arriving in theaters a decade after the original 2016 animated musical and less than two years after the sequel, \u201cMoana\u201d underscores the trickiness of timing in terms of Disney\u2019s live-action remakes. Wait too long, \u00e0 la \u201cSnow White\u201d and \u201cDumbo,\u201d and there\u2019s not enough cultural resonance; go too soon, and there\u2019s not enough nostalgia to bring audiences back to theaters for something they\u2019ve seen before (and can readily watch on Disney+).<\/p>\n

\n\t\u201cMoana\u201d also floundered overseas with $52 million for a global launch of $95 million. <\/p>\n

\n\t\u201cDisney invented this live-action phenomenon based on their animated films, and they\u2019ve had remarkable success with them,\u201d says David A. Gross, who publishes the box office newsletter FranchiseRe. \u201cBut this opening isn\u2019t close to Disney\u2019s past remakes.\u201d<\/p>\n

\n\tHeading into the weekend, Disney was projecting a $60 million to $65 million domestic debut and $140 million globally, which already would have been rocky for a tentpole of this size. After falling short of estimates, \u201cMoana\u201d is now contending with 2025\u2019s box office bomb \u201cSnow White\u201d ($42 million debut) for the unfortunate distinction of the lowest opening among Disney\u2019s live-action remakes. \u201cSnow White,\u201d an adaptation of a nearly 90-year-old property, left the big screen with $87 million domestically and $205 million globally against a $250 million budget. With a similar box office journey, \u201cMoana\u201d could lose around $100 million for the studio in its theatrical run.<\/p>\n

\n\tFor the most part, Disney has been quite successful with live-action remakes of its animated classics. The studio\u2019s adaptations of 2025\u2019s \u201cLilo & Stitch,\u201d 2019\u2019s \u201cThe Lion King\u201d and \u201cAladdin,\u201d and 2017\u2019s \u201cBeauty and the Beast\u201d were huge, each debuting above $100 million and eventually crossing the $1 billion mark. Those were based on movies from the \u201990s and early 2000s, which seems to be the sweet spot for Disney. A remake of 2010\u2019s \u201cTangled\u201d is in the works with Kathryn Hahn as the villainous Mother Gothel.<\/p>\n

\n\t\u201cMoana\u201d is much newer to the Disney canon, and although the musical franchise is hugely popular among families with young kids, the studio may have been too quick to revisit the world of Moana, a plucky wayfinder who is chosen by the ocean to restore prosperity to her island. Critics rejected the live-action version of \u201cMoana,\u201d which holds a 35% on Rotten Tomatoes, though audiences who showed up were pleased, awarding the film an \u201cA-\u201d grade on CinemaScore exit polls. <\/p>\n

\n\tThis version of \u201cMoana,\u201d directed by Thomas Kail (\u201cHamilton\u201d) and starring Catherine Laga\u2019aia as Moana and Dwayne Johnson as the cocky demigod Maui, was released in especially close proximity to the animated sequel, which became a billion-dollar smash. That wasn\u2019t intentional. \u201cMoana 2\u201d was originally developed as a television series before Disney opted to retool the project into a feature film.\u00a0Once the sequel had pivoted to theatrical, Disney delayed the live-action project by a year (it was originally set for 2025) to put some distance between the follow-up, which opened around Thanksgiving 2024. <\/p>\n

\n\t\u201cThe last \u2018Moana\u2019 was a smash 20 months ago, but that makes this a very brief return for a remake,\u201d says Gross. \u201cThis story wasn\u2019t ready to come back, and audiences are not rushing to see it.\u201d<\/p>\n

\n\t\u201cMoana\u201d is the third consecutive big-screen disappointment, following \u201cSupergirl\u201d and \u201cMinions & Monsters,\u201d in what\u2019s otherwise been a standout summer season for Hollywood. The four-month stretch is poised to surpass $4 billion for only the second time since the pandemic and looks to be the biggest since 2019, a banner year for the industry. Attendance should rebound with the release of Christopher Nolan\u2019s \u201cThe Odyssey\u201d on July 17 and \u201cSpider-Man: Brand New Day\u201d on July 31. <\/p>\n

\n\t\u201cMoana\u201d had competition with two major family-friendly franchises, Universal and Illumination\u2019s \u201cMinions and Monsters\u201d as well as Disney and Pixar\u2019s \u201cToy Story 5.\u201d <\/p>\n

\n\tSecond place went to \u201cMinions and Monsters\u201d with $20.5 million from 4,244 venues in its second weekend, a 45% decline from its debut. So far the \u201cDespicable Me\u201d spinoff has generated $108 million domestically and $280 million globally. Although the newest \u201cMinions\u201d may wind up as the lowest-grossing entry in the commercially successful franchise, this installment was produced for $85 million and will turn a profit for the studio.<\/p>\n

\n\t\u201cToy Story 5,\u201d one of the summer\u2019s biggest hits, secured the No. 3 spot with $18.5 million in its fourth outing. It has earned a mighty $403.8 million in North America and $879.1 million worldwide to date, putting the film on track to surpass $1 billion. \u201cToy Story 5\u201d should overtake its predecessor, 2019\u2019s \u201cToy Story 4\u201d ($1.07 billion), as the highest-grossing entry in the beloved franchise. <\/p>\n

\n\tAnother newcomer, Warner Bros. and New Line\u2019s \u201cEvil Dead Burn,\u201d opened in fourth place with just $13.7 million from 3,004 theaters. Sony is releasing the R-rated film at the international box office, where it earned $13.3 million, bringing its worldwide tally to $27 million. Although those returns were below expectations, \u201cEvil Dead Burn\u201d was produced for $20 million, so the sequel won\u2019t take too much to justify its budget. <\/p>\n

\n\t\u201cEvil Dead Burn\u201d is the sixth entry in the \u201cEvil Dead Franchise,\u201d which began with Sam Raimi\u2019s low-budget 1981 thriller \u201cThe Evil Dead.\u201d The series most recently returned to the big screen with 2023\u2019s \u201cEvil Dead Rise,\u201d which launched to $24 million and ended its run with $147 million globally. Despite what appears to be diminishing returns, Warner Bros. already has plans for a seventh installment, \u201cEvil Dead Wrath,\u201d to open in 2028.<\/p>\n

\n\tAt No. 6, A24\u2019s comedy \u201cThe Invite\u201d collected $5.7 million while expanding to 1,610 theaters. After three weekends in limited release, the well-reviewed film, directed by Olivia Wilde, has grossed $7.3 million. <\/p>\n

\n\tElsewhere, Lionsgate\u2019s \u201cMichael\u201d surpassed $1 billion at the global box office<\/a>, becoming the first biopic to ever cross the coveted milestone. It\u2019s only the second movie of the year, joining Universal\u2019s animated \u201cThe Super Mario Galaxy Movie,\u201d to join the billion-dollar club, though \u201cToy Story 5\u201d is expected to join the party.<\/p>\n","protected":false},"excerpt":{"rendered":"\u201cMoana\u201d failed to make a splash at the box office, earning $43 million from 3,827 North American theaters…\n","protected":false},"author":2,"featured_media":1084886,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[9],"tags":[77,115652,16,15],"class_list":["post-1084885","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-entertainment","tag-moana","tag-uk","tag-united-kingdom"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/1084885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=1084885"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/1084885\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/1084886"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=1084885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=1084885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=1084885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}