{"id":11399,"date":"2025-04-11T17:38:45","date_gmt":"2025-04-11T17:38:45","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/11399\/"},"modified":"2025-04-11T17:38:45","modified_gmt":"2025-04-11T17:38:45","slug":"the-top-5-art-exhibitions-to-see-in-london-in-mid-april","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/11399\/","title":{"rendered":"The Top 5 Art Exhibitions to see in London in mid-April"},"content":{"rendered":"<p>Tabish Khan, the <a href=\"https:\/\/www.instagram.com\/londonartcritic\/?hl=en\" target=\"_blank\" rel=\"noopener\">@LondonArtCritic<\/a>, picks his top 5 art exhibitions to see in London in mid \u2013 April. <a href=\"https:\/\/fadmagazine.com\/2025\/04\/04\/the-top-5-art-exhibitions-to-see-in-london-in-april-4\/\" target=\"_blank\" rel=\"noopener\">Check out last week\u2019s top 5<\/a> if you\u2019re after more shows to visit.<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/Barbara-Hepworth-Strings-at-Piano-Nobile.png\" data-lbwps-width=\"803\" data-lbwps-height=\"598\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Barbara-Hepworth-Strings-at-Piano-Nobile-800x596.png\"><img fetchpriority=\"high\" decoding=\"async\" width=\"803\" height=\"598\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/Barbara-Hepworth-Strings-at-Piano-Nobile.png\" alt=\"\" class=\"wp-image-321936\"  \/><\/a><\/p>\n<p><a href=\"https:\/\/www.piano-nobile.com\/exhibitions\/119-barbara-hepworth-strings\/\" target=\"_blank\" rel=\"noopener\">Barbara Hepworth: Strings at Piano Nobile<\/a><\/p>\n<p>This is an excellent selection of sculptures made by Barbara Hepworth, across the gallery\u2019s two spaces across the road from one another. It\u2019s a selection of her string sculptures, where solid forms are connected with delicate strings, from throughout her career. It\u2019s a rare treat as it\u2019s the kind of collection of works you\u2019re unlikely to see outside a museum. <strong>Until 2nd May, free.<\/strong><\/p>\n<p><a href=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/R.I.P.-Germain-Anti-Blackness-Is-Bad-Even-The-Parts-That-We-Like-@-Cabinet.jpg\" data-lbwps-width=\"1020\" data-lbwps-height=\"612\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/R.I.P.-Germain-Anti-Blackness-Is-Bad-Even-The-Parts-That-We-Like-@-Cabinet-800x480.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"612\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/R.I.P.-Germain-Anti-Blackness-Is-Bad-Even-The-Parts-That-We-Like-@-Cabinet.jpg\" alt=\"\" class=\"lazyload wp-image-321937\"  data-\/><\/a><\/p>\n<p><a href=\"https:\/\/www.cabinet.uk.com\/rip-germain-2025\" target=\"_blank\" rel=\"noopener\">R.I.P. Germain: Anti-Blackness Is Bad, Even The Parts That We Like @ Cabinet<\/a><\/p>\n<p>This exhibition about the UK drill (rap) scene highlights how many of them have ended up in prison. However, it\u2019s the way this is driven home that\u2019s truly spectacular. A police van, complete with flashing lights, is in the downstairs space and you can clamber into it for a claustrophobic film-viewing experience. <strong>Until 10th May, free.<\/strong><\/p>\n<p><a href=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Cesar-Santos-Manuscripts-@-Robilant-Voena.jpg\" data-lbwps-width=\"1600\" data-lbwps-height=\"1067\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Cesar-Santos-Manuscripts-@-Robilant-Voena-800x534.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/Cesar-Santos-Manuscripts-@-Robilant-Voena-1200x800.jpg\" alt=\"\" class=\"lazyload wp-image-321938\"  data-\/><\/a><\/p>\n<p><a href=\"https:\/\/www.robilantvoena.com\/exhibitions\/cesar-santos-manuscripts-czq\" target=\"_blank\" rel=\"noopener\">Cesar Santos: Manuscripts @ Robilant &amp; Voena<\/a><\/p>\n<p>From a distance, these look like Renaissance paintings, but when you get up close, it\u2019s all abstracted, so there are none where you expect to see limbs and heads.\u00a0 It ranges from a \u2018cyberpunk\u2019 annunciation, the van he travelled in across the USA, and heavily textured impasto works. I\u2019ve never seen anything like these before and I\u2019m a fan. <strong>Until 9th May, free.\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Drawing-on-Matisse-An-exhibition-by-Sylvie-Fleury-@-Luxembourg-Co.jpg\" data-lbwps-width=\"1400\" data-lbwps-height=\"1050\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Drawing-on-Matisse-An-exhibition-by-Sylvie-Fleury-@-Luxembourg-Co-800x600.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/Drawing-on-Matisse-An-exhibition-by-Sylvie-Fleury-@-Luxembourg-Co-1200x900.jpg\" alt=\"\" class=\"lazyload wp-image-321939\"  data-\/><\/a><\/p>\n<p><a href=\"https:\/\/luxembourgco.com\/exhibitions\/88\/works\/\" target=\"_blank\" rel=\"noopener\">Drawing on Matisse: An exhibition by Sylvie Fleury @ Luxembourg + Co<\/a><\/p>\n<p>It\u2019s a case of spot the Matisse in this exhibition where Fleury\u2019s drawings are mixed in with Matisse\u2019s, including her choice of framing for the latter, all hung on furry walls. It\u2019s a playful exhibition that includes mannequin legs pointing into the air and hands projecting from the wall. <strong>Until 2nd May, free.\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/What-is-it-like-@-Arebyte.jpg\" data-lbwps-width=\"1600\" data-lbwps-height=\"1066\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/What-is-it-like-@-Arebyte-800x533.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/What-is-it-like-@-Arebyte-1200x800.jpg\" alt=\"\" class=\"lazyload wp-image-321940\"  data-\/><\/a><\/p>\n<p><a href=\"https:\/\/www.arebyte.com\/what-is-it-like\" target=\"_blank\" rel=\"noopener\">What is it like? @ Arebyte<\/a><\/p>\n<p>This group show is filled with artists looking at AI and virtual worlds. These include navigating virtual worlds via a gamepad or a virtual reality headset or imagining a positive AI-enhanced world. I was doubly impressed by the screens on racks that you can slide along, and that movement changes the screen\u2019s viewable content \u2013 it\u2019s a technology I\u2019ve not seen before, and it\u2019s very impressive. <strong>Until 4th May, free.<\/strong><\/p>\n<p class=\"has-small-font-size\">R.I.P. Germain Photograph: Mark Blower\/Mark Blower, courtesy RIP Germain and Cabinet. Sylvia Fleury Photo: Damian Griffiths. Arebyte image Devika Bilimoria. All other images are copyrighted and courtesy of the respective gallery and artist.\u00a0<\/p>\n<p>CategoriesTagsAuthor <img loading=\"lazy\" alt=\"\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/6633b0d5ee548b6d49e94fd32882a126\"  class=\"lazyload avatar avatar-60 photo\" height=\"60\" width=\"60\" decoding=\"async\"\/><\/p>\n<p><strong><a href=\"https:\/\/fadmagazine.com\/author\/tabish\/\" title=\"Posts by Tabish Khan\" rel=\"author noopener\" target=\"_blank\">Tabish Khan<\/a><\/strong><\/p>\n<p>Art Critic for both FAD and Londonist. See as many exhibitions as possible and write reviews, opinion pieces and a weekly top 5 for FAD.<\/p>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"Tabish Khan, the @LondonArtCritic, picks his top 5 art exhibitions to see in London in mid \u2013 April.&hellip;\n","protected":false},"author":2,"featured_media":11402,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[7810,7811,748,7812,7813,7814,393,4884,257,7815,7816,7817,7818,7819,16,15],"class_list":{"0":"post-11399","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london","8":"tag-arebyte","9":"tag-barbara-hepworth","10":"tag-britain","11":"tag-cabinet","12":"tag-cabinet-gallery","13":"tag-cesar-santos","14":"tag-england","15":"tag-great-britain","16":"tag-london","17":"tag-luxembourg-co","18":"tag-piano-nobile","19":"tag-r-i-p-germain","20":"tag-robilant-voena","21":"tag-sylvie-fleury","22":"tag-uk","23":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114320553248565139","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/11399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=11399"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/11399\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/11402"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=11399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=11399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=11399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}