{"id":115786,"date":"2025-05-20T01:19:11","date_gmt":"2025-05-20T01:19:11","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/115786\/"},"modified":"2025-05-20T01:19:11","modified_gmt":"2025-05-20T01:19:11","slug":"fatih-akin-returns-to-cannes-with-film-holding-mirror-to-germanys-past-hollywood","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/115786\/","title":{"rendered":"Fatih Akin returns to Cannes with film holding mirror to Germany&#8217;s past | Hollywood"},"content":{"rendered":"\n<p> * <\/p>\n<p>     <img decoding=\"async\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/05\/Entertainment_1_1727681364092_1727681496500.jpg\" alt=\"Fatih Akin returns to Cannes with film holding mirror to Germany's past\" title=\"Fatih Akin returns to Cannes with film holding mirror to Germany's past\"\/>   Fatih Akin returns to Cannes with film holding mirror to Germany&#8217;s past    <\/p>\n<p> German-Turkish filmmaker last showed film at festival in 2017 <\/p>\n<p> * <\/p>\n<p> Film stars newcomer Jasper Billerbeck, Diane Kruger <\/p>\n<p> * <\/p>\n<p> &#8216;Amrum&#8217; based on co-writer Hark Bohm&#8217;s experiences <\/p>\n<p> By Mike Davidson <\/p>\n<p> CANNES, France, &#8211; German-Turkish director Fatih Akin&#8217;s new film &#8220;Amrum&#8221;, which follows a Hitler Youth member on a remote German island towards the end of World War Two, is meant to hold a mirror up to German society, he told Reuters at the Cannes Film Festival. <\/p>\n<p> &#8220;Amrum&#8221;, which premiered out of competition, marks Akin&#8217;s return to the festival in southern France eight years after his last competition entry &#8220;In The Fade&#8221;, starring Diane Kruger. <\/p>\n<p> The film takes place in 1945, said Akin, but the questions raised about how to handle Germany&#8217;s past remain unresolved. <\/p>\n<p> &#8220;We had to be bureaucratic with everything. Also with handling the past,&#8221; said Akin. &#8220;We&#8217;re so slow.&#8221; <\/p>\n<p> The process of &#8220;denazification&#8221; imposed by the Allies at the end of the war made it seem like Germany had stripped its population of Nazi ideologies, which isn&#8217;t true, said Akin. <\/p>\n<p> &#8220;To realize that, to look in the mirror &#8211; you know, there&#8217;s a German angst to look in the mirror. My film is a mirror.&#8221; <\/p>\n<p> Set on the North Sea island of the same name, &#8220;Amrum&#8221; is based on the experiences of Akin&#8217;s 85-year-old mentor and co-writer Hark Bohm, himself a director who decided to hand the project off due to his age. <\/p>\n<p> The film follows 12-year-old Nanning, played by newcomer Jasper Billerbeck, after his mother, a staunch Nazi supporter, falls into a depression upon learning about the death of Adolf Hitler the day she gives birth. <\/p>\n<p> The Hitler Youth member sets off to find the only thing his mother doesn&#8217;t refuse to eat &#8211; white bread with butter and honey. Those ingredients are in short supply due to the war, which otherwise feels far removed from the isolated island. <\/p>\n<p> Kruger teamed up with Akin again for &#8220;Amrum,&#8221; in the role of Tessa, a potato farmer opposed to Hitler who is reported to the local Nazi authorities for traitorous talk for discussing the inevitability of the war&#8217;s impending end. <\/p>\n<p> To cast Nanning, Akin decided to search outside of urban centres and found Billerbeck at a sailing school, he told Reuters. &#8220;Big city kids, they can&#8217;t handle nature,&#8221; he said. <\/p>\n<p><strong>This article was generated from an automated news agency feed without modifications to text.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"* Fatih Akin returns to Cannes with film holding mirror to Germany&#8217;s past German-Turkish filmmaker last showed film&hellip;\n","protected":false},"author":2,"featured_media":115787,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5310],"tags":[6639,52130,2000,299,52127,1824,52129,52128],"class_list":{"0":"post-115786","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-germany","8":"tag-cannes-film-festival","9":"tag-diane-kruger","10":"tag-eu","11":"tag-europe","12":"tag-german-turkish-filmmaker","13":"tag-germany","14":"tag-hitler-youth-member","15":"tag-new-film-amrum"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114537533534204284","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/115786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=115786"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/115786\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/115787"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=115786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=115786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=115786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}