{"id":1163445,"date":"2026-08-22T18:24:26","date_gmt":"2026-08-22T18:24:26","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/1163445\/"},"modified":"2026-08-22T18:24:26","modified_gmt":"2026-08-22T18:24:26","slug":"roger-waters-greatest-pink-floyd-lyric-according-to-david-gilmour","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/1163445\/","title":{"rendered":"Roger Waters&#8217; greatest Pink Floyd lyric, according to David Gilmour"},"content":{"rendered":"<p> <img width=\"1140\" height=\"855\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/12\/Pink-Floyd-Far-Out-Magazine-1140x855.jpg\" class=\"attachment-single-feature size-single-feature wp-post-image\" alt=\"Pink Floyd\" layout=\"fill\"  style=\"object-position: 50% 20%\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\" \/><\/p>\n<p>Credit: Far Out \/ Roger Tillberg \/ Alamy<\/p>\n<p> Sat 22 August 2026 17:09, UK <\/p>\n<p>Some lyrics, no matter your age, have a way of sticking with you. Long before I understood the greatness of <a href=\"http:\/\/www.faroutmagazine.co.uk\/tags\/pink-floyd\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Pink Floyd<\/a>, or what Dark Side Of The Moon would offer me as a listening experience, I knew the melody to \u2018Wish You Were Here\u2019. <\/p>\n<p>And not only did I know the melody, but the lyrics \u201cwe\u2019re just two lost souls swimming in a fishbowl\u201d were imprinted in my mind. Even in my youth, I knew they were onto something. <\/p>\n<p>Undoubtedly, some of the finest lyrics ever penned, it perfectly depicted the transient nature of life. There\u2019s something deeply tragic about the confines of a fishbowl that are compounded by it being a home for lost souls, and somehow in that swift sentence, Roger Waters stuck a stake in the varied hearts of all the song\u2019s listeners. And David Gilmour\u2019s plaintive guitar rammed it home. <\/p>\n<p>But when you dial in a little closer, the lyric can become somewhat of a metaphor for the band\u2019s two leaders, Gilmour and Waters. Forged together by higher creative powers to create one of music\u2019s most iconic albums of all time in 1973\u2019s Dark Side Of The Moon, they were adrift and yet deeply connected.<\/p>\n<p>Prior to that, the pair toiled away through the pile of jigsaw pieces left by Syd Barrett\u2019s imposed departure, desperately trying to find what fit, and in Ummagumma and Atom Heart Mother, they were almost there, despite the former being <a href=\"https:\/\/faroutmagazine.co.uk\/looking-back-at-pink-floyds-climatic-cosmic-exploration-ummagumma\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">a record Gilmour would rather forget<\/a>. <\/p>\n<p><a href=\"https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2023\/03\/David-Gilmour-1.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" width=\"1024\" height=\"768\" loading=\"lazy\"  src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/11\/David-Gilmour-1-1024x768.jpg\" alt=\"\" class=\"wp-image-322358\" \/><\/a>Credit: Alamy<\/p>\n<p>It was greatness packaged in some sort of incoherence, lightly hinting towards the clunkiness of their creative synergy. But finally, Waters and Gilmour, along with Richard Wright and Nick Mason, <a href=\"https:\/\/faroutmagazine.co.uk\/interview-nick-mason-pink-floyd-drummer\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">clicked into gear to the sound of psychedelic heaven<\/a>. It truly was an example of how warring forces can coalesce to create greatness. <\/p>\n<p>But ultimately, for Gilmour and Waters, it was unsustainable. The world they had created soon shrank to the size of a goldfish bowl, and their souls no longer linked. Their partnership fizzled out to the sound of one last hit, as Gilmour explained, \u201dI think things like \u2018Comfortably Numb\u2019 were <a href=\"https:\/\/faroutmagazine.co.uk\/comfortably-numb-pink-floyd-most-misinterpreted-masterpiece\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">the last embers of mine and Roger\u2019s ability to work<\/a> collaboratively together.\u201d<\/p>\n<p>Waters eventually left the band, thinking the remaining members would follow suit, but they continued on, much to Waters\u2019 dismay, and so a messy and lengthy legal case followed, hammering the remaining nails in the coffin of their relationship. Ever since those days, Gilmour has never been shy to criticise Waters and publicly exclaim the impossibility of them ever being amicable again.<\/p>\n<p>So when Gilmour attended a Q&amp;A and was asked what song he thought hosted Waters\u2019 finest lyrics, he was quick to make what would be one last subtle jibe by picking a song that was never officially released until 2015, under a retrospective First Recordings EP. \u201cGosh, let me have a think about that,\u201d Gilmour mused, before suggesting, \u201cHow about a song called \u2018Walk With Me Sydney?\u2019\u201d<\/p>\n<p>In most circumstances, the pick of a deep cut would be high praise. Usually, it\u2019s an artist\u2019s most overlooked work that they treasure. But Gilmour knows Waters better than that, and knows the pride he took in Pink Floyd\u2019s grandest compositions, most particularly The Wall. <\/p>\n<p>And so it\u2019s hard to take highlighting a song that has been consigned to the bins of history as nothing more than a subtle jibe at Waters\u2019 ego. Especially considering that they mostly consist of \u201cOoh-ooh-ooh-ooh, roll with me, Sydney\u201d a few too many times over, and Waters manages to rhyme \u201cmeningitis\u201d with \u201cperitonitis\u201d in what must be a musical first. <\/p>\n<p>However, while you must respect Gilmour\u2019s gamesmanship, there are those of us who look back at the profound impact of those golden goldfish bowl lines and see that \u2018Walk With Me Sydney\u2019 as another sorry that things all too often go awry in life. <\/p>\n<p>The full lyrics to \u2018Walk With Me Sydney\u2019:<\/p>\n<p>\u201cOoh-ooh-ooh-ooh, walk with me, Sydney<br \/>I\u2019d love to, love to, love to, baby, you know<br \/>Ooh-ooh-ooh-ooh, walk with me, Sydney<br \/>I\u2019d love to, love to, love to, love to, love to<\/p>\n<p>Walk with me, Sydney, it\u2019s a dark night<br \/>Come on, come on, hold me tight<br \/>Well, I\u2019d love to, love to, love to, but I got<\/p>\n<p>Flat feet, fallen arches<br \/>Baggy knees and a broken frame<br \/>Meningitis, peritonitis<br \/>DTs and a washed-out brain<\/p>\n<p>Ooh-ooh-ooh-ooh, roll with me, Sydney<br \/>I\u2019d love to, love to, love to, baby, you know<br \/>Ooh-ooh-ooh-ooh, roll with me, Sydney<br \/>I\u2019d love to, love to, love to, love to, love to<\/p>\n<p>Roll with me, Sydney, it\u2019s a dark night<br \/>Roll me, roll me, roll me high<br \/>Well, I\u2019d love to, love to, love to, but I got<\/p>\n<p>Flat feet, fallen arches<br \/>Baggy knees and a broken frame<br \/>Meningitis, peritonitis<br \/>DTs and a washed-out brain<\/p>\n<p>Ooh-ooh-ooh-ooh, walk with me, Sydney<br \/>I\u2019d love to, love to, love to, baby you know<br \/>Ooh-ooh-ooh-ooh, walk with me, Sydney<br \/>I\u2019d love to, love to, love to, love to, love to<\/p>\n<p>Walk with me, Sydney, it\u2019s a dark night<br \/>Come on, come on, and hold me tight<br \/>Well, I\u2019d love to, love to, love to, but I got<\/p>\n<p>Flat feet, fallen arches<br \/>Baggy knees and a broken frame<br \/>Meningitis, peritonitis<br \/>DTs and a washed-out brain\u201d.<\/p>\n<\/p>\n<p>  <a class=\"fw\" href=\"https:\/\/www.google.com\/preferences\/source?q=https:\/\/faroutmagazine.co.uk\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" style=\"\"> ADD AS A PREFERRED SOURCE ON GOOGLE <img loading=\"lazy\" decoding=\"async\" width=\"28\" height=\"28\" src=\"https:\/\/faroutmagazine.co.uk\/wp-content\/themes\/far-out-magazine\/img\/google-discover.svg\" alt=\"\"\/> <\/a>  The Far Out Classic Rock Newsletter<\/p>\n<p>All the latest Classic Rock content from the independent voice of culture.<br \/>Straight to your inbox.<\/p>\n","protected":false},"excerpt":{"rendered":"Credit: Far Out \/ Roger Tillberg \/ Alamy Sat 22 August 2026 17:09, UK Some lyrics, no matter&hellip;\n","protected":false},"author":2,"featured_media":662829,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[3936],"tags":[66422,44623,77,269,26420,44624,16,15],"class_list":["post-1163445","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-classic-rock","tag-david-gilmour","tag-entertainment","tag-music","tag-pink-floyd","tag-roger-waters","tag-uk","tag-united-kingdom"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/117140564989461784","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/1163445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=1163445"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/1163445\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/662829"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=1163445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=1163445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=1163445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}