{"id":143736,"date":"2025-05-30T09:26:21","date_gmt":"2025-05-30T09:26:21","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/143736\/"},"modified":"2025-05-30T09:26:21","modified_gmt":"2025-05-30T09:26:21","slug":"the-top-5-art-exhibitions-to-see-over-london-gallery-weekend","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/143736\/","title":{"rendered":"The Top 5 Art Exhibitions to see over London Gallery Weekend"},"content":{"rendered":"<p>Tabish Khan, the <a href=\"https:\/\/www.instagram.com\/londonartcritic\/?hl=en\" target=\"_blank\" rel=\"noopener\">@LondonArtCritic<\/a>, picks his Top 5 art exhibitions to see over<a href=\"https:\/\/fadmagazine.com\/2025\/05\/22\/london-gallery-weekend-2025-details\/\" target=\"_blank\" rel=\"noopener\"> London Gallery Weekend <\/a>in early June. Not all exhibitions are part of the official programme, but will be open over the weekend. <a href=\"https:\/\/fadmagazine.com\/2025\/05\/15\/the-top-5-art-exhibitions-to-see-in-late-may\/\" target=\"_blank\" rel=\"noopener\">Check out the previous top 5<\/a> if you\u2019re after more shows to visit.<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/05\/Tadashi-Kawamata-Demolition-at-Annely-Juda-Fine-Art.jpg\" data-lbwps-width=\"1062\" data-lbwps-height=\"798\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Tadashi-Kawamata-Demolition-at-Annely-Juda-Fine-Art-800x601.jpg\" data-lbwps-caption=\"Tadashi Kawamata- Demolition at Annely Juda Fine Art, Top 5 art exhibitions to see over London Gallery Weekend \"><img fetchpriority=\"high\" decoding=\"async\" width=\"1062\" height=\"798\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/05\/Tadashi-Kawamata-Demolition-at-Annely-Juda-Fine-Art.jpg\" alt=\"\" class=\"wp-image-323899\"  \/><\/a>Tadashi Kawamata- Demolition at Annely Juda Fine Art, Top 5 art exhibitions to see over London Gallery Weekend <\/p>\n<p><a href=\"https:\/\/www.annelyjudafineart.co.uk\/exhibitions\/380-tadashi-kawamata-demolition\/overview\/\" target=\"_blank\" rel=\"noopener\">Tadashi Kawamata: Demolition at Annely Juda Fine Art<\/a><\/p>\n<p>If you\u2019re leaving a building to move to a new space,\u00a0 this is how you do it \u2013 by letting one of your artists trash the place. <a href=\"https:\/\/fadmagazine.com\/tag\/tadashi-kawamata\/\" target=\"_blank\" rel=\"noopener\">Tadashi Kawamata<\/a> has smashed through the walls and panelling to expose the memories of the place, including assembling the broken parts into installations and going right through the floor so you can peek into the store room. It\u2019s a great send-off to the space before the gallery moves into a new Mayfair premise. <strong>Until 5th July, free.\u00a0<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1200\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/05\/Slipping-the-Veil-at-Saint-Bartholomew-the-Great-1-801x1200.jpg\" alt=\"\" class=\"lazyload wp-image-323904\"  data-\/><\/p>\n<p><a href=\"https:\/\/www.slippingtheveil.com\/\" target=\"_blank\" rel=\"noopener\">Slipping the Veil at Saint Bartholomew the Great<\/a><\/p>\n<p>This is a beautifully curated and lit exhibition of artists in a church over 900 years old and nestled within the City of London. Some artists lean into the religious theme with co-curator Elena Unger\u2019s dramatic apocalyptic paintings showing the tower of Babel and <a href=\"https:\/\/fadmagazine.com\/tag\/carolein-smit\/\" target=\"_blank\" rel=\"noopener\">Carolein Smit\u2019s <\/a>ceramic grail overflowing with blood. Others tie into the more general sense of searching for something that brings people to churches, including a work by Diana Orving that makes you look up to see fabric \u2018clouds\u2019. While others gently subvert religious ideas with <a href=\"https:\/\/fadmagazine.com\/tag\/maxim-burnett\/\" target=\"_blank\" rel=\"noopener\">Maxim Burnett\u2019s<\/a> fishes referencing their deaths in the title rather than feeding the masses. <strong>Until 14th June, free.<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"857\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/05\/Andrew-Salgado-Self-Portrait-as-a-Stack-of-Books-at-Beers-London-1200x857.jpg\" alt=\"\" class=\"lazyload wp-image-323901\"  data-\/><\/p>\n<p><a href=\"https:\/\/beerslondon.com\/exhibitions\/132-andrew-salgado-self-portrait-as-a-stack-of-books\/\" target=\"_blank\" rel=\"noopener\">Andrew Salgado: Self-Portrait as a Stack of Books at Beers London<\/a><\/p>\n<p>I\u2019ve been following <a href=\"https:\/\/fadmagazine.com\/tag\/andrew-salgado\/\" target=\"_blank\" rel=\"noopener\">Salgado\u2019s<\/a> portraits for over a decade now and keep getting sucked into the worlds he creates. This series focuses on his love of books, so we see stacks in the space and his paintings and writers at their desks with lots of little details to pore over. Maybe we shouldn\u2019t judge a book by its cover, but we should judge Salgado by his paintings because they\u2019re great. <strong>Until 28th June, free.<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/05\/Emerson-Pullman-What-was-left-behind-at-Canopy-Collections-1200x900.jpg\" alt=\"\" class=\"lazyload wp-image-323902\"  data-\/><\/p>\n<p><a href=\"https:\/\/canopy-collections.com\/?srsltid=AfmBOoope80s9EEJdU-tdzPz-KhueEmLsQqq7o5KR7BzxzO-keorzQVO\" target=\"_blank\" rel=\"noopener\">Emerson Pullman: What was left behind at Canopy Collections<\/a><\/p>\n<p>I love this artist\u2019s style; he captures his sitters with colourful, loose, expressive brushstrokes. His distinct approach of leaving plenty of white space makes every painting more vibrant, whether in full-body portraits or smaller works of heads. I\u2019m a big fan of these works that capture a time, place, and memory. <strong>Until 13th June, free.\u00a0<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/05\/Han-Ji-Min-Time-Alone-at-JD-Malat-Gallery-1200x800.jpg\" alt=\"\" class=\"lazyload wp-image-323903\"  data-\/><\/p>\n<p><a href=\"https:\/\/www.jdmalat.com\/exhibitions\/100-han-ji-min-time-alone-london\/\" target=\"_blank\" rel=\"noopener\">Han Ji Min: Time Alone at JD Malat Gallery<\/a><\/p>\n<p>What can you tell from somebody\u2019s body posture, whether from behind looking at a house or from the side in a public space? Basing these works on the expression that \u2018backs don\u2019t lie\u2019 and the concept of catching people unaware gives a more genuine sense of self, painter Han Ji Min has created these ethereal works that are both captivating in concept and technique. <strong>Until 7th June, free.\u00a0<\/strong><\/p>\n<p class=\"has-small-font-size\">All images are copyrighted and courtesy of the respective artists and galleries.\u00a0 Slipping the veil photo: Joanna Wierzbicka Photography.<\/p>\n<p>CategoriesTagsAuthor <img loading=\"lazy\" alt=\"\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/05\/1748597181_643_31a859b31345744a8b8cd8ca9db0db64ecfaf0b6eb9b770e0908e2b697e7418d\"  class=\"lazyload avatar avatar-60 photo\" height=\"60\" width=\"60\" decoding=\"async\"\/><\/p>\n<p><strong><a href=\"https:\/\/fadmagazine.com\/author\/tabish\/\" title=\"Posts by Tabish Khan\" rel=\"author noopener\" target=\"_blank\">Tabish Khan<\/a><\/strong><\/p>\n<p>Art Critic for both FAD and Londonist. See as many exhibitions as possible and write reviews, opinion pieces and a weekly top 5 for FAD.<\/p>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"Tabish Khan, the @LondonArtCritic, picks his Top 5 art exhibitions to see over London Gallery Weekend in early&hellip;\n","protected":false},"author":2,"featured_media":143737,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[62044,24139,748,62045,62046,62047,62048,62049,393,4884,62050,62051,257,62052,62053,62054,24152,16,15],"class_list":{"0":"post-143736","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london","8":"tag-andrew-salgado","9":"tag-annely-juda-fine-art","10":"tag-britain","11":"tag-canopy-collections","12":"tag-carolein-smit","13":"tag-diana-orving","14":"tag-elena-unger","15":"tag-emerson-pullman","16":"tag-england","17":"tag-great-britain","18":"tag-han-ji-min","19":"tag-jd-malat-gallery","20":"tag-london","21":"tag-london-gallery-weekend","22":"tag-london-gallery-weekend-2025","23":"tag-maxim-burnett","24":"tag-tadashi-kawamata","25":"tag-uk","26":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114596071637311294","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/143736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=143736"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/143736\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/143737"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=143736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=143736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=143736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}