{"id":157296,"date":"2025-06-04T10:57:09","date_gmt":"2025-06-04T10:57:09","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/157296\/"},"modified":"2025-06-04T10:57:09","modified_gmt":"2025-06-04T10:57:09","slug":"dev-hynes-on-his-most-loved-cult-album","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/157296\/","title":{"rendered":"Dev Hynes on his most-loved cult album"},"content":{"rendered":"<p> <img width=\"1140\" height=\"855\" src=\"https:\/\/faroutmagazine.co.uk\/static\/uploads\/1\/2025\/06\/\u2018Youre-Under-Arrest-Dev-Hynes-favourite-cult-album-Far-Out-Magazine-1140x855.jpg\" class=\"attachment-single-feature size-single-feature wp-post-image\" alt=\"\u2018You\u2019re Under Arrest\u2019 Dev Hynes\u2019 favourite cult album\" layout=\"fill\"  style=\"object-position: 50% 50%\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\" \/><\/p>\n<p>(Credits: Far Out \/ Album Cover \/ Jade Magnolia Boulton \/ Dev Hynes)<\/p>\n<p>At the peak of the 2000s indie explosion, one band that enjoyed heavy rotation on the era\u2019s MTV2 was Test Icicles. Formed in East London, their choppy blend of synths and dance-punk fizz showed little signs of <a href=\"https:\/\/faroutmagazine.co.uk\/tags\/dev-hynes\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Dev Hynes<\/a>\u2018 future artistic trajectory. <\/p>\n<p>Jumping from proto-new rave to folk-infused psych-pop under the solo Lightspeed Champion moniker to the electronica-tinged R&amp;B of his Blood Orange project, Hynes found himself as one of pop and the alternative world\u2019s biggest names in only a few short, dizzying years.<\/p>\n<p>Such a deft musical hopscotch must be fuelled by an eclectic record collection. Yet, when contributing to an NME feature exploring music\u2019s celebrated cult albums, Hynes averted post-punk, folk or soulful R&amp;B that formed the guts of his main projects and reached into the vaults of French chanson lothario Serge Gainsbourg\u2019s wieldy discography, selecting 1987\u2019s You\u2019re Under Arrest as his favourite buried gem, a record that divided fans with its embrace of contemporary pop trends.<\/p>\n<p>\u201cThis was Gainsbourg\u2019s last studio album before he died,\u201d Hynes told NME. \u201cGainsbourg always adapted to the times; here he went deeper into dance and tight \u201880s funk-type grooves with his songs. On top of this, he had refined his songwriting to its most articulate\u2014the lyrics were surreal and very tongue-in-cheek, more so than usual. Then the melodies were all so precise; he recorded his last two records using amazing session musicians, interestingly enough, which seems to be the reason most people are not a fan of his later work. The word sterile gets tossed about frequently\u201d.<\/p>\n<p>It\u2019s debatable as to whether You\u2019re Under Arrest is \u201csterile\u201d, but Gainsbourg\u2019s final album before his death in 1991 stands with less timeless cool as 1968\u2019s \u2018Bonnie and Clyde\u2019 or his Histoire de Melody Nelson opus.<\/p>\n<p>Following a loose concept involving a drug-addicted girl called Samantha and the protagonist\u2019s search in the dark streets of New York, Gainsbourg scores his Paul Schrader-inspired tale with a glossy canvass of funk, new wave, synth washes, and even a touch of hip-hop with current E Street Band vocal choir member Curtis King Jr stepping up to the mic for some rap attacks on the album\u2019s title-track opener.<\/p>\n<p>While Gainsbourg had always delighted in testing the boundaries of good taste and high morals with his overtly sexual pop numbers and innuendo-laced lyricism, enduring cuts like \u2018<a href=\"https:\/\/faroutmagazine.co.uk\/serge-gainsbourg-most-erotic-number-one\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Je T\u2019aime\u2026 Moi Non Plus<\/a>\u2018 gave way to queasy Lolita motifs later in life, culminating in the creepy horror show of 1984\u2019s \u2018Lemon Incest\u2019 with his pre-teen daughter Charlotte, replete with paedophilic undertones and a skin-crawling video of the two in bed together with an air of lecherous amorousness.<\/p>\n<p>You\u2019re Under Arrest\u2018s loose narrative does little to rehabilitate Gainsbourg\u2019s standing after \u2018Lemon Incest\u2019s rightful critical excoriation, later detailing the protagonist\u2019s implied attempt at a relationship with Samantha\u2014\u2019Suck Baby Suck\u2019 lyrically presenting the unnamed lech selecting <a href=\"https:\/\/faroutmagazine.co.uk\/the-cat-that-hated-people-tex-avery-misanthropy\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Tex Avery<\/a> and Donald Duck videos to watch with his \u2018girlfriend\u2019\u2014before tiring of her heroin problem and jumping ship to the French Foreign Legion, having a one-night stand with a fellow L\u00e9gionnaire and ditching them too.<\/p>\n<p>With a shoehorned \u2018don\u2019t do drugs kids\u2019 message tacked at the end, it\u2019s hard to glean exactly what You\u2019re Under Arrest\u2018s fundamental point is other than Gainsbourg\u2019s chance to indulge in masquerading private fantasies of minor abuse and exploitation as a romantic meeting of souls in an extraordinary dramatic clash. Whatever the sincerity and merits of You\u2019re Under Arrest\u2018s story, Gainsbourg survived the 1980s pop scene along with prior LP Love on the Beat with a parting finale that aptly bookended a career unconcerned with respected posterity or elder-statesman legacies.<\/p>\n<\/p>\n<p>Related Topics<\/p>\n<p>Subscribe To The Far Out Newsletter  <\/p>\n","protected":false},"excerpt":{"rendered":"(Credits: Far Out \/ Album Cover \/ Jade Magnolia Boulton \/ Dev Hynes) At the peak of the&hellip;\n","protected":false},"author":2,"featured_media":157297,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3936],"tags":[25400,77,269,62882,16,15],"class_list":{"0":"post-157296","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-dev-hynes","9":"tag-entertainment","10":"tag-music","11":"tag-serge-gainsbourg","12":"tag-uk","13":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114624741005133745","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/157296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=157296"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/157296\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/157297"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=157296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=157296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=157296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}