{"id":161420,"date":"2025-06-05T23:04:11","date_gmt":"2025-06-05T23:04:11","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/161420\/"},"modified":"2025-06-05T23:04:11","modified_gmt":"2025-06-05T23:04:11","slug":"anish-kapoor-backs-appeal-to-buy-barbara-hepworth-sculpture","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/161420\/","title":{"rendered":"Anish Kapoor backs appeal to buy\u00a0Barbara Hepworth sculpture"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tA public campaign was launched on Thursday to raise \u00a33.8 million ($5 million) to buy a rare <a href=\"https:\/\/www.artnews.com\/t\/barbara-hepworth\/\" id=\"auto-tag_barbara-hepworth\" data-tag=\"barbara-hepworth\" target=\"_blank\" rel=\"noopener\">Barbara Hepworth<\/a> sculpture and keep it on British soil. \u00a0<\/p>\n<p>A private collector bought the wooden work, which incorporates multi-colored strings and is titled Sculpture with Colour (Oval Form) Pale Blue and Red (1943), at Christie\u2019s London in March last year for \u00a33.8 million (including fees). However, in December, the UK government slapped a temporary export ban on the work due to its \u201coutstanding connection with our history and national life, its outstanding aesthetic importance and its outstanding significance to the study of Dame Barbara Hepworth\u2019s working practice and the evolution of her work,\u201d the Department for Culture, Media, and Sport (DCMS) said in a statement. \u201c[The] export bar is to allow time for a UK gallery or institution to acquire the sculpture.\u201d<\/p>\n<p>\u201cI hope a UK buyer can be found for this sculpture so the British public can continue to learn and engage with one our most important artists for generations to come,\u201d UK arts minister Sir Chris Bryant said at the time.<\/p>\n<p>\t\tRelated Articles<\/p>\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/06\/picasso-e1617716413660.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/06\/picasso-e1617716413660.jpg\" alt=\"Pablo Picasso, 'Femme assise pre\u0300s d'une fene\u0302tre (Marie-The\u0301re\u0300se)', 1932. An abstracted woman sits in a chair, her gaze directed at the viewer. Behind her is a window.\" data-lazy- data-lazy- height=\"\" width=\"\"\/><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe Hepworth Wakefield museum in West Yorkshire (where Hepworth was born), supported by the national Art Fund charity, initiated the appeal to acquire the work for its collection. Art Fund has put \u00a3750,000 ($1 million) into the kitty. Another \u00a32.9 million ($3.9 million) is required before the August 27 deadline. If the money does not materialize before then, the private collector will be free to export the work.<\/p>\n<p>\u201cIf we\u2019re successful, it would be pretty much on permanent display to the public, either in Wakefield or we would lend it to important exhibitions around the country,\u201d Eleanor Clayton, the head of collection and exhibitions at the Hepworth Wakefield, <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2025\/jun\/05\/barbara-hepworth-sculpture-with-colour-deep-blue-and-red-fundraising\" rel=\"nofollow noopener\" target=\"_blank\">told the Guardian<\/a>.<\/p>\n<p>Stuart Lochhead, a member of the reviewing committee on the export of works of art and objects of cultural interest (RCEWA), which advises the UK government, said in a statement in 2024: \u201cSculpture with Colour (Oval Form) Pale Blue and Red\u00a0embodies the Cornish sky, sea and rugged coastline in which she lived and which influenced her so deeply.\u201d <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tHepworth and her husband moved to Cornwall at the outbreak of World War II in 1939, and she lived there until her death in 1975. The Hepworth Wakefield does not own any finished works by the artist from the 1940s, which is regarded as pivotal period in her career. <\/p>\n<p>The campaign is backed by artists and creative figures including Sir Anish Kapoor, Sir Antony Gormley, Jonathan Anderson, Richard Deacon, and Dame Rachel Whiteread.<\/p>\n<p>Kapoor said in a statement: \u201cBarbara Hepworth\u2019s Sculpture with Colour (Oval Form) Pale Blue and Red must be saved for the nation. Art Fund has put up a quarter of the value of this important sculpture in an extraordinary bid to keep this work in a public collection and accessible to all. This sculpture comes from a period of work by Hepworth in which she explores form and emptiness and looks forward to radical modernity.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tIn the same statement, Gormley described the work as \u201ca luminary example of both an engagement with modernism and a return to direct carving.\u201d \u201cThe opportunity for the museum named after her to acquire this important work is precious and should be supported,\u201d he said.<\/p>\n<p>Sculpture with Colour (Oval Form) Pale Blue and Red was purchased by London\u2019s now-closed Pyms Gallery in 2008 at Christie\u2019s London for \u00a3892,450 ($1.7 million). It\u2019s current owner bought the lot during the house\u2019s Modern British and Irish Art evening sale on March 20, 2024. Its high estimate was \u00a33.2 million ($4.3 million).<\/p>\n<p>Hepworth\u2019s auction record was set by The Family of Man: Ancestor II (1970), which sold for $11.5 million\u00a0at Christie\u2019s in 2023.<\/p>\n<p>Christie\u2019s declined a request to comment from ARTnews. <\/p>\n","protected":false},"excerpt":{"rendered":"A public campaign was launched on Thursday to raise \u00a33.8 million ($5 million) to buy a rare Barbara&hellip;\n","protected":false},"author":2,"featured_media":161421,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3939],"tags":[4021,4020,7811,4022,77,16,15],"class_list":{"0":"post-161420","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-barbara-hepworth","11":"tag-design","12":"tag-entertainment","13":"tag-uk","14":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114633262243041010","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/161420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=161420"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/161420\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/161421"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=161420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=161420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=161420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}