{"id":16436,"date":"2025-04-13T11:59:11","date_gmt":"2025-04-13T11:59:11","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/16436\/"},"modified":"2025-04-13T11:59:11","modified_gmt":"2025-04-13T11:59:11","slug":"tokujin-yoshiokas-sculptural-ice-chairs-melt-at-milan-design-week","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/16436\/","title":{"rendered":"tokujin yoshioka&#8217;s sculptural ice chairs melt at milan design week"},"content":{"rendered":"<p>Tokujin Yoshioka sculpts ice Chairs for <strong>Milan Design Week<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>Japanese artist <strong><a href=\"https:\/\/www.designboom.com\/tag\/tokujin-yoshioka\/\" target=\"_blank\" rel=\"noopener\">Tokujin Yoshioka<\/a><\/strong> sculpts a series of <strong><a href=\"https:\/\/www.designboom.com\/tag\/chair-design\/\" target=\"_blank\" rel=\"noopener\">chairs<\/a><\/strong> made of frozen water, designed to be displayed and slowly disappear during <strong><a href=\"https:\/\/www.designboom.com\/tag\/milan-design-week-2025\/\" target=\"_blank\" rel=\"noopener\">Milan Design Week 2025<\/a><\/strong>. Installed at the historic Palazzo Landriani in the Brera district, Frozen explores the ephemeral beauty of water crystallized into form. The exhibition, presented in collaboration with Grand Seiko Europe, continues Yoshioka\u2019s long-standing investigation into immateriality and nature.<\/p>\n<p>\u00a0<\/p>\n<p>At the center of the <strong><a href=\"https:\/\/www.designboom.com\/tag\/interactive-installation\/\" target=\"_blank\" rel=\"noopener\">installation<\/a><\/strong> is Yoshioka\u2019s latest work, Aqua Chair, a luminous, transparent <strong><a href=\"https:\/\/www.designboom.com\/tag\/sculpture\/\" target=\"_blank\" rel=\"noopener\">sculpture<\/a><\/strong> that evolves over time. Fabricated using a proprietary process that begins with an ultra-transparent block of ice, the chair emerged naturally from a special technique of slow-freezing. Ice, capable of refracting and emitting natural light, gives form to a chair whose silhouette gradually changes, shaped by light, wind, and temperature. By the end of the Milanese event, the sculpture is set to transform into an organic composition, then slowly vanish. Measuring 120 cm wide, 100 cm deep, and standing 89 cm tall, the 850 kg form captures the refractive qualities of water. Aqua Chair, or the Sculpture of Light, gives rise to an experience that transcends materiality, inviting reflection on the beauty and energy of the natural world while celebrating its essential significance.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-1126936 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"508\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-7.jpg\"  data- loading=\"lazy\"\/><br \/>all images courtesy of <a href=\"https:\/\/www.grandseikoboutique.eu\/en\/\" target=\"_blank\" rel=\"noopener\">Grand Seiko<\/a> and <a href=\"https:\/\/www.tokujin.com\/\" target=\"_blank\" rel=\"noopener\">Tokujin Yoshioka<\/a><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Tokujin Yoshioka\u2019s Frozen Connects Light, Water, and Time<\/p>\n<p>\u00a0<\/p>\n<p><strong><a href=\"https:\/\/www.tokujin.com\/\" target=\"_blank\" rel=\"noopener\">Artist<\/a><\/strong> Tokujin Yoshioka approaches water not merely as a visual motif but as a substance in transition, elemental, reflective, and inherently temporal. By working with crystallization, the designer evokes natural transformation as a method of shaping material. Light, temperature, and atmosphere become collaborators in the formation of the work, underlining Yoshioka\u2019s concept of \u2018Sculptures of Light.\u2019 The collaboration with <strong><a href=\"https:\/\/www.grandseikoboutique.eu\/en\/\" target=\"_blank\" rel=\"noopener\">Grand Seiko Europe<\/a><\/strong> creates a dialogue between the Aqua Chair and the brand\u2019s Spring Drive timepieces, which are displayed alongside the installation. The pairing is grounded in a shared philosophy, one that finds inspiration in natural phenomena and the unceasing continuity of time. Spring Drive\u2019s glide-motion seconds hand mirrors the quiet rhythms found in nature, offering a mechanical expression of Yoshioka\u2019s fluid forms.<\/p>\n<p>\u00a0<\/p>\n<p>Within the broader theme of Fuorisalone 2025, \u2018Connected Worlds,\u2019 the project embodies a convergence of craftsmanship, innovation, and environment. Yoshioka\u2019s contribution reflects an approach to design where technology and material dissolve into the experience of nature itself. On view through April 13, Frozen invites visitors to engage not only with physical objects but also with the intangible forces that shape them, such as time, light, water, and silence.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1126930 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"1227\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-1.jpg\"  data- loading=\"lazy\"\/><br \/>Tokujin Yoshioka\u2019s Aqua Chair begins as a block of frozen water<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1126935 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"1227\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-6.jpg\"  data- loading=\"lazy\"\/><br \/>Frozen is installed at the historic Palazzo Landriani in Brera<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1126931 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"545\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-2.jpg\"  data- loading=\"lazy\"\/><br \/>as Milan Design Week unfolds, the sculptures slowly melt away<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1126946 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"614\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-11.jpg\"  data- loading=\"lazy\"\/><br \/>formed by slow-freezing, the chair evolves under light and air<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1126947 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"930\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-12.jpg\"  data- loading=\"lazy\"\/><br \/>water is treated not just as a motif, but as a living material<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1126932 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"545\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-3.jpg\"  data- loading=\"lazy\"\/><br \/>Tokujin Yoshioka posed with his ephemeral Aqua Chair<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1126949 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"614\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-8.jpg\"  data- loading=\"lazy\"\/><br \/>light, wind, and temperature help shape the sculptures<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1126950 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"614\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-9.jpg\"  data- loading=\"lazy\"\/><br \/>Frozen installation explores the beauty of ephemerality and change<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1126948 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"tokujin yoshioka's sculptural chairs made from frozen water melt during milan design week\" width=\"818\" height=\"614\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/tokujin-yoshioka-frozen-aqua-chair-milan-design-week-2025-designboom-818-10.jpg\"  data- loading=\"lazy\"\/><br \/>over time, the chairs transition into an organic compositions<\/p>\n","protected":false},"excerpt":{"rendered":"Tokujin Yoshioka sculpts ice Chairs for Milan Design Week \u00a0 Japanese artist Tokujin Yoshioka sculpts a series of&hellip;\n","protected":false},"author":2,"featured_media":16437,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3939],"tags":[4021,4020,11099,4022,77,11100,11101,11102,11103,16,15],"class_list":{"0":"post-16436","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-chair-design","11":"tag-design","12":"tag-entertainment","13":"tag-interactive-installation","14":"tag-milan-design-week-2025","15":"tag-sculpture","16":"tag-tokujin-yoshioka","17":"tag-uk","18":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114330544854250402","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/16436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=16436"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/16436\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/16437"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=16436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=16436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=16436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}