{"id":176662,"date":"2025-06-11T21:17:10","date_gmt":"2025-06-11T21:17:10","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/176662\/"},"modified":"2025-06-11T21:17:10","modified_gmt":"2025-06-11T21:17:10","slug":"listen-to-suedes-personal-and-powerful-new-single-trance-state","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/176662\/","title":{"rendered":"Listen to Suede&#8217;s personal and powerful new single &#8216;Trance State&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/www.nme.com\/artists\/suede\" target=\"_blank\" rel=\"noopener\">Suede<\/a> have released the latest single from their upcoming album \u2018Antidepressants\u2019 \u2013 listen to \u2018Trance State\u2019 below.<\/p>\n<p>In May, <a href=\"https:\/\/www.nme.com\/news\/music\/suede-return-with-disintegrate-to-announce-new-album-antidepressants-and-london-southbank-takeover-3863504\" target=\"_blank\" rel=\"noopener\">the band announced their 10th studio album and follow-up to 2022\u2019s \u2018Autofiction\u2019 would be released on September 5<\/a> via BMG (pre-order it <a href=\"https:\/\/suede.lnk.to\/AntidepressantsPR\" target=\"_blank\" rel=\"noopener\">here<\/a>). They also shared its goth-inspired lead single \u2018<a href=\"https:\/\/www.nme.com\/news\/music\/suede-return-with-disintegrate-to-announce-new-album-antidepressants-and-london-southbank-takeover-3863504\" target=\"_blank\" rel=\"noopener\">Disintegrate<\/a>\u2019.<\/p>\n<p>Now, the NME Godlike Genius recipients have given fans another glimpse of the new record with \u2018Trance State\u2019, a heady swirl of chiming guitars and Brett Anderson\u2019s emotionally vulnerable storytelling. Watch the lyric video here:<\/p>\n<\/p>\n<p>Speaking about the track, Anderson has said: \u201cWhen you fall apart, there\u2019s such an honesty and a truth to that. You\u2019re revealing your real self. You\u2019re presenting yourself to the world completely unvarnished. You\u2019re not able to present a facade to the world anymore. It\u2019s just you.\u201d<\/p>\n<p>Anderson added about the album in general: \u201cIf \u2018Autofiction\u2019 was our punk record, \u2018Antidepressants\u2019 is our post-punk record. It\u2019s about the tensions of modern life, the paranoia, the anxiety, the neurosis. We are all striving for connection in a disconnected world. This was the feel I wanted the songs to have. The album is called \u2018Antidepressants\u2019. This is broken music for broken people.\u201d<\/p>\n<\/p>\n<p>\u2018Antidepressants\u2019 was recorded live with Ed Buller, who has produced a number of Suede\u2019s records since they first worked together on debut single \u2018The Drowners\u2019 in 1992. \u201cIt is genuinely exciting being in this band,\u201d Anderson continued. \u201cIt feels like we\u2019re still pushing creatively.\u201d<\/p>\n<p>Bassist Mat Osman added: \u201cThis is a widescreen and ambitious record. It\u2019s a big stage record and it\u2019s taking it up a gear.\u201d<\/p>\n<p><a href=\"https:\/\/www.nme.com\/news\/music\/suede-return-with-disintegrate-to-announce-new-album-antidepressants-and-london-southbank-takeover-3863504\" target=\"_blank\" rel=\"noopener\">Suede will also take over London\u2019s Southbank Centre for a series of four exclusive headline shows in September<\/a>, their first shows at the venue since playing\u00a0<a href=\"https:\/\/www.nme.com\/artists\/david-bowie\" target=\"_blank\" rel=\"noopener\">David Bowie<\/a>\u2019s Meltdown Festival in 2002. Anderson has said: \u201cExpect old songs, new songs, borrowed songs, blue songs, drama, melody, noise, sweat and a couple of surprises.\u201d<\/p>\n<p>The fourth show will be Suede\u2019s first-ever full orchestral headline show, in collaboration with the Paraorchestra. Find any remaining tickets <a href=\"https:\/\/www.southbankcentre.co.uk\/whats-on\/suede\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><b>Suede will play:<\/b><\/p>\n<p><b>SEPTEMBER<\/b><br \/><b>13 \u2013 London, Royal Festival Hall, Southbank Centre<\/b><br \/><b>14 \u2013 London, Royal Festival Hall, Southbank Centre<\/b><br \/><b>17 \u2013 London, Purcell Room, Southbank Centre<\/b><br \/><b>19 \u2013 London, Queen Elizabeth Hall, Southbank Centre<\/b><\/p>\n<\/p>\n<p>Back in 2022,\u00a0<a href=\"https:\/\/www.nme.com\/features\/music-interviews\/suede-autofiction-interview-punk-next-album-ricky-gervais-3314140\" target=\"_blank\" rel=\"noopener\">Anderson told\u00a0NME\u00a0about the band\u2019s plans for their next album<\/a>, saying: \u201cThe next record that we\u2019re planning to write, and have already started, is much more experimental. I don\u2019t really know if there\u2019s an arc with [\u2018Autofiction\u2019]. I\u2019m not seeing it as a selection of albums. You just have to do it one at a time, really. I do think of those three records as [being] together, especially \u2018<a href=\"https:\/\/www.nme.com\/reviews\/reviews-suede-16380-308108\" target=\"_blank\" rel=\"noopener\">Night Thoughts<\/a>\u2019 and \u2018<a href=\"https:\/\/www.nme.com\/reviews\/suede-blue-hour-review-2380811\" target=\"_blank\" rel=\"noopener\">The Blue Hour\u2019<\/a>, but the next record will be completely different.\u201d<\/p>\n<p>In\u00a0<a href=\"https:\/\/www.nme.com\/reviews\/album\/suede-autofiction-review-3310002\" target=\"_blank\" rel=\"noopener\">a four-star review of \u2018Autofuction<\/a>\u2018,\u00a0NME\u00a0concluded: \u201cThis is a Suede record, so there are moments of aching majesty \u2013 see the tormented \u2018It\u2019s Always The Quiet Ones\u2019, \u2018Turn Off Your Brain And Yell\u2019 and the hopelessly devoted \u2018What Am I Without You\u2019 (which sees Anderson giving himself to his fans) \u2013 but, all in all, \u2018Autofiction\u2019 finds the indie greats getting back in the garage to make a racket. This is a band with a lust for life.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Suede have released the latest single from their upcoming album \u2018Antidepressants\u2019 \u2013 listen to \u2018Trance State\u2019 below. In&hellip;\n","protected":false},"author":2,"featured_media":176663,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3936],"tags":[480,77,481,269,16,15],"class_list":{"0":"post-176662","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-britpop","9":"tag-entertainment","10":"tag-indie","11":"tag-music","12":"tag-uk","13":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114666815092684800","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/176662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=176662"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/176662\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/176663"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=176662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=176662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=176662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}