{"id":178294,"date":"2025-06-12T11:44:13","date_gmt":"2025-06-12T11:44:13","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/178294\/"},"modified":"2025-06-12T11:44:13","modified_gmt":"2025-06-12T11:44:13","slug":"gallery-lures-collectors-to-spains-abandoned-region-with-large-scale-sculpture-trail","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/178294\/","title":{"rendered":"Gallery lures collectors to Spain\u2019s abandoned region with large-scale sculpture trail"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The craggy landscape of Matarra\u00f1a, in eastern Spain, might seem an unlikely setting for the art trade. More than two hours away from Barcelona by car and one hour from the nearest beach, it is located in \u201cemptied Spain\u201d, a region that was left barren by a massive rural exodus in the 20th century and which has remained the country\u2019s least populated region since.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">It was precisely this remoteness that drew in the gallerists Eva Albarr\u00e1n and Christian Bourdais, the founders of the Albarr\u00e1n Bourdais gallery in Madrid. In 2010, they launched Solo Houses, an open-ended project in Matarra\u00f1a that began with a series of avant-garde architect homes and has since evolved into a retreat for collectors and art enthusiasts, complete with large-scale site-specific installations, a sculpture trail and plans for a hotel.<\/p>\n<p>Slow-growing collection<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The sculpture trail will be inaugurated on 15 June and winds through 5km of vineyards and hills surrounding the Solo Houses\u2014a slow-growing collection of experimental residences. It features 20 large-scale installations, mostly by artists from the gallery\u2019s international roster, including Mona Hatoum, Jos\u00e9 D\u00e1vila and Christian Boltanski. In total, Solo Houses spreads across 200 hectares, surrounded by clusters of medieval towns with just a few hundred residents.<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"362.17153996101365\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 362.17153996101365'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,\/9j\/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj\/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj\/wAARCAALABQDASIAAhEBAxEB\/8QAGQAAAgMBAAAAAAAAAAAAAAAAAAUDBgcI\/8QAIhAAAgEEAQQDAAAAAAAAAAAAAQIDAAQFEgcGETFBISJD\/8QAFQEBAQAAAAAAAAAAAAAAAAAAAwT\/xAAcEQACAgIDAAAAAAAAAAAAAAAAARIxAhETUWH\/2gAMAwEAAhEDEQA\/AF2B5Zzscke2SaXufsHPqnHVXLWQl1VbsRLr+bea59tnZEkKkg+Kimkcundialg8nY\/IkqL9echZqS4do8rcBT63IorNpSdz80U2n2HLw\/\/Z'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/06\/05576218f2cf00714a81eca649b4547f4a0e163f-1026x577.jpg\"\/><\/p>\n<p>The Solo House designed by Office Kersten Geers David Van Severen features moveable walls<br \/>Photo: Bas Princen<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The trail is the new piece of the puzzle that forms the gallery\u2019s \u201cuniverse\u201d, Bourdais and Albarr\u00e1n say. Other pieces include an exhibition space in Madrid and a converted manor house gallery in Menorca. In Matarra\u00f1a, the pair also run a winery with limited-edition bottles bearing artist-designed labels. In May they received a permit to build a hotel on the same grounds, which is set to open by 2028 and will be designed by the Chilean architect Smiljan Radic. \u201cThere is quite a traditional aspect in galleries today, with four white walls and exhibitions every two, three months,\u201d Bourdais says. \u201cWe try to redefine that.\u201d<\/p>\n<p>Dialogue between art and nature<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">For Albarr\u00e1n and Bourdais, time is a luxury collectors can rarely afford. \u201cToday, real collectors don\u2019t want to be exposed to an accumulation of art; they want to get to know the gallerists, the artists,\u201d Bourdais says. To fulfil that demand, the couple regularly invites collectors to Matarra\u00f1a to explore the art at their own pace and immerse themselves in nature. In spite of their size, the installations are invisible for most of the trail, blending in with the forest and vineyards. The Office Solo House, designed by the Belgian studio Office Kersten Geers David Van Severen, disappears in the landscape thanks to its moveable walls. This is a conscious choice. As Albarr\u00e1n explains, the art is in dialogue with nature but ultimately, \u201cnature wins\u201d.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The Mexican artist Jose Davila was struck by the ambition and uniqueness of the project. \u201cThey have the healthy habit of having blind faith in their collaborators,\u201d he tells The Art Newspaper. Davila stayed in Matarra\u00f1a last September to scout with Bourdais the ideal location for his bespoke works. Local construction companies and artisans were involved in the production of his pieces, as well as those of other artists and the houses. The only smith of Cretas, a nearby town of fewer than 300 inhabitants, worked on both Davila\u2019sand Hatoum\u2019s pieces. \u201cIt\u2019s very attractive for an artist to find models of galleries beyond four white walls,\u201d Davila says.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Describing their ideal collector, Albarr\u00e1n and Bourdais say a certain sensitivity is required to imagine the monumental in a domestic space, \u201cand to find a place for the artwork as magical as the current one\u201d, Bourdais adds. Transforming one of Spain\u2019s most remote regions into a destination for collectors and cultural pilgrims remains a gamble, but Albarr\u00e1n and Bourdais say that the project has proven financially viable. Temporary installations have been successfully sold\u2014Last Day Bed by Mathieu Mercier found a buyer last year\u2014and the Solo Houses generate a steady income as filming locations, holiday rentals and event venues.<\/p>\n","protected":false},"excerpt":{"rendered":"The craggy landscape of Matarra\u00f1a, in eastern Spain, might seem an unlikely setting for the art trade. More&hellip;\n","protected":false},"author":2,"featured_media":178295,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5312],"tags":[73485,2000,299,11102,104,5006],"class_list":{"0":"post-178294","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-spain","8":"tag-art-on-location","9":"tag-eu","10":"tag-europe","11":"tag-sculpture","12":"tag-spain","13":"tag-tourism"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114670224482773292","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/178294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=178294"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/178294\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/178295"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=178294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=178294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=178294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}