{"id":184195,"date":"2025-06-14T16:34:14","date_gmt":"2025-06-14T16:34:14","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/184195\/"},"modified":"2025-06-14T16:34:14","modified_gmt":"2025-06-14T16:34:14","slug":"pulp-performs-at-londons-o2-arena-best-moments","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/184195\/","title":{"rendered":"Pulp Performs at London&#8217;s O2 Arena: Best Moments"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThirty years on from Britpop\u2019s commercial zenith, the U.K. still can\u2019t get enough of the scene\u2019s so-called big three. In 2023, <a href=\"https:\/\/www.billboard.com\/artist\/blur\" target=\"_blank\" rel=\"noopener\">Blur<\/a> scored a hard-won victory lap with their plaintive eighth album, The Ballad of Darren, and followed that up with two shows at London\u2019s Wembley Stadium, their biggest ever performances. <a href=\"https:\/\/www.billboard.com\/artist\/oasis\" target=\"_blank\" rel=\"noopener\">Oasis<\/a>, meanwhile, will swagger back on stage in early July for the summer\u2019s most-anticipated live shows.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAnd then there\u2019s <a href=\"https:\/\/www.billboard.com\/artist\/\" target=\"_blank\" rel=\"noopener\">Pulp<\/a>, whose moment of reappraisal has been waiting in the wings. In 2023 they returned for a slate of reunion gigs, but the moment morphed into More, their first album for 24 years. Frontman Jarvis Cocker said that the album \u2014 recorded with Nick Banks (drums), Candida Doyle (keyboards) and Mark Webber (guitars) \u2014 came together quickly in sessions with producer James Ford (Blur, Depeche Mode, Arctic Monkeys). They knew that nostalgia for the classics \u2014 namely 1994\u2019s His N Hers and 1995\u2019s Different Class \u2014 will only last so long and reunion tours can fizzle out.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMore is suitably tasteful for a group of sexagenarians, but there\u2019s vim and vigor in the record\u2019s highlights \u201cSpike Island\u201d and \u201cGot to Have Love\u201d alongside the sanguine wryness of \u201cThe Hymn of North\u201d and \u201cA Partial Eclipse.\u201d Upon announcement, Cocker said, \u201cthis is the best we can do,\u201d but beneath the playful veneer, there\u2019s great reason for them to be chuffed with how this LP turned out.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNow the surviving members of its classic lineup \u2014 minus late bassist Steve Mackey, who <a href=\"https:\/\/www.billboard.com\/music\/rock\/steve-mackey-dead-pulp-bassist-dies-1235278286\/\" target=\"_blank\" rel=\"noopener\">passed away in 2023<\/a>, and guitarist Russell Senior \u2014 have embarked on a U.K. and Ireland arena tour, including two sold-out nights at the 20,000-capacity O2 Arena in London. A long-awaited return to Glastonbury Festival at the end of June is also rumoured.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHere are the best moments from Pulp\u2019s show at London\u2019s The O2 Arena on Friday (June 13).<\/p>\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tMore, More, More<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn the run-up to the show, the crowd was warned: be on time and don\u2019t miss out. The concert, split into two sections with an intermission, and approaching three hours, was a sprawling journey through Pulp\u2019s entire discography spanning almost 40 years. Punters might have been pulled out of London\u2019s sunny beer gardens earlier than planned, but every second proved unmissable.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tA New Fan Favorite<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen \u201cSpike Island\u201d entered the band\u2019s setlists in September 2024, a new album \u2014 their first since 2001 \u2014 felt like a real possibility. The song now opens their new LP More, and is a weighty start to the show: booming synths and frontman Cocker reckoning and reflecting with his role as a performer on a stage. The slinky \u201cGrown Ups,\u201d also from the new album, was boosted by the 10-piece string section, the Elysian Collective.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tTop of the Pops<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMidway through the first act, Cocker reflected on the fact that More had given the band their <a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/pulp-score-first-uk-number-one-27-years-more-1235998588\/\" target=\"_blank\" rel=\"noopener\">first No. 1 LP in 27 years<\/a> since 1998\u2019s This is Hardcore. It was a testament, he said, to the fans\u2019 dedication since their formation in 1978 and through their lengthy hiatus between 2001 and 2023 (save for a brief run of shows in 2011). The quality of the new album, however, is a victory all their own.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tCocker\u2019s Masterful Craft<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCocker might not be the stereotypical rock band frontman \u2014 bookish, kitted in corduroy suits and genuinely funny \u2014 but he connects with audiences instantly. That comes from the quality of his lyrics, the scenes he sketches and the line he toes between irony and sentimentality. He dances and writhes much like David Byrne, unsure where his limbs and hand gestures might take him next. It\u2019s a rare rock concert to watch and listen carefully, for each line \u2014 and move \u2014 matters immensely.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tThe Pomposity of \u201cThis is Hardcore\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDepending on who you ask, Britpop had many deaths and rebirths, but 1998\u2019s This is Hardcore arrived at the tail-end after a whirlwind period of commercial and critical success. Like his contemporaries, Jarvis Cocker had grown weary of fame\u2019s intensity, and the comedown was kicking in. The LP\u2019s title track is grand and indulgent, but is a reminder of how hollow fame can be, and closes with Cocker asking, \u201cWhat exactly do you do for an encore?\u201d Its pomposity was brilliantly captured in this glitzy performance.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tLiving Room Vibes<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter a brief intermission \u2014 a welcome addition to gigs of this size, perhaps \u2014 the core band of Cocker, Banks, Doyle and Webber asked the crowd to imagine they were \u201cin a living room somewhere\u201d for \u201cSomething Changed,\u201d a plaintive love song. On record the production is layered and dense, but here it was stripped-back and played acoustically, exposing the song to its core. One of their best.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tA New National Anthem<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShould there ever be a referendum for a new English national anthem, \u201cCommon People\u201d would be a front-runner (move over, \u201cMr Brightside\u201d). Released in 1995, Cocker\u2019s magnum opus forensically dissects the British class system and packages it up into a tidy, electrifying pop song. Few artists from these shores have captured the mood of a nation so succinctly ever since.<\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"Thirty years on from Britpop\u2019s commercial zenith, the U.K. still can\u2019t get enough of the scene\u2019s so-called big&hellip;\n","protected":false},"author":2,"featured_media":184196,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[39110,748,30365,393,38903,4884,257,38904,16,65716,15],"class_list":{"0":"post-184195","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london","8":"tag-billboard-uk","9":"tag-britain","10":"tag-concerts","11":"tag-england","12":"tag-genre-rock","13":"tag-great-britain","14":"tag-london","15":"tag-music-news","16":"tag-uk","17":"tag-uk-live","18":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114682689370689294","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/184195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=184195"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/184195\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/184196"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=184195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=184195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=184195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}