{"id":249554,"date":"2025-07-09T02:07:18","date_gmt":"2025-07-09T02:07:18","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/249554\/"},"modified":"2025-07-09T02:07:18","modified_gmt":"2025-07-09T02:07:18","slug":"the-courtauld-gallery-to-present-the-first-ever-wayne-thiebaud-museum-exhibition-in-the-uk","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/249554\/","title":{"rendered":"The Courtauld Gallery to present the first-ever Wayne Thiebaud museum exhibition in the UK"},"content":{"rendered":"

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The Courtauld Gallery to present the first-ever museum exhibition in the UK on the celebrated modern American artist\u00a0Wayne Thiebaud<\/a>\u00a0<\/strong>(1920\u20132021).\u00a0<\/p>\n

One of the most original American artists of the 20th century, Thiebaud developed a unique style of painting to express his vision of post-war American life and culture.<\/p>\n

The exhibition at The Courtauld Gallery will focus on Thiebaud\u2019s break-out works of the 1960s, which made his reputation. It brings together some of the greatest paintings the artist produced during this remarkable period \u2013 lush and captivating depictions of quintessential modern American subjects, from cherry pies, hot dogs and candy counters to gumball dispensers and pinball machines. With these works, Thiebaud recast the genre of still life for the modern era.<\/p>\n

In 1962, Thiebaud asserted, \u2018Each era produces its own still life.\u2019 Steeped in art history, he saw his work as continuing the radical legacy of artists such as Jean-Sim\u00e9on Chardin, Paul C\u00e9zanne<\/a> and \u00c9douard Manet<\/a>. Thiebaud saw the commonplace objects of his own time \u2013 iconic features of American consumer culture \u2013 as vital subjects for contemporary art. His works transformed everyday delights such as lemon meringue pies and glossy cream cakes into the stuff of serious modern painting. Thiebaud\u2019s vibrantly coloured pictures of the offerings of American diners, bakeries and stores\u00a0are painterly meditations on their subjects, which draw the viewer deep into the world they represent.<\/p>\n

Painted during a period of American economic boom and optimism but also increasingly of dissent and change, Thiebaud\u2019s still lifes belie their direct and simple appearance. Within a single work, a sense of abundance and excess can give way to feelings of isolation and longing.<\/p>\n

\"\"<\/a>Wayne Thiebaud, Three Machines , 1963 , Oil on canvas, 76 . 2 x 92 . 7 cm, Fine Arts Museums of San Francisco \u00a9 Wayne Thiebaud\/VAGA at ARS, NY and DACS, London 2025 . Image : Photograph by Randy Dodson, courtesy of the Fine Arts Museums of San Francisco<\/p>\n

Thiebaud lived and worked almost his entire long life in Sacramento, California, and was a longstanding teacher at nearby University of California, Davis. In the 1940s and 1950s, before becoming a painter, he worked as an illustrator, cartoonist and art director, including a summer spent in the animation department of Walt Disney Studios and a role as a graphic designer for the US army as part of his military service during the Second World War.<\/p>\n

In 1956, Thiebaud travelled to New York to meet the avant-garde artists working there. Willem de Kooning<\/a> was especially inspirational and encouraged him to find his own voice and subjects as a modern painter. Back in Sacramento, he began painting commonplace objects of American life, largely from memory, and soon crystallised his unique approach, isolating his richly painted subjects against spare backgrounds. In 1961, he took this body of modern still lifes to New York looking for a gallery to show them. Having faced rejection from most, he made a last stop at a gallery run by a young dealer, Allan Stone, who took him on. The following year, Thiebaud staged his first solo show at the Allan Stone Gallery, which was an overnight success, propelling him into the limelight. Important collectors and institutions, including the Museum of Modern Art,<\/a> purchased works and the exhibition sold out. From there, Thiebaud would go on to become one of the major figures of 20th-century American art.<\/p>\n

In that same year, 1962, Thiebaud was featured, alongside artists such as Andy Warhol<\/a> and Roy Lichtenstein<\/a>, in two historic shows that established the Pop Art movement. Although his work coincided with Pop Art, Thiebaud never considered himself part of the movement. Rather than being rooted in advertising graphics, methods of mass reproduction, and concerned with flat, print-like surfaces, Thiebaud\u2019s work is painterly almost to the point of exaggeration. He exploited the physical properties of paint to create an intense and captivating expression of his chosen subjects.<\/p>\n

\"\"<\/a>Wayne Thiebaud, Cakes , 1963 , Oil on canvas, 152 . 4 x 182 . 9 cm, National Gallery of Art, Washington, D . C . \u00a9 Wayne Thiebaud\/VAGA at ARS, NY and DACS, London 2025 . Image : Courtesy National Gallery of Art, Washington<\/p>\n

The exhibition will feature rarely lent works from major museum and private collections in the United States. Highlights include Thiebaud\u2019s epic painting\u00a0Cakes, lent for the first time outside the US by the National Gallery of Art, Washington, D.C., and\u00a0Four Pinball Machines, one of his most significant works in a private collection. Other major loans include works from the Whitney Museum of Art, New York; the Smithsonian American Art Museum, Washington, D.C.; and the Fine Art Museums of San Francisco, among others. The exhibition also benefits from generous loans from the Wayne Thiebaud Foundation in Sacramento.<\/p>\n

An accompanying exhibition in the Gilbert and Ildiko Butler Drawings Gallery,\u00a0Wayne Thiebaud. Delights<\/strong>, will focus on the artist\u2019s eponymous 1965 portfolio of 17 prints to offer further insight into his favourite still-life motifs. It will allow visitors to appreciate Thiebaud as a draughtsman and printmaker.<\/p>\n

In addition to holding one of the few works by Thiebaud in a UK public collection \u2013 the ink drawing\u00a0Cake Slices\u00a0from 1963<\/a> \u2013 The Courtauld offers a rich context for the exploration of Thiebaud\u2019s remaking of the genre of still life. Most notably, it will be fascinating to consider his work in relation to Manet\u2019s\u00a0A Bar at the Folies-Berg\u00e8re<\/a>, a painting Thiebaud greatly admired. With its counter line-up of tempting treats, from mandarins to champagne, it is the defining precursor painting of modern consumer culture and society.\u00a0<\/p>\n

\"\"<\/a>Wayne Thiebaud, Four Pinball Machines , 1962 , Oil on canvas, 172 . 7 x 182 . 8 cm, Private Collection . \u00a9 Wayne Thiebaud\/VAGA at ARS, NY and DACS, London 2025 . Image : Courtesy of Acquavella Galleries<\/p>\n

The exhibition is curated by Dr Karen Serres, Senior Curator of Paintings, and Dr Barnaby Wright, Deputy Head of The Courtauld Gallery and Daniel Katz Curator of 20th-century Art. It will be accompanied by a richly illustrated and expansive catalogue showcasing new research on Thiebaud\u2019s still lifes, with contributions from leading scholars.<\/p>\n

The Griffin Catalyst Exhibition: Wayne Thiebaud. American Still Life<\/strong>, 10th October 2025 \u2013 18th January 2026\u00a0The Courtauld Gallery<\/a><\/p>\n

The exhibition\u2019s Title Supporter is Griffin Catalyst, the civic engagement initiative of Citadel Founder and CEO Kenneth C. Griffin.\u00a0<\/p>\n

Wayne Thiebaud. Delights\u00a0<\/strong> The Gilbert and Ildiko Butler Drawings Gallery, Floor 1 The programme of displays in the Drawings Gallery is generously supported by the International Music and Art Foundation, with additional support from James Bartos.\u00a0<\/p>\n

Tickets are on sale to Courtauld Friends from 8th July 2025.\u00a0<\/strong> Tickets are on general sale from 10th July 2025.\u00a0<\/strong>Temporary Exhibition tickets (including entry to our Permanent Collection and displays) \u2013 from \u00a318\u00a0 Friends and under-18s go free. Other concessions available.\u00a0<\/p>\n

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