2. Not mapping things out<\/b><\/p>\n
The only way to make the breadth of Fringe feel manageable is to map out a schedule. If there are any performances you are desperate to see, book them well in advance. Tickets for 2025 are already available to purchase, and big names regularly sell out. Next, find other events that fit around your top shows: both in terms of timing and (I can\u2019t stress this enough) location. Events are happening across the city and, if you don\u2019t plot out the walking times between shows, you might find yourself running for 30 minutes to get to your next performance on time (speaking from experience). If you want to squeeze a lot in, try to cluster nearby events together to avoid running laps around the festival rather than having time to enjoy it.<\/p>\n
Fringe sign. Photo \/ David Monteith-Hodge<\/p>\n
3. Leaving no room for spontaneity<\/b><\/p>\n
If you\u2019re anything like me, once you get stuck into the enormous catalogue of shows, it can be tempting to pre-plan your entire visit minute-by-minute to see as much as possible. But part of the magic of Fringe is following the buzz of reviews and flyers that take you to see performances that you may never have considered from reading a three-line blurb on the website. The sweet spot for me is booking three to four events per day in advance and still leaving plenty of room to stumble upon something great (or at least very unique).<\/p>\n