{"id":284478,"date":"2025-07-23T06:11:13","date_gmt":"2025-07-23T06:11:13","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/284478\/"},"modified":"2025-07-23T06:11:13","modified_gmt":"2025-07-23T06:11:13","slug":"kendrick-lamar-and-sza-deliver-a-stadium-worthy-performance","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/284478\/","title":{"rendered":"Kendrick Lamar and SZA deliver a stadium-worthy performance"},"content":{"rendered":"<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">Whilst Lamar&#8217;s stage set-up was understated, SZA got a little more creative when it came to her production elements.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">Her individual sets were based around nature, with dancers appearing throughout dressed as anything from trees to giant insects.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">SZA also performed several songs on the back of what appeared to be a giant green ant sculpture, before climbing into a harness and ascending the stage with huge butterfly wings.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">Despite creating an out-of-this-world environment on-stage, tonight&#8217;s performance saw her at her most natural.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">After her disappointing <a href=\"https:\/\/www.google.com\/url?sa=t&amp;source=web&amp;rct=j&amp;opi=89978449&amp;url=https:\/\/www.bbc.co.uk\/news\/articles\/ck5g74jr59eo&amp;ved=2ahUKEwj19LvI3NGOAxXIWUEAHRniD_kQFnoECBgQAQ&amp;usg=AOvVaw1C1MX8WPTf0o4vufRu49ok\" class=\"ssrcss-f6h2dj-InlineLink e1kn3p7n0\" target=\"_blank\" rel=\"noopener\">Glastonbury headline slot<\/a> at last year&#8217;s festival, much of the discourse surrounded whether she understood British audiences and was able to connect to them.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">That doubt was put to bed from the very start of her performance, which displayed her true talents as a confident and multi-talented artist.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">The 35-year-old connected with the crowd instantly, serenading them with fan favourites such as Scorsese Baby Daddy and F2F.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">In comparison to her Glastonbury headline slot, there was one similarity &#8211; she again suffered technical issues on Tuesday evening, appearing to struggle with her in-ear monitors throughout.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">However, this didn&#8217;t affect her vocals at all, which were beautifully crisp, even during fairly complicated dance choreography.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">Her stage presence was impressive, as was her ability to adapt her slower songs so that they dovetailed perfectly with Lamar&#8217;s frenetically paced sets.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">Perhaps the greatest highlight of her set came towards the end of the evening, as she lulled the crowd into an almost dreamlike state with Snooze.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">She then told the crowd how it was &#8220;crazy how you can go from being engaged to complete strangers&#8221; before she sang ballad Nobody Gets Me.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">After performing three of her own separate sets, which included songs from albums Ctrl, SOS and its recently updated deluxe version, SZA appeared once more to end the show with Lamar.<\/p>\n<p class=\"ssrcss-1q0x1qg-Paragraph e1jhz7w10\">They finished with two love songs &#8211; Luther and Gloria, before disappearing beneath the stage in a prop car, basically the production equivalent of riding off into the sunset.<\/p>\n","protected":false},"excerpt":{"rendered":"Whilst Lamar&#8217;s stage set-up was understated, SZA got a little more creative when it came to her production&hellip;\n","protected":false},"author":2,"featured_media":284479,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[13,12,14],"class_list":{"0":"post-284478","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news","8":"tag-headlines","9":"tag-news","10":"tag-top-stories"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114901069517932677","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/284478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=284478"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/284478\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/284479"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=284478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=284478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=284478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}