{"id":298463,"date":"2025-07-28T12:32:18","date_gmt":"2025-07-28T12:32:18","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/298463\/"},"modified":"2025-07-28T12:32:18","modified_gmt":"2025-07-28T12:32:18","slug":"works-by-jaune-quick-to-see-smith-and-reena-saini-kallat-to-go-on-sale-as-frieze-sculpture-returns-to-london-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/298463\/","title":{"rendered":"Works by Jaune Quick-to-See Smith and Reena Saini Kallat to go on sale as Frieze Sculpture returns to London &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Frieze Sculpture\u2014a fixture of the London art calendar\u2014will return to The Regent\u2019s Park in September, with works on show by 14 artists including the late Native American artist Jaune Quick-to-See Smith and Delhi-born Reena Saini Kallat. The 13th edition runs from 17 September to 2 November, coinciding with Frieze London and Frieze Masters (15-19 October). All of the works featured are for sale.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Fato\u015f \u00dcstek, the curator of Frieze Sculpture, has organised the exhibition thematically under the heading In the Shadows. \u201cShadows are not mere voids. They are zones of potential, where stories unfold quietly yet powerfully, often out of sight. The artists this year reflect these tensions with profound insight: their works address ecological vulnerability, historical erasure, and human transformation,\u201d she says in a statement.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Andy Holden will show Auguries, part of an ongoing series initially developed for the Hepworth Wakefield gallery in West Yorkshire. \u201cI turned my recordings of birds, who had declined more than 50% in my lifetime, into monumental bronze vertical renders of the wave form of the song,\u201d Holden tells The Art Newspaper. The new work continues the series but this version comprises smaller cast bronze works on top of high telegraph poles, he adds.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Reena Saini Kallat\u2019s sound sculpture Requiem (The Last Call), 2024, also references endangered birds, featuring recordings of bird calls from eleven extinct species. The Canadian artist David Altmejd, who is represented by White Cube, will show Nymph 1 Nymph 2 Nymph 3 (2025), a depiction in bronze of a distorted figure. J<a class=\"transition-all duration-default shadow-internalLink hover:text-red-900\" href=\"https:\/\/www.theartnewspaper.com\/2023\/05\/11\/jaune-quick-to-see-smith-whitney-museum-retrospective\" target=\"_blank\" rel=\"noopener\">aune Quick-to-See Smith<\/a>\u2019s piece King of the Mountain (2024\u201325) is a \u201ctribute to Indigenous memory\u201d, says a project statement.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Other participating artists include German-born Grace Schwindt, the Brazilian painter Henrique Oliveira, New York-based Timur Si-Qin,\u00a0Burc\u0327ak Bingo\u0308l of Turkey and the Turner prizewinning architecture collective Assemble. The exhibition also includes the work\u00a0Neighbours\u00a0(2025) by the Iranian sculptor Abdollah Nafisi who is represented by Dastan Gallery in Tehran.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Frieze Sculpture forms part of London Sculpture Week (20-28 September) which includes a conference at the Warburg Institute, London University, on 26 September.<\/p>\n","protected":false},"excerpt":{"rendered":"Frieze Sculpture\u2014a fixture of the London art calendar\u2014will return to The Regent\u2019s Park in September, with works on&hellip;\n","protected":false},"author":2,"featured_media":298464,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[748,393,110598,110597,4884,257,11102,16,15],"class_list":{"0":"post-298463","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london","8":"tag-britain","9":"tag-england","10":"tag-frieze-london","11":"tag-frieze-sculpture","12":"tag-great-britain","13":"tag-london","14":"tag-sculpture","15":"tag-uk","16":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114930879355149008","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/298463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=298463"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/298463\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/298464"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=298463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=298463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=298463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}