{"id":309769,"date":"2025-08-01T17:08:25","date_gmt":"2025-08-01T17:08:25","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/309769\/"},"modified":"2025-08-01T17:08:25","modified_gmt":"2025-08-01T17:08:25","slug":"anchorite-realm-of-ruin-review","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/309769\/","title":{"rendered":"Anchorite &#8211; Realm of Ruin Review"},"content":{"rendered":"<p style=\"text-align: justify;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignleft size-medium wp-image-220084\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/Anchorite_Realm-of-Ruin-01-350x350.jpg\" alt=\"\" width=\"350\" height=\"350\"   data-eio=\"p\"\/>2025 has not given me nearly enough epic doom. I need a lot of that stuff to offset my obsession with sub-basement phlegm-death, or my entire equilibrium starts to go pear-shaped and fall off the tracks. Luckily, international collective <strong>Anchorite<\/strong> are on the job with their sophomore opus, Realm of Ruin. Using the tried-and-trve sound profile of <strong>Candlemass<\/strong>, <strong>Solitude Aeturnus<\/strong>, <strong>Crypt Sermon<\/strong>, and <strong>Sorcerer<\/strong>, all the key landmarks are present, with heavy riffs, powerful vocals, and a sense of melancholy lurking behind the iron fistery. What gives <strong>Anchorite<\/strong> a leg up is a sizeable dose of testosterone and machismo in their doom chowder. They borrow from acts like <strong>Pale Divine<\/strong> and<strong> Argus<\/strong> and aim to kick you in the nether regions even as they harsh your mellow emotionally. Is that the sort of dual-tracked abuse you want from your metal? If so, follow me to the punishment area.<\/p>\n<p style=\"text-align: justify;\">The gates open wide on the opening title track to reveal a powerful, punchy sound with burly riffs pushing the song forward as Leo Stivala (<strong>Forsaken<\/strong>, <strong>Pagan Altar<\/strong>) delivers manly, rough-hewn bellows and plaintive, somber tones as the moment requires. This is almost like vintage <strong>Iced Earth<\/strong> doing epic doom, and honestly, it works pretty damn well. Better still is \u201cThe Lighthouse Chronicles,\u201d which takes you on a moody, emotional voyage over 7-plus minutes with hooks deployed expertly along the way to snare your ear. It\u2019s plenty mournful and forlorn, but the epic energy crackles just below the surface and the riffs are meaty and forceful. The chorus is immediately memorable, supported by dour riffing that reeks of <strong>Paradise Lost<\/strong>. Add an intriguing midpoint segment that screams introspective <strong>Nevermore<\/strong>, and it\u2019s clear <strong>Anchorite<\/strong> are onto something. Through it all, Stivala moves adroitly from rougher tones to weepy sadboi wails, convincing at all times. Showing <strong>Anchorite<\/strong>\u2019s range, \u201cDevil on the Throne\u201d shifts to muscular, bluesy biker doom like <strong>Place of Skulls<\/strong> and <strong>Pale Divine<\/strong>. It\u2019s less direct, more classically doomy, and 70s <strong>Sabbath<\/strong> jam-intensive. It checks all the boxes, and Stivala once again channels Warrel Dane\u2019s potent spirit to good effect.<\/p>\n<p style=\"text-align: justify;\">If things had slipped a bit on the album\u2019s back half, I\u2019d still be pretty impressed with Realm of Ruin. Instead, you get shellacked by the majesty and might of \u201cThe Apostate\u2019s Prayer,\u201d which is half vintage <b>Candlemass<\/b>, half <strong>Sorcerer<\/strong>, and all badass. The guitar work here is stellar, and Stivala ups his game significantly for a vocal tour de force running across misery, grief, and soul-killing inner conflict. His despondent cries of \u201cI have fallen so far\u201d will give you goose bumps and pierce your cold, dead heart. This tune is aces. Closer \u201cKingdom Undone\u201d is another big moment with a gripping chorus that blends classic metal, doom, and just a hint of power cheese for something extra hooky. It reminds me of the material on <strong>Human Fortress<\/strong>\u2019 stellar Defenders of the Crown, but with a melancholic sheen slathered over everything. There are no duds here, and every track brings something interesting to the table, though they don\u2019t all reach the same peaks as the aforementioned highlights. A few tracks suffer from slight bloating around the edges, but at 54 minutes, Realm of Ruin doesn\u2019t feel overlong, nor would I want to see any selections cut.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-220092 aligncenter\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/Anchorite_Realm-of-Ruin-02-500x375.jpg\" alt=\"\" width=\"500\" height=\"375\"   data-eio=\"p\"\/><\/p>\n<p style=\"text-align: justify;\">I\u2019m quite impressed with Leo Stivala\u2019s performance. He mixes forceful Jorn-esque bellows with effectively downcast classic doom singing and switches up his delivery enough to provide surprises and meet the material where it is. He\u2019s got some of the same charm and appeal as <strong>Crypt Sermon<\/strong>\u2019s Brooks Wilson, and also reminds one of Robert Lowe (<strong>Solitude Aeturnus<\/strong>) at times. Then there are the scattered Warrel Dane bits. Not bad company to find oneself in. Matching Stivala at each step is the guitar work by Martin Andersen. He blends classic heavy metal tropes with all the expected epic doom sounds and brings in touches of power metal to round out the experience. He delivers emotional moments in his solos and harmonies while keeping things heavier than one might expect. Impressive showing in all phases.<\/p>\n<p style=\"text-align: justify;\">Realm of Ruin is one of those albums you enjoy on the first go-through, and with each spin, it reveals more of itself until you\u2019re fully submerged in the band\u2019s craftwork. <strong>Anchorite<\/strong> have writing chops, and Realm comes fairly close to reaching the upper levels of doom glory. As it stands, it\u2019s an immersive stroll through the ruins with moments of genuine brilliance and grandeur. I\u2019ll be watching these cats closely because their potential is writ large. A happy surprise and well recommended.<\/p>\n<p>\ufeff<\/p>\n<p style=\"text-align: center;\"><strong>Rating:<\/strong> 3.5\/5.0<br \/><strong>DR:<\/strong> 8 | <strong>Format Reviewed:<\/strong> 320 kbps mp3<br \/><strong>Label:<\/strong> <a href=\"https:\/\/www.personal-records.com\/\" target=\"_blank\" rel=\"noopener\">Personal Records<\/a><br \/><strong>Website:<\/strong> <a href=\"https:\/\/www.facebook.com\/anchoritedoom\/\" target=\"_blank\" rel=\"noopener\">facebook.com\/anchoritedoom<\/a><br \/><strong>Releases Worldwide:<\/strong> August 1st, 2025<\/p>\n<p>\n\tGive in to Your Anger:<\/p>\n","protected":false},"excerpt":{"rendered":"2025 has not given me nearly enough epic doom. I need a lot of that stuff to offset&hellip;\n","protected":false},"author":2,"featured_media":309770,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3936],"tags":[743,10268,113324,113325,113326,20151,113327,113328,10273,77,113329,113330,269,113331,113332,6080,6082,113333,113334,16,15],"class_list":{"0":"post-309769","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-743","9":"tag-3-5","10":"tag-anchorite","11":"tag-argus","12":"tag-aug25","13":"tag-candlemass","14":"tag-crypt-sermon","15":"tag-desolate-realm","16":"tag-doom-metal","17":"tag-entertainment","18":"tag-epic-doom-metal","19":"tag-international-metal","20":"tag-music","21":"tag-pale-divine","22":"tag-realm-of-ruin","23":"tag-review","24":"tag-reviews","25":"tag-solitude-aeturnus","26":"tag-sorcerer","27":"tag-uk","28":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114954613971240580","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/309769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=309769"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/309769\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/309770"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=309769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=309769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=309769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}