{"id":320880,"date":"2025-08-05T22:05:35","date_gmt":"2025-08-05T22:05:35","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/320880\/"},"modified":"2025-08-05T22:05:35","modified_gmt":"2025-08-05T22:05:35","slug":"uk-entertainment-sector-set-to-be-biggest-in-europe-worth-100bn","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/320880\/","title":{"rendered":"UK entertainment sector set to be biggest in Europe worth \u00a3100bn"},"content":{"rendered":"<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Thanks to Taylor Swift, Barbie and a crackdown by Netflix on password-sharing, the British entertainment market is expected to surpass \u00a3100 billion for the first time this year. <\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">By 2028 Britain\u2019s entertainment and media sector will generate \u00a3121 billion in revenue, making it the largest in Europe, according to a global entertainment and media outlook from PwC, the consultancy. That compares with \u00a3111 billion in Germany, which the UK is forecast to overtake next year, for the first time.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">The growth in Britain is largely being driven by an increase in advertising spending, which is projected to rise from \u00a332 billion this year to \u00a344 billion in 2028, as well as by higher consumer spending on video streaming, social networking and gaming. <\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cContinued growth in consumer spend on online platforms such as for gaming and streaming, together with offline environments like cinema and live music, highlight that consumers continue to seek engaging content experiences,\u201d Dan Bunyan, a partner at PwC, said.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">The rise in video streaming revenue comes despite several leading streamers increasing their prices and including advertising-based subscriptions. Last year Netflix cracked down on password-sharing and introduced a cheaper, advert-filled tier, but its <a href=\"https:\/\/www.thetimes.com\/article\/netflix-subscriber-growth-beats-estimates-6xsffzwqx\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" target=\"_blank\" rel=\"noopener\">profits and subscriber numbers rose<\/a> after the change. Other streaming companies, including Disney+ and Amazon Prime Video, have followed suit.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">The inclusion of live sports on streaming platforms has contributed further to the increase in subscriptions. The UK\u2019s internet-based streaming, also known as the over-the-top market, is now the third largest globally by revenue, behind only the United States and China.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cDespite the difficult macroeconomic environment, the market has continued to flourish,\u201d Ben Bird, the entertainment and media sector leader at PwC UK, said. \u201cOperators are leveraging their content rights and original productions to boost take-up, leaving consumers needing to subscribe to multiple services or to rotate platforms to access the content they desire, such as sports streaming, with English Premier League football spread across three different streaming platforms.\u201d<\/p>\n<p><img decoding=\"async\" alt=\"The frothy period drama Bridgerton helped Netflix to add eight millions subscribers\" loading=\"lazy\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/\/methode\/times\/prod\/web\/bin\/e2ab43eb-f25a-485b-8167-a76371f1dc0b.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>The frothy period drama Bridgerton helped Netflix to add eight millions subscribers<\/p>\n<p>LIAM DANIEL\/NETFLIX<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Last month Netflix added eight million subscribers, driven by successful programmes such as Bridgerton and Baby Reindeer. The company reported a 17 per cent year-on-year revenue increase in the second quarter.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Swift\u2019s 15-show UK leg of the Eras Tour boosted live music ticket sales this year after a slow recovery from the pandemic. By 2028 ticket sales revenue is expected to rise to \u00a31.9 billion, up from \u00a31.75 billion this year, and to account for 31 per cent of total music, radio and podcast revenue.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/article\/what-to-watch-now-on-netflix-bbc-iplayer-prime-video-and-beyond-qfml2dxls\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" target=\"_blank\" rel=\"noopener\"><b>What to watch now on Netflix, BBC iPlayer, Prime Video and beyond<\/b><\/a><\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">In cinemas, blockbuster releases such as Barbie and Oppenheimer drove box-office revenue. Globally, the two films, nicknamed \u201cBarbenheimer\u201d, grossed a total of $2.4 billion. With upcoming releases such as another Avatar sequel, PwC has forecast that <a href=\"https:\/\/www.thetimes.com\/article\/british-studios-recover-pinewood-us-actor-strike-s9p8ztpv3\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" target=\"_blank\" rel=\"noopener\">the market will surpass pre-Covid levels<\/a> by 2027.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">The global popularity of gaming continues to drive rising revenues, with Britain maintaining its winning streak in Europe. Total video games and esports revenue in the UK is forecast to grow from \u00a37.4 billion this year to \u00a38.4 billion in 2028.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Social and casual gaming generates more than half of the country\u2019s total video games revenue and, with Nintendo likely to release the next generation of its Switch console next year, this is expected to continue.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">In recent years gaming companies have shifted their focus to more collaborative and social gameplay to appeal to younger demographics. In February <a href=\"https:\/\/www.thetimes.com\/article\/disney-hands-out-goodies-to-investors-as-new-era-starts-3nsk6qp6m\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" target=\"_blank\" rel=\"noopener\">Disney and Epic Games announced a deal<\/a> to work on an ecosystem that would integrate the video game Fortnite and the worlds of Pixar, Marvel and Star Wars.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Global video games revenue, which includes esports, reached $227.6 billion last year, up 3.6 per cent year-on-year. By 2028 gaming will account for 9 per cent of the entertainment and media industry, PwC said.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Across the eleven sectors of Britain\u2019s entertainment and media market, only two are expected to decline by 2028 compared with this year\u2019s figures: traditional television and the newspaper, consumer magazine and books sector.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/article\/how-to-make-money-gaming-wordle-q656ld75t\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" target=\"_blank\" rel=\"noopener\"><b>My second job is playing Wordle (and I make $2k a month)<\/b><\/a><\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cThe UK entertainment and media industry has always been at the forefront of technological disruption,\u201d Mary Shelton Rose, the UK technology, media and telecoms leader at PwC, said. \u201cTo capitalise on the many growth opportunities, it must leverage the power of new and emerging technologies, such as genAI, reshape its business and creative models and better leverage technology for advertising.<\/p>\n<p id=\"last-paragraph\" class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cOur E&amp;M industry is one of the UK\u2019s strongest growth sectors. To stay ahead, we must continue investing in talent and embracing digital transformation, which will support further revenue growth.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Thanks to Taylor Swift, Barbie and a crackdown by Netflix on password-sharing, the British entertainment market is expected&hellip;\n","protected":false},"author":2,"featured_media":320881,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5018,3,4],"tags":[748,393,4884,1144,712,16,15,1764],"class_list":{"0":"post-320880","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-britain","8":"category-uk","9":"category-united-kingdom","10":"tag-britain","11":"tag-england","12":"tag-great-britain","13":"tag-northern-ireland","14":"tag-scotland","15":"tag-uk","16":"tag-united-kingdom","17":"tag-wales"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114978431567088785","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/320880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=320880"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/320880\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/320881"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=320880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=320880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=320880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}